Etree - John H - 717 shows
Last Update: Wednesday Apr 29, 2026

[ DIFFERENCE | WANT LIST (10) | COMMENTS (2) | EMAIL ]


I use wetransfer to send shows. I am always looking for Bryan Adams, Barclay James Harvest, Crosby Stills Nash and Young, Manfred Mann's Earth Band, Kayak and Jackson Browne.



I have over a terrabyte of the Allman Brothers and Grateful Dead and all of the shows I have are not all listed.  If you have a date or show your looking for ask and I will see if I or one of my friends 



has it. I also have a lot of Pink Floyd and cover bands. If I don't get back to you right away the possibility is you wound up in the junk folder.  I will always try to help you out.  


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Kansas http://www.kansasband.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 08/28/11 Hibiya Open Air Music Theater - Tokyo, Japan A Lineage:aiwa CM-TS55 mics >Roland EDIROL R-09 >SoundEngine Free(split) >BatchWOO(convert) > FLAC 1 flac  

Off Broadway  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/16/80 International Amphitheatre - Chicago, IL 8 SOURCE: Radio broadcast LINEAGE: trade cdr--> EAC secure mode--> wav--> Flac frontend--> flac FILESIZE: 214 Mb 1 Flac  
2. 10/29/80 Full Compass Studio WIBA FM - Madison, WI A- Broadcast from Full Compass Studio, Madison, WI --- WIBA FM 101.5 MHz Lineage: FM > tape (unknown probably reel) > digitization (unknown) > CD-R CD-R > EAC > WAV > Audacity > WAV > TLH > FLAC 1 flac  

Omega  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/23/75 Zur Grille - Minden, Germany AA Master Reel>Sony CDR-W66 Standalone CD Burner w/"super bitmapping on">CDR CDR>Plexwriter Premium II CD-Transport>iMac 3.06 GHz Intel Core Duo with iTunes 9.2.1 into WAW>DVDR. DVDR>WAV>TLH>FLAC>DIME 1 flac  
2. 11/18/78 Unknown - Nijmegen, Netherlands A- 01_A nevtelen utazo 02_Metamorfozis I 03_Russian Winter (Lena) 04_Napot hoztam, csillagot 05_Idorablo 06_Napot hoztam, csillagot (reprise) 07_The Hope, The Bread and the Wine 08_Finale 1 flac  

Otis Rush  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/04/78 Village Vanguard - New York, NY a- Source: FM Lineage: Boot CD > wav> TLH > Flac (level8) 1 flac  

Ottmar Liebert & Luna Negra  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/26/14 SLO Brewing CO. - San Luis Obispo, CA AA Source: Neumann AK-40’s (ORTF in hat) > LC3 > KM-100’s > Beyer MV-100 > Tascam DR-100mkII (24/48) Mastering: .WAV > iZotope RX 2 Advanced v2.02.457 (declick) > Sound Forge Pro 10.0a (fades, minor edits, & normalize) > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging) Location: 3rd Row, DFC (Just to the right of the front center ceiling post) Recorded by: OldNeumanntapr Mastered by: Dennis Orr 2 flac  
2. 10/02/16 Tooth & Nail Winery - Paso Robles, CA AA Neumann AK 40s (ORTF In Hat) >LC3 >KM 100s >Beyer MV 100 >Tascam DR100mkII (24bit/48khz) Recorded Third Row Center. Recorded, Audacity, FLAC, And Tags By OldNeumanntapr Sound Forge Post Production By Dennis Orr WAV >Sound Forge Pro 11.0 Build 299 [iZotope Mastering Suite (declick), Minor Edit And Normalize) > Audacity (Track Splits, Down Sample / Dither To 16bit/44.1khz) >FLAC (Level 8) + Tags Via xACT 2.37 2 flac  

Page & Plant  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/06/95 Miami Arena - Miami, FL A lineage: For the audio : My silvers>EAC Secure Mode>WAV>FLACFRONTEND>FLAC Level 8, tested encoded files and Checksum md5 generated by Traders' Little Helper Artwork included with scans and shots from my copy, EAC log files included 2 flac  
2. 03/07/95 Centroplex - Orlando, FL a- Lineage: Unknown>FLAC Audience Recording Boisterous crowd still pretty good 2 flac  
3. 05/01/95 Bradley Center - Milwaukee, WI A (+ April 1 1995 The Palace, Detroit, Michigan*) Soundboard Recordings Label: Runar Valley Surprise Disc Lineage: Pressed DVD->ImToo DVD Audio Ripper->wave->Tracksplit with Cool Edit Pro 2.0->Flacfrontend->flac ***************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr 2 flac  
4. 05/02/95 Target Center - Minneapolis, MN A LINEAGE AUDIENCE DAT MASTER TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 GEAR/INFO Sony D7 w/AKG 414's on stand 15 feet in the air w/Stewart BPS-1 48 volt phantom power supply. Recorded on KAO 90M DAT. FROM THE TAPER SECTION no eq or any other tampering just the raw tape 2 flac  
5. 05/06/95 Kiel Centre - St. Louis, MO A recording info: Sony 959 > Sony D3 DAT Master @ 16bit/48kHz lineage: DAT Master > my DAT processing: my DAT > tascam da20 > waveterminal > adobe audition > cdwav > tlh flac 8 these are 16bit/48kHz flac files 2 flac  
6. 05/26/95 Pacific Coliseum - Vancouver, BC A Source: 2 x unknown Audio Technica lapel mics > Sony TCD-D7 DAT Transfer: DAT master > Tascam DA-30 > Edirol R-44 > .WAV @ 16 bit/48 kHz Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [splicing; minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Location: Section A, Row 1, Seat 9 Recorded & transferred by: Chris Bold Mastered by: Dennis Orr 2 flac  
7. 06/25/95 Glastonbury Festival - Glastonbury, England A+ Silvers>EAC>Traders Little Helper>FLAC (Ex Soundboard) 1 flac  
8. 07/12/95 Glasgow SE and CC - Glasgow, Scotland A Audience Recording Bootleg Album: "Get rid of the smoke" 20cd set (Discs 3 and 4) Lineage: Silvers>EAC>Traders Little Helper>FLAC 2 flac  
9. 07/13/95 Sheffield Arena - Sheffield, England A Source: Audience ( Excellent ) Lineage: My Silvers > EAC > WAV > FLAC Bootleg Title: Get Rid of the Smoke ( 20 CD Set ). 2 flac  
10. 07/15/95 Cornwall Coliseum - St Austell, UK A Source: Audience ( Excellent ) Lineage: My Silvers > EAC > WAV > FLAC Bootleg Title: Get Rid of the Smoke ( 20 CD Set ). 2 flac  
11. 07/16/95 Poole Arts Centre - Poole, England A Source: Audience ( Excellent ) Lineage: My Silvers > EAC > WAV > FLAC Bootleg Title: Get Rid of the Smoke ( 20 CD Set ). 2 flac  
12. 07/22/95 Birmingham NEC - Birmingham, England A Source: Audience ( Excellent ) Lineage: My Silvers > EAC > WAV > FLAC Bootleg Title: Get Rid of the Smoke ( 20 CD Set ). 2 flac  
13. 07/23/95 Birmingham NEC - Birmingham, England A Source: Audience ( Excellent ) Lineage: My Silvers > EAC > WAV > FLAC Bootleg Title: Get Rid of the Smoke ( 20 CD Set ). 2 flac  
14. 07/23/95 Birmingham NEC - Birmingham, England A Source: Audience ( Excellent ) Lineage: My Silvers > EAC > WAV > FLAC Bootleg Title: Get Rid of the Smoke ( 20 CD Set ). 2 flac  
15. 07/25/95 Wembley Arena - London, England A Source: Audience ( Excellent ) Lineage: My Silvers > EAC > WAV > FLAC Bootleg Title: Get Rid of the Smoke ( 20 CD Set ). 2 flac  
16. 07/26/95 Wembley Arena - London, England A Source: Audience ( Excellent ) Lineage: My Silvers > EAC > WAV > FLAC Bootleg Title: Get Rid of the Smoke ( 20 CD Set ). 2 flac  
17. 10/03/95 Irvine Meadows - Irvine, CA A Master DAT (or clone) courtesy "Flex" Hamilton Recorded by Martin Hollander 2 Sennheiser MKH406-tu > Sony D3 @ 16-48 using a 90 meter Hewlett Packard Digital Data Cartridge Transfer (March 25, 2023) Flying -M- Otari DTR 8-s (via spdif) > Korg MR2000-s @ 16-48 iZotope RX8 advanced > CD Wave > Korg Aqua (16-44) > TLH due to technical issues the bottom 300 HZ is dual right channel. Thanks to "Flex" for sharing his recordings. This was done with his equipment but with Martin recording the show. Jewel box artwork by ethiessen1, many thanks for the beautiful covers on this and so many other shows. For historical reference only and not intended for resale or any commercial use Support the artists and the venues that host live music Buy the official releases and go to a concert 2 flac  
18. 10/23/95 FleetCenter - Boston, MA A Source: Audience ( Excellent ) Lineage: My Silvers > EAC > WAV > FLAC Bootleg Title: Get Rid of the Smoke ( 20 CD Set ). 2 flac  
19. 10/26/95 Madison Square Garden - New York, NY A Source:2-Schoeps CMC6 W/MK-4 Cardiod ( 10" Apart ORTF ) Stand 8ft > Sonosax SX-M2 Pre-Amp>Sony D-10 Pro II DAT DAT Transfer: Sony PCM 2700>SP/DIF>HHB CD-R 850 October 2000 CD Transfer: CD Opital Drive>Traders Little Helper FLAC Encoding Location: Sec 2 Row 3 Seat 15 Taper: Terry Sullivan 2 flac  
20. 01/23/96 Estadio Sausalito - Viña del Mar, Chile A FM BROADCAST>ANALOG FIRST GEN>CDR>EAC>FLAC 2 flac  
21. 02/05/96 Budokan Hall - Tokyo, Japan A source: audience recording lineage: my silvers > EAC > Flac (level 8 ) 2 flac  
22. 02/06/96 Budokan Hall - Tokyo, Japan AA lineage: my silvers > EAC > Flac (level 8 ) 2 flac  
23. 02/08/96 Budokan Hall - Tokyo, Japan AA lineage: my silvers > EAC > Flac (level 8 ) 2 flac  
24. 02/09/96 Budokan Hall - Tokyo, Japan AA lineage: my silvers > EAC > Flac (level 8 ) 2 flac  
25. 02/12/96 Budokan Hall - Tokyo, Japan AA lineage: my silvers > EAC > Flac (level 8 ) 2 flac  
26. 02/13/96 Budokan Hall - Tokyo, Japan AA lineage: my silvers > EAC > Flac (level 8 ) 2 flac  
27. 02/15/96 Festival Hall - Osaka, Japan AA lineage: my silvers > EAC > Flac (level 8 ) 2 flac  
28. 02/17/96 Century Hall - Nagoya, Japan AA lineage: my silvers > EAC > Flac (level 8 ) 2 flac  
29. 02/19/96 Castle Hall - Osaka, Japan AA lineage: my silvers > EAC > Flac (level 8 ) 2 flac  
30. 02/20/96 Marine Messe - Fukuoka, Japan AA lineage: my silvers > EAC > Flac (level 8 ) 2 flac  
31. 02/12/98 Oberhausen - Unknown, Germany A   2 flac  
32. 03/12/98 Unknown - Frankfort, Germany A   2 flac  
33. 11/16/98 Erfurt - Messehalle, Germany A   2 flac  
34. 11/23/98 Olympiahalle - Munich, Germany A   2 flac  

Paice, Ashton, and Lord  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/30/77 Apollo Theater - Glasgow, Scotland B++ Lineage: master cassette > cdr(1) > wav > edits > flac 1 flac  

Pat Benatar http://www.benatargiraldo.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 11/10/88 Tower Theater - Upper Darby, PA A+ Westwood One Superstars in Concert Show #CO 89-02 For Broadcast the weekend of February 3, 1989 Lineage: pre-FM vinyl discs > ? > HDD > WAV > Audacity > TLH > FLAC (L8) 2 flac  
2. 05/23/25 Mershon Auditorium - Columbus, OH 8.5 Taper: Charles Dewey Cole, IV Location: section B, row 5, seat 5; mics mounted on baseball hat brim. Source: SP-CMC-8 Cardioids (4.7k mod) > SP-SPSB-11 (@16Hz) > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave 1 Flac  

Pat Travers  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/25/80 Warfield Theater - San Francisco, CA A Lineage - original bootleg silver > WAV (EAC in secure mode) > FLAC (TLH @ level 8) > Dime 1 flac  
2. 05/28/80 Warfield Theatre - San Francisco, CA a- Lineage - cdr>eac>flac 1 flac  
3. 03/28/25 The Rockpile Bar & Nightclub - Toronto, ON 8 Lineage: Core Sound High End Binaurals -> Roland R-05 -> Soundforge -> CDWave -> FLAC + add tags Recorded and edited by BurnBoy 2 Flac  
4. 03/12/26 The Stone Church - Brattleboro, VT 9 Zoom H1 > Wav (44.1/16) > Adobe Audition (minor edits/amplification) > Wav > Trader's Little Helper > FLAC 8 (no SBE) 2 Flac  

Pat Travers Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/27/78 Agora Ballroom - Cleveland, OH AA Master Reels Agora Ballroom Cleveland OH Notes : received as 'Master Reels Cleveland 1978-11-28' (from the master reels WMMS) and 'Agora OH 1978-11-27'. Both CDs are identical, according to search on the net (including etree.org) the correct date is 1978-11-27. Extraction with EAC reported an error at 3:44 / Track 2. I fixed this as good as possible, you will obviously not not notice the error anymore. 1 flac  
2. 12/09/82 Civic Center - Baltimore, MD A Analog 1st Gen Cassette>CDR>EAC>WAV>TLH>FLAC>DIME From the collection of; "Rob P" Uploaded by; "Lucifer Burns" 1 flac  
3. 10/13/19 Ludlow Garage - Cincinnati, OH A AT933's(Cardioid)>Tascam DR-1(2)> edited(Volume, High Pass Filter slight EQ) with Shotcut> tracked with Audacity> flac level 8(TLH) 2 flac  
4. 07/17/21 The Funky Biscuit - Boca Raton, FL A Source: Soundboard master feed > thumb drive + Omni mics (in front of the bass amp > Zoom H6 + Cardioid mics (in front of the guitar amp) > Matrix mixdown > .WAV @ 24 bit/48 kHz Editing: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded & mixed down by: Michael Wolf ("datfly") Edited by: Dennis Orr 2 flac  
5. 06/30/23 Sellersville Theater - Sellersville, PA A source : schoeps mk41v > nbob actives > babynbox > a-10 > 24/44.1 wav adobe audition > ozone 8 > xact 2.52 > flac 16/44.1 taper : edtyre 2 flac  

Patty Smyth  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/29/18 Tupelo Music Hall - Derry, NH a- SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Roland R-05 (Line In)===SDHC SanDisk 16GB Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  

Paul Collins' Beat  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/28/17 Redwood Bar & grill - Los Angeles, CA a- Original lineage (from ijwthstd): AT831 -> BB -> DR-2d -> Soundforge -> FLAC Additional lineage for this edited version: FLAC > Traders Little Helper > WAV > Nero wave editor (to combine) > CD Wave (to re-split tracks) > Cool Edit Pro (volume boost between songs, hard limited to -0.1dB) > Trader's Little Helper (sb-aligned) > FLAC 1 flac  

Paul Kantner  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/13/03 Jenner Playhouse - Jenner, CA AA CD copied from wAV discs and transcribed > flac halbroome@yahoo.com Seed kindly provided by Stephen M. Cogswell 2 flac  

Paul McCartney  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 The Making Of James Paul McCartney TV Special  - Compilation, Compilation AA Track List: 1) Camera Clicks 2) Section 1B Take 1: That'll be the Day / Take Your Time (Linda) / Take Your Time (Paul) / Blackbird / Country Dreamer / Momma's Little Girl / Love is Long 3) Section 1D Take 1: Michelle / Momma's Little Girl / Bluebird / Yesterday / Hands of Love 4) Section 1E Take 1: Michelle / Michelle (with reverb) Heart of the Country / Blackbird / Hey Diddle / Momma's Little Girl / Why Am I Crying / Bluebird / Momma's Little Girl / Michelle / Heart of the Country 5) Dance Routine: The intro of "Gotta Sing Gotta Dance" (takes 1-11) 6) Intro Live and Let Die: The spoken intro to "Live and Let Die" (takes 1-3) 1 flac  
2. 12/17/79 Apollo Theatre - Glasgow, Scotland A Last Flight - The Complete 1979 Glasgow Concert(Vigotone - VT-164/165) " Glasgow, Scotland - December 17, 1979 cdr >> wav(Lilith) >> flac(Lilith) Stereo Soundboard Recording 2 flac  
3. 09/28/89 Scandinavium - Gothenburg, Sweden A Lineage:Audience Recording> Maxell XLII-90 acquired in trade> NAK BX-125> M-Audio 24/96> Adobe Audition> WAV> Flacfrontend> Flac 6> YOU 2 flac  
4. 10/04/89 Alsterdorfer Sporthalle - Hamburg, Germany a- Lineage:Audience Recording> CD RIP> Flac> WAV> Adobe Audition> WAV> Flacfrontend> Flac 6> YOU For the second night in Germany there are also two source recordings. This, the second of the two, comes from the boot CD collection "Hamburg at Last". Just like the first night release from this set there are a lot of issues with the mastering. The recording is clipped start to finish and the tracks are split in all the wrong places. I repaired the clipping the best I could and re-split the tracks. It was also very bass heavy so I did a bit of EQ on it. A whole lot better then we started with but I would love to find a better source for this one and I'm sure it's out there. Lineage:Original LP>Pioneer Turntable>Denon DL-110>Lafayette LR-3030 Receiver>M-Audio Delta AP 24/96 Card>Adobe Audition>WAV>Flac Frontend 6>YOU 2 flac  
5. 10/07/89 Festhalle - Frankfurt, West Germany a- Lineage: MCx?->cs->Csx3->Sound Forge with slight speed correction in tape deck ->track split up ->FLAC via TLH, level 6, sectors aligned and verified, FLAC integrity checked 2 flac  
6. 10/09/89 Bercy POPB - Paris, France A   2 wav  
7. 10/24/89 Palaeur - Rome, Italy B++ Lineage:Audience Recording> TDK SA-90 acquired in trade> NAK BX-125> M-Audio 24/96> Adobe Audition> WAV> Flacfrontend> Flac 6> YOU hiss and distant 2 flac  
8. 11/23/89 Great Western Forum - Inglewood, CA A   2 flac  
9. 11/23/89 Great Western Forum - Inglewood, CA 8.5 Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 133 1644 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS Transfer: Mike Millard Master Cassettes > Nakamichi RX-505 azimuth adjustment) > Sound Devices USBPre 2 > Audacity 2.0 capture 2496 > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > TLH > FLAC 2 Flac  
10. 11/27/89 Great Western Forum - Inglewood, CA a- Exit Club master via JEMS Taping Gear: Sony ECM-939 mic > Sony D6C Transfer: Master Cassettes > Nakamichi CR-7A (azimuth-adjusted) > Sound Devices USBPre2 (24/96 Audacity 2.0 capture) > iZotope MBIT+ convert to 16/44.1 > Audio Cleaning Lab > FLAC Some mic bumps on The Fool On The Hill 2 flac  
11. 11/29/89 Great Western Forum - Inglewood, CA A 1989 Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 43 1644 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX7 > iZotope Ozone 8 > MBIT+ Resample to 1644 > Audacity > TLH > FLAC 2 flac  
12. 12/15/89 Madison Square Garden - New York, NY A   2 flac  
13. 03/03/90 Tokyo Dome - Tokyo, Japan A Lineage Bootleg(IDOL MIND PRODUCTION) Silver CD > EAC > FLAC (Level 5) 2 flac  
14. 03/05/90 Tokyo Dome - Tokyo, Japan a- Bootleg Titile: TOKYO DOME 1990 2. Lineage Bootleg(Non Label) Silver CD > EAC > FLAC (Level 5) 2 flac  
15. 03/07/90 Tokyo Dome - Tokyo, Japan a- Silver CD's Non Plus Ultra Collection EAC>Traders Little Helper> Fastsum 2 flac  
16. 03/11/90 Tokyo Dome - Tokyo, Japan A Bootleg Titile: The Fabulous Tokyo Tapes 1990 2. Lineage Bootleg(IDOL MIND PRODUCTION) Silver CD > EAC > FLAC (Level 5) 3. Quality Audience EX- 2 flac  
17. 04/01/90 Memorial Stadium - Berkeley, CA AA Source: SBD > DAT (48k) clone - from the collection of David Gans Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - transferred by Charlie Miller. Lineage: iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648 2 flac  
18. 06/30/90 Knebworth Park - Knebworth, England AA   2 wav  
19. 07/04/90 RFK Stadium - Washington, DC AA Geetarz Comments: Great live show, to celebrate Independance Day in the U.S. And a killer soundboard. What else do you want? 3BR Original > EAC v. 0.99 Prebeta 4 (Secure, Offset Correct) > FLAC (8) > You ! Artwork, checksums (ffp, MD5, ST5), EAC extraction logs, and info file included. Enjoy! 2 flac  
20. 07/24/90 Foxboro Stadium - Foxboro, MA AA   2 flac  
21. ??/??/91 Unknown - Unknown, Unknown 9 Voo-Doo Records Unplugged released 1991 3 Flac  
22. 03/09/93 Melbourne Cricket Ground - Melbourne, Australia A silvers?? RH 006/007 700 number pressed 2 flac  
23. 03/27/93 Western Springs Stadium - Auckland, New Zealand A   2 flac  
24. 04/14/93 Sam Boyd Silver Bowl - Las Vegas, NV A The complete show save for the last 3 songs (Band On The Run, I Saw Her Standing There, Hey Jude). Lineage: CD-Rs from trade -> EAC -> FLAC Upoaded: audio, artwork, EAC logs, checksums. disc 1 tracks 1-21, disc 2 tracks 1-9: live in Las Vegas, NV, USA - April 14, 1993 (on cover wrongly dated as April 4, 1993) disc 2 tracks 10-13: live at Hollywood Bowl, Los Angeles, CA, USA - April 16, 1993 (on cover wrongly dated as April 17, 1993) 2 flac  
25. 04/20/93 Aggie Memorial Stadium, New Mexico State Univ. - Las Cruces, NM a- no lineage and crowd was not great on quite songs 2 flac  
26. 04/29/93 Busch Stadium - St. Louis, MO A   2 flac  
27. 05/09/93 The Citrus Bowl - Orlando, FL B++ Source: 1st Gen maxell normal bias Tape > technics rs-t60r > phillips cdr 760> EAC> TLH> flac 8> you vg+/ex- sound quality Uncirculated recording Taper too close to constant clapping and talking 2 flac  
28. 06/15/93 Blockbuster Pavilion - Charlotte, NC AA FROM THE JOE MALONEY ARCHIVE TRANSFERRED AND PRESENTED BY KRW&CO LINEAGE WPLR FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/48KHZ)> TO AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 24/48>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
29. 10/27/93 Palau Sant Jordi - Barcelona, Spain a- EQUIPEMENT:AIWA TAPE RECORDER with external Sony microphones LINAGE:TDK>Pioneer CT-W208R>PC>Audacity>Cd wave edit.>TLH>Flac (8) 3 flac  
30. 11/12/93 Unknown - Tokyo, Japan 9 Liberated Kiss The Stone bootleg Soundboard KTS - 250 2 Flac  
31. 04/24/02 MCI Center - Washington, DC A+ Remastered by TheTooleMan 11/2003 from commercial bootleg soundboard or ALD recording. - out-of-phase stereo channels corrected (original recording is MONO) - equalization and a bit of magic applied 2 flac  
32. 04/29/02 Gund Arena - Cleveland, OH 8 Source: AT853 > battery box > D8 Conversion: D8 > Tascam stand-alone burner > cdr > mac > cdr Mastering: T-Racks 24 2 Flac  
33. 09/24/02 United Center - Chicago, IL 9   3 Flac  
34. 10/05/02 Conseco Field House - Indianapolis, IN A Recorded By; STEVE JOBE Recording info: SONY WM-D6C>SONY ECM-MS908C Mic>MAXELL XL II 110 Minute Cassettes. Transfer info: Analog Master MAXELL XL II 110 Minute Chrome Bias (Type II) Cassette > SONY TC-WE635 Cassette Deck (w/Manual Azmuith Adjust) > TASCAM CD-RW900mkII Professional CD Recorder > CDR CDR>EAC>WAV>TLH>FLAC>TTD Tape Flip Gaps, Track Marked (CD Wav Editor) & ALL Editing; "tonsofsobs" Transferred & Uploaded by; "Lucifer Burns" 2 flac  
35. 10/21/02 ARCO Arena - Sacramento, CA a-   2 flac  
36. 11/02/02 Palacio De Los Deportes - Mexico City, Mexico A Label: THE SMOKING PIG Catalogue No.: TSP-001/1/2/3 2 flac  
37. 11/03/02 Palacio De Los Deportes - Mexico City, Mexico AA 2. Lineage Lineaged Bootleg(Unkwon Label) Silver CD > EAC > FLAC (Level 5) 3 flac  
38. 11/11/02 Tokyo Dome - Tokyo, Japan A 2. Lineage Bootleg(PM-111102) CD-R > EAC > FLAC (Level 5) 3. Quality Audience EX- 2 flac  
39. 11/13/02 Tokyo Dome - Tokyo, Japan a- Bootleg Titile: tokyo 2002 2nd night 2. Lineage Bootleg(No Label) Silver CD > EAC > FLAC (Level 5) 3. Quality Audience EX 2 flac  
40. 11/14/02 Tokyo Dome - Tokyo, Japan A+ Bootleg Titile: always there, with a smile 2. Lineage Bootleg(Sylph) Silver CD > EAC > FLAC (Level 5) 3. Quality Audience EX 2 flac  
41. 11/17/02 Osaka Dome - Osaka, Japan 8.5 Driving Japan 2002 Mister Claudel (MCCD 366-367) 2 Flac  
42. 11/18/02 Osaka Dome - Osaka, Japan A Album title: Driving Japan 2002 - Lead Me To Your Door Publisher: Sylph Records: SP-111802371 Lineage: CD-Rs from trade -> EAC -> FLAC -> DIME Quality: Great audience recording The hidden last track on the 2nd CD seems from soundcheck (???). 2 flac  
43. 04/09/03 Evening News Arena - Manchester, England A   2 flac  
44. 04/10/03 MEN Arena - Manchester, UK A+   2 flac  
45. 04/18/03 Earl's Court - London, UK A Picadilly Circus 001-002 silvers 2 flac  
46. 04/21/03 Earl's Court - London, UK A Picadilly Circus 003-004 Silvers 2 flac  
47. 04/27/03 Koln Arena - Colgne, Germany A   2 flac  
48. 05/02/03 Parken - Copenhagen, Denmark B++ source: Tolvis MD Master length: 157min. 2 flac  
49. 05/10/03 Coliseum - Rome, Italy A   3 flac  
50. 05/24/03 Red Square - Moscow, Russia a-   2 flac  
51. 06/01/03 King's Dock - Liverpool, England A silvers 3 flac  
52. 06/01/03 King's Dock - Liverpool, England A silvers Piccadilly Circus 3 flac  
53. 05/30/04 Estadio La Peineta - Madrid, Spain A   2  
54. 06/08/04 Horsens Forum - Horsens, Denmark a- Trade > wave > TLH > flac 8 2 flac  
55. 06/09/04 Horsens Forum - Horsens, Denmark a- Trade > wave > TLH > flac 8 No adjustments have been made to these files. Another show from the '04 Summer Tour courtesy of The Mauro archives 2 flac  
56. 06/24/04 Stade De France - Paris, France a- Traded cassette tape > Aiwa Tape Deck > Tascam DA-20 Mk 2 DAT machine > HHb burnit CDr recorder...no EQ CDr > EAC > Traders Little Helper > Flac8 sector aligned 2 flac  
57. 06/26/04 Glastonbury Music Festival - Glastonbury, UK 8.5 Mister Claudel (MCCD 420-424) 1 Flac  
58. 10/08/05 MCI Center - Washington, DC A   2 flac  
59. 10/27/05 Wells Fargo Arena - Des Moines, IA AA Lineage Lineaged Bootleg(HMC 017) Silver CD > EAC > FLAC (Level 5) 3. Quality SBD EX+ 2 flac  
60. 11/01/05 Pepsi Center - Denver, CO A   2 wav  
61. 06/27/07 Amoeba Music - Hollywood, CA 9.5 Promotional Live album released in 2010 1 Flac  
62. 10/27/07 Electric Proms - Los Angeles, CA 9.5 Voo-Doo Records 1 Flac  
63. ??/??/07 Jools Holland - London, UK 9 Label: His Master's Choice – HMC 047 Series: TMOQ Gazette – Volume 35 Format: 2 x CD, Compilation, Unofficial Release Country: Europe Released: 2018 2 Flac  
64. 06/01/08 Anfield Stadium - Liverpool, England A+ Title : COMPLETE LIVERPOOL SOUND 2008 Label : NOWdisc Catalogue No. : CDR2008NOW01CDR1/2 Date & Venue : Disc 1 & Disc 2 01.-08. / 1st June, 2008 / Anfield Stadium, Liverpool, UK / Liverpool Sound Concert Disc 2 09-.13. / 20th Feb, 2008 / Exhibition Centre, Earls Court, London, UK / BRIT Awards 2008 Disc 2 14-.18. / ? / ? / Rehearsals for BRIT Awards 2008 Source : Disc 1 & Disc 2 01.-08. / TV (Superb Quality) & Stereo Soundboard (Webcast? / * marked / Good+ Quality) Disc 2 09-.13. / TV (Excellent- Quality) Disc 2 14-.18. / ? (Fair Quality) Lineage : Original CD-R > dBpoweramp Music Converter > SHN > Dime > u complete recording of this show 3 flac  
65. 07/20/08 Les Plaines D'Abraham - Quebec City, QC A Soundboard 2 flac  
66. 04/17/09 Empire Polo Fields - Indio, CA A+   2 flac  
67. 04/17/09 Empire Polo Fields - Indio, CA A+ SP-CMC-2>SP Battery Box @95Hz>R-09HR 24-bit>Soung Forge Converted to 16-bit>CD Wave RECORDING LOCATION: 100 feet in front of left speaker Mics clipped on Hat RECORDED BY: Javier (jsradiohead@hotmail.com) 2 flac  
68. 04/19/09 The Joint Hard Rock Cafe - Las Vegas, NV AA Lineage: DPA 4060 => bass roll-off => Edirol R09HR => WAV Location: About 25 feet from stage, directly below left speaker stack 2 flac  
69. 07/11/09 Halifax Common - Halifax, NS A Believe this was sourced from dvd because I have it. 2 flac  
70. 07/17/09 Citi Field - Flushing, NY A- Some wind noise is present 2 flac  
71. 07/18/09 Citi Field - Flushing, NY A-   2 flac  
72. 07/21/09 Citi Field - Flushing, NY A- distant sounding 2 flac  
73. 08/01/09 FedEx Field - Landover, MD A Needs volume bumped up 3 flac  
74. 08/06/09 Fenway Park - Boston, MA A+ Neumann KM150's>Aerco MP-2>Edirol R-09HR>Soundforge 9(Fades,Sample/Bit Rate Conversion)>CDWAV>FLAC Recorded From Section A4 Row 11 A Flying Gonz & Daughter Production 3 flac  
75. 08/06/09 Fenway Park - Boston, MA A source/lineage: Neumann KM150's>Aerco MP-2>Edirol R-09HR>Soundforge 9 (Fades,Sample/Bit Rate Conversion)>CDWAV>FLAC Recorded From Section A4 Row 11 recording, transfer and 2009 seed by wkl_taper A Flying Gonz & Daughter Production 2 flac  
76. 08/09/09 fenway Park - Boston, MA A   2 flac  
77. 12/02/09 Color Line Arena - Hamburg, Germany a-   2 flac  
78. 12/03/09 O2 World - Berlin, Germany A+   3 flac  
79. 12/03/09 O2 World - Berlin, Germany A+ recorded by wb OKM IIr > A3 > EDIROL R-09 > USB > WAV > Adobe Audition (EQing) > CDwave (tracking) > FLAC frontend (level 6, verify, with align on sector boundaries) > Tracker 3 flac  
80. 12/10/09 Palais Omnisports Bercy - Paris, France A Mics: Sony ECM-MS 907 Recorder: Roland Edirol R-09 SDHC Card: 8GB Transcend Class 6 Wav file transferred to PC via USB. Tracks splits and fade out with Goldwave 5.52 Converted to FLAC (level 8) with dBPowerAMP 13 3 flac  
81. 12/16/09 Lanxess Arena - Cologne, Germany A needs volume 3 flac  
82. 12/20/09 The O2 - Dublin, Ireland A Taper : Johnky [liverecordings@gmail.com] Rig : At831b > Edirol R09-HR > SD CARD > Sound Forge 8.0 > 2CDR MASTER Website : www.live-recordings.net Length : 79.44 / 79.43 2 flac  
83. 03/30/10 The Hollywood Bowl - Los Angeles, CA A ECM907 (?) -> MD -> Untracked Aiff File -> Soundforge -> FLAC8 3 flac  
84. 04/03/10 Sun Life Stadium - Miami, FL A SP CMC-2 (AT831)>SPSB 2 > EDIROL R09 HR 24/44.1>CD WAVE 1.98 (SPLIT TRACKS)>FLAC 1.7.1 LEVEL 8 RECORDED BY JOHN G NO INFO DOC THERE IS A PDF THAT HAS THE LINEAGE 2 flac  
85. 06/26/10 Millennium Stadium - Cardiff, Wales A SOURCE: Original disc>Foolbar2000>wav>Trader's Little Helper>Flac>You 3 flac  
86. 06/27/10 Hyde Park - London, UK 9 Recorded by Tratty (Davey at Guitars101) from the front rail, directly in front of the right speaker stack, using SkyTronic tie-clip mic onto Sony MD MZ-NH700 S.P. Transferred to CD-RW on Pioneer stand-alond C.D. recorder>hard-drive as WAV>Audacity tracked & volume adjusted>FLAC dBpoweramp level 8. Disc splits are just a suggestion; all tracks will play seamlessly from 1-39. 3 Flac  
87. 07/10/10 AT&T Park - San Francisco, CA A- Source:Scheops CCM-4 > Sonosax M-2 > Edirol R-09 (48000 Hz, 24 bit > 16/44.1) Taper :Calrust 3 flac  
88. 07/10/10 AT&T Park - San Francisco, CA A Recorded and Mastered to CD by D5scott (from the 16th row - 20 feet left of center). Source: Sonic 650 microphones {mounted in baseball cap} > Sony PCM-D1 (24 bit) compact flash recorder> files copied to PC > Sound Forge (convert to 16bit) > Flash Drive Transfer: Flash Drive > Sound Forge (tracking, export regions as .wav files) > .wav files > Trader's Little Helper > flac, ffp , md5 and torrent files ------------------------------------------ This one is much better than the other listed 3 flac  
89. 07/24/10 Sprint Center - Kansas City, MO a- Recorded from section 120 with TASCAM DR-07 digital recorder. Missed the first few seconds of Venus and Mars. I messed with the volume control to minimize clipping too much and you can hear the volume raising and lowering during quiet songs. 3 flac  
90. 07/26/10 Bridgestone Arena - Nashville, TN A- source: sp-bmc-3 mics>bass rolloff 195hrzsp-bm6 batt box>sony mzrh-10minidiscHIMD hi-sp>line out>soundcard line in(transfer)>goldwave fade ins/outs mastering>cdwave>flac taper: Garret 3 flac  
91. 07/28/10 Time Warner Cable Arena - Charlotte, NC A- no info 3 flac  
92. 08/08/10 Air Canada Center - Toronto, ON a- Lineage : Edirol R-09HR > X-Wave Cutter/Joiner > Fairstars audio converter > Trader's Little Helper 44.1kHz, 16 bit FLAC recording Recorded by : Kaycee and nunomoreira1 2 flac  
93. 08/12/10 Bell Centre - Montreal, QC A lineage: T mike>MT Mk II (24/48)>NERO>converted to 16/44.1>CD WAVE>FLAC Frontend (level 8) 3 flac  
94. 08/14/10 Wells Fargo Center - Philadelphia, PA A Schoeps MK41's>Nbox>PCM-M10>Sound Forge Pro 10 (Fades, iZotope 64 BIT Sample Rate Conversion /iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV>FLAC Recorded by Keith Litzenberger & Nicky C 3 flac  
95. 08/15/10 Wells Fargo Center - Philadelphia, PA A CA-14's>CA 9100>Sound Forge 10 pro> adjusted levels, parametric eq>CD Architect>EAC>Flac 3 flac  
96. 08/18/10 Console Energy Center - Pittsburgh, PA A Config: Audience stealth - Mics in Beret style hat Source: CA-14 cardioid ~> CA-UGLYpre [+20db] ~> Edirol R-09 [Line In ~ WAV 24bit/44.1kHz] Conversion: 24 Bit Master WAVs ~> PC ~> Editing/Tracking ~> Dither to 16 Bit ~> Tracking ~> FLAC Editing: Cool Edit Pro 2.0 [fades, normalization, limits, dither etc.] ~ CDwav [Tracking] 3 flac  
97. 08/19/10 Consol Energy Center - Pittsburgh, PA A Final show of 2010 "Up and Coming Tour" Source: Audio Technica AT-899 omnis => Edirol R-09 (24/48) Transfer: R-09 => WAV => Audition 1.5 (dither to 16-bit) => WAV => Magix Audio Cleaning Lab => WAV => FLAC (level 8) 3 flac  
98. 11/11/10 River Plate Stadium - Buenos Aires, Argentina A+   2 flac  
99. 11/11/10 River Plate Stadium - Buenos Aires, Argentina A+ Format: Flac Level 8. Source: Soundboard Recording. Lineage: 3CDS -> EAC -> Wav -> Flac Frontend -> Flac -> TLH -> You. Length: 02:38:37. 3 flac  
100. 12/18/10 HMV Hammersmith Apollo - London, UK A Lineage : (Original Master) > Original Silver 2CD > dBpoweramp Music Converter > SHN > Dime > u 2 flac  
101. 05/22/11 Estádio Olímpico Nilton Santos - Rio De Janeiro, Brazil A This is program was aired in HD audio so I recorded in wav format them flac them for you. El show fue transmitido con audio en Alta Definición, por ello lo grabé en formato wav y luego lo convertí a formato flac para que puedan descargarlo 2 flac  
102. 07/15/11 Yankee Stadium - Bronx, NY a- Lineage: Location : Section 110, Row 9 Off to the right of the right stack Recording: Audience > Edirol R-09HR (internal mics) 96/24 > bit depth conv and resampling to 44.1/16 / EQ > Sony Soundforge 10 > FLAC level 6 aligned on SB. Original recording by KL. Tansfer/processing by beatpop. 2 flac  
103. 07/31/11 Wrigley Field - Chicago, IL A Recorded by Roy Martin from the field, Section N, Row 3. Captured as 24-bit/48kHz WAV files using a set of Core Sound Cardioids mics, mounted to my eyeglasses & pointed towards the amps, plugged into a Zoom H2. Cool Edit Pro 2.0 used to for fades, very minor edits, slight amplification and downsampling to 16-bit/44.1kHz. Mastered to fit on three (3) audio CDs. No EQ done, so salt & pepper to taste. WAVs split with CD Wave Editor v1.98. Trader's Little Helper used to correct SBEs ("-fixed" removed from the filenames) and encoding to FLAC (Level 8). 3 flac  
104. 08/01/11 Wrigley Field - Chicago, IL A Source: Church Audio CA-11 cards => UGLY pre-amp => Tascam DR-2D (24/48) Transfer: DR-2D => WAV => Audition 1.5 (dither to 16-bit) => WAV => Magix Audio Cleaning Lab => WAV => FLAC (level 8) 3 flac  
105. 11/27/11 Mediolanum Forum Assago - Milan, Italy A Recording: Ext Core Mics > Edirol 09 Transfer: Master .wav files > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  
106. 11/30/11 Palais Omnisports Bercy - Paris, France A Location: Somewhere inside the venue very close to leftPA Stacks Mics: Sony ECM-MS 907 Recorder: Roland R-05 SDHC Card: 16GB Transcend Class 10 Wav file transferred to PC via USB. Tracks splits with Goldwave 5.55 Converted to FLAC (level 8) with dBPowerAMP 13 "Bonsoir Les Copains ! Bonsoir Paris !" 3 flac  
107. 12/01/11 Lanxess Arena - Cologne, Germany a- Oberrang Block 714, Reihe (row) 3, Platz (seat) 13. Lineage: TASCAM DR-08 PCM-Recorder with Build-in microphones (16 Bit-44,1 kHZ) > CD Wave Editor (for track separation) > Traders Little Helper (Flac level 6 and MD5). 3 flac  
108. 12/05/11 02 Arena - London, UK A   2 flac  
109. 12/12/11 Hartwall Areena - Helsinki, Finland A A joint presentation of Vigorous Records (VR 45-46-47) and Remasters Workshop (RMW 804-805-806) Here is the complete show held December 12, 2011 at Hartwall Areena in Helsinki, Finland. It is a digital stereo audience recording. Lineage: Zoom H2 (back mics) > 24-bit .wav > Adobe Audition 3: clip restore, sound shaping, level correction > FLAC 3 flac  
110. 12/14/11 SK Olimpiski - Moscow, Russia A Equipment: SP-CMC-8 -> Edirol R-09HR -> WAV [44kHZ/16 bit] Lineage: WAV -> Adobe Audition (Track Splitting) -> FLAC 2 flac  
111. 03/24/12 Ahoy - Rotterdam, Netherlands 9 Recording: Ext Core Mics > Edirol 09 Transfer: Master .wav files > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC Paul McCartney's 2011-2012 "On The Run" tour began in July 2011 and ended in November 2012. Though tour lasted a year and a half only 37 shows were played with substantial breaks between legs. The Rotterdam show was the first show back after a three month break and the band sounds fresh and energized. Silvertrain's uncirculated master is at least the second recorder source and it's a good one with excellent instrument separation, vocals and dialogue are clean and clear. Just a touch of distance on it but not enough to get too much reverb. We'll be featuring more of his work in the future. A couple of what appear to be rarities at this one, "My Valentine" makes it's tour debut and "Yellow Submarine" begins as an audience sing-a-long before the band picks it up for a short version. Thanks to Silvertrain for making contact and offering up some of his uncirculated shows, it's tapers like him that keep this train running down the tracks. Artwork included... mjk5510 and Silvertrain 2 Flac  
112. 03/26/12 Hallenstadion - Zürich, Switzerland A+ Source: Neumann KM140's > AETA PSP3 > Edirol R09HR > HarBal 2.3 Taped from the Cheep Seats. which ones were the cheap seats?? 3 flac  
113. 03/28/12 Sports Paleis - Antwerp, Belgium A master Zoom H2 Master Zoom H2> Soundforge 7.0 (acquisition et découpe des.wwav) > Flac Fronted 3 flac  
114. 05/08/12 Estadio Azteca - Mexico City, Mexico AA   3 flac  
115. 10/12/12 New Orleans Arena - New Orleans, LA A   2 flac  
116. 11/14/12 Minute Maid Park - Houston, TX A Source/Lineage: Olympus ME 51S Stereo Electret Condenser Microphone > Olympus LS-10 Linear PCM Recorder (16bit/44.1kHz) > USB 2.0 > PC > CD Wave Editor (tracking) > Gold Wave (Fades) > WAV > Trader's Little Helper > FLAC Recorded by: Randy Gardner - rsterrapin@hotmail.com Location: Section 210, Row 5, Seat 8 @300' back, LOC Covers/photos by: Randy Gardner Total Time: 165:15.31 3 flac  
117. 11/28/12 Rexall Place - Edmonton, AB A Recorded on location (Section 301, somewhat right view of the stage) by inu-liger Lineage: Live sound output > Sound Professionals SP-BMC-3 mini binaural microphones w/ SP-EMC-1 Croakie mounts > Microphone Madness MM-CBM-Mini miniature battery module > Roland R-05 (PCM @ 96/24 w/ a CoreMicro 32GB SDHC Class 10 Memory Card > PC via USB > (*remastering process here) > GoldWave (editing out pre-concert/post-concert bits, track-splitting) > WAV > foobar2000 w/ flac.exe > Batch downconversion to 44.1/16 > FLAC Level 8 *Concert recording professionally remastered by J-Train Quality: EX 2 flac  
118. 06/14/13 Bonnaroo Music and Arts Festival - Manchester, TN A Source: DPA 4061 > Custom BB > R-09HR @ 24/96 Transfer: RAW WAV > SF 10 Minor EQ & Mastering > WAV > FLAC 44/16 Taper: BennyBlanco aka ScreamingSlave (ETS) Location : Center Elavated Platform Notes : Partial Patched Audio Used for tracks 37,38 Patched Audio Used for tracks 43-48 3 flac  
119. 06/25/13 Arena di Verona - Verona, Italy A (lineage: Core Sound mic > Zoom H2 > wave > soundforge > cdr > flac level 6) 3 flac  
120. 06/27/13 Ernest Happel Stadium - Vienna, Austria A+   2 flac  
121. 07/09/13 Fenway Park - Boston, MA A+ AT933 hypercardioid > Church Audio ST-9100 > Roland R-05 (24/44.1) B4, Row 9, 35th row DFC, about 10 rows in front of the board. Audacity to boost and even out levels and dither to 16 bit. TLH for the rest. 2 flac  
122. 07/14/13 Bankers Life Fieldhouse - Indianapolis, IN A Source: Sound Professionals CMC-08s->SP-SB11(no bass roll-off)->Edirol R09HR-> CoolEditPro->CD Wave->TLH Taper: ironchef Total time: 2:42:35 2 flac  
123. 07/16/13 Miller Park - Milwaukee, WI a- Edirol R09H -> AUDACITY -> Amplify -> DIME 2 flac  
124. 08/08/13 Outside Lands Festival - Golden Gate Park - San Francisco, CA A+ Source: Audience Mostly Plus Eight Soundboard Tracks Format: FLAC Linage: Sliver CD> EAC (WAV)> Trader's Little Helper (Flac Level 8)> DIME Art Included Release: 2013 3 flac  
125. 08/09/13 Golden Gate Park- Outside Lands Festival - San Francisco, CA AA A Source: Schoeps CCM4s > Tinybox > Sony PCM-M10 Lineage: wav 16/44 > dEQ > FLAC Taper: Not Me 2 flac  
126. 09/23/13 Hollywood Boulevard - Hollywood, CA 8.5 Source; Soundboard recording > ? > liberated bootleg 'Paul McCartney – Complete Jimmy Kimmel Live!' [Piccadilly Circus – PCCD-161] > EAC > WAV > TLH > FLAC. https://www.discogs.com/release/6133078-Paul-McCartney-Complete-Jimmy-Kimmel-Live https://www.the-paulmccartney-project.com/album/complete-jimmy-kimmel-2013/ 1 Flac  
127. 10/07/13 ABC Studios - Los Angeles, CA 9 Source; Soundboard recording > ? > liberated bootleg 'Paul McCartney – Complete Jimmy Kimmel Live!' [Piccadilly Circus – PCCD-161] > EAC > WAV > TLH > FLAC. 1 Flac  
128. 11/15/13 Fukuoka Dome - Fukuoka, Japan AA   2  
129. 07/05/14 Times Union Center - Albany, NY A PCCD 197/198/199 3 flac  
130. 07/09/14 United Center - Chicago, IL A Recorded Live At United Center, Chicago, IL, USA 9th July 2014 Produced By Cain & Avel EVSD Out There US Tour 2014 3 flac  
131. 07/16/14 Sprint Center - Kansas City, MO A silver discs 3 flac  
132. 08/14/14 Candlestick Park - San Francisco, CA AA Source: Schoeps CCM4’s > Tinybox > Sony PCM-M10 16/44.1 Mastering (BLG): Adobe Audition > iZotope Ozone 5 > WavePad > xACT > FLAC 2 flac  
133. 11/14/14 Minute Maid Park - Houston, TX A Source/Lineage: Olympus ME 51S Stereo Electret Condenser Microphone > Olympus LS-10 Linear PCM Recorder (16bit/44.1kHz) > USB 2.0 > PC > CD Wave Editor (tracking) > Gold Wave (Fades) > WAV > Trader's Little Helper > FLAC Recorded by: Randy Gardner - rsterrapin@hotmail.com Location: Section 210, Row 5, Seat 8 @300' back, LOC Covers/photos by: Randy Gardner Total Time: 165:15.31 3 flac  
134. 04/21/15 Kyocera Dome - Osaka, Japan AA <2015 Kyocera Dome MK4 Master EVSD-837/838/839> 3 flac  
135. 04/25/15 Tokyo Dome - Tokyo, Japan A Lineage: MK4 > PCM-D100(DSD) > line cable > PCM-D50(24/96) > Samplitude > TLH > flac 2 flac  
136. 04/27/15 Tokyo Dome - Tokyo, Japan A Taper: Hide Source: DPA 4061's > MMA6000 > SONY PCM-M10 (24bit/48kHz) Lineage: SD card > PC > WAV (24bit/48kHz) > Soundforge (Edit, Sampling rate convert to 16bit/44.1kHz) > TLH > FLAC 2 flac  
137. 05/02/15 Olympic Stadium - Seoul, Korea a- SP-CMC-8 > SP-SPSB-10 > Edirol R-09HR 2 flac  
138. 05/23/15 O2 Arena - London, England A Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 3 flac  
139. 07/07/15 Telenor Arena - Oslo, Norway A Equipment: SP-SPSB-11-> SP-CMC-8 -> Edirol R-09HR -> WAV [96kHZ/24 bit-> dithered to 44kHz/16 bit] Lineage: WAV -> Adobe Audition (Compressing-Amplifying-Track Splitting) -> FLAC 2 flac  
140. 04/19/16 Rogers Arena - Vancouver, BC A ** 16 BIT ** Source: Church Audio CA-11's (cardioids) > Church Audio CA-9200 > Sony PCM-M10 > SD Memory Card @ 24 bit/48 kHz Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick) > minor edits, normalize, & fades] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging) Location: Section 108, right side Recorded By: "DGB" Mastered By: Dennis Orr Treasure Chest 2 flac  
141. 05/30/16 AccorHotels Arena - Paris, France A MM-MCSM-5 & R05 (WAV 44-16)- SD => PC - Audacity - dBpoweramp (flac8) - TLH/µtorrent Position : fosse - devant le soundboard légèrement sur la droite Taper : jolikrapo 2 flac  
142. 06/10/16 Olympiastadion - Munich, Germany A+ Source: Schoeps MK4 > NBob actives > Naiant tinybox > Sony PCM-M10 Mic Config: A-B Location: 10 rows from the stage, left side Transfer: Master WAVs > dEdit > FLAC V1.3.1 Editing: Digital editing in Apple Logic Pro X V10.2.1 EQ, compression and volume boost using iZotope Ozone7 V7.0.1299 Single claps removed using iZotope RX 3 Declicker V3.02.812 Fades in Audiofile Engineering Wave Editor V1.5.7 Dithering: MBIT+ Format: 16 bit / 44.1 kHz 3 flac  
143. 07/12/16 Citizens Bank Park - Philadelphia, PA A+ source : schoeps mk6 (c) > actives > nbox platinum > 24/44.1 wav adobe audition > xACT 2.38 > flac 16 taper : edtyre location : 27th row field level left stack 2 flac  
144. 07/17/16 Fenway Park - Boston, MA A Taper: Massu2 Rig: OKMIIr > Sony PCM-M10 Location: Loge Box 147, Row EE 2 flac  
145. 07/19/16 Hershey Park Stadium - Hershey, PA A+ Recorded by bcironmaiden Recorded w/ SP-CMC-8 Sound Professionals Deluxe Audio Technica Cardioid Stereo Microphones > SP-SPSB-1 Sound Professionals Mini Battery Module >Sony M-10 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 3 flac  
146. 10/08/16 Empire Polo Grounds - Indio, CA A source : schoeps mk6 (c) > actives > nbox platinum > 24/44.1 wav adobe audition > xACT 2.38 > flac 16 taper : edtyre location : 27th row field level left stack Treasure Chest 2 flac  
147. 04/25/17 Budokan - Tokyo, Japan A+ 2. Lineage Bootleg Silver CD > EAC > FLAC (Level 5) Bootleg title : ONE ON ONE AT BUDOKAN - definitive edition EMPRESS VALLEY SUPREME DISK / EVSD-965/966/967/968/969/970 4 flac  
148. 04/27/17 Tokyo Dome - Tokyo, Japan A Lineage Bootleg(EVSD-956/957/958) Silver CD > EAC > FLAC (Level 5) 3 flac  
149. 04/29/17 Tokyo Dome - Tokyo, Japan A+ audience 3 flac  
150. 04/30/17 Tokyo Dome - Tokyo, Japan A+ Bootleg title: EVSD presents ONE ON ONE AT TOKYO DOME -definitive edition- 2. Lineage Bootleg(EVSD-983/984/985) Silver CD > EAC > FLAC (Level 5) 3. Quality Excellent. 3 flac  
151. 07/15/17 CenturyLink Center - Bossier City, LA AA Source/Lineage: Olympus ME 51S Stereo Electret Condenser Microphone > Olympus LS-10 Linear PCM Recorder (16bit/44.1kHz) > USB 2.0 > PC > CD Wave Editor (tracking) > Gold Wave (Fades) > WAV > Trader's Little Helper > FLAC 16 Recorded by: Randy Gardner - rsterrapin@hotmail.com Location: Sec.201 - Row B - Seat 11 (Front row of balcony back/center) 3 flac  
152. 07/19/17 Intrust Bank Arena - Wichata, KS A- iPhone 6 (RetroRecorder App)and Sound Professionals Ultimate Studio Reference Sub-Miniature Super-Cardioid microphones with micro-mini microphone power supply & adjustable bass roll off > Master wav file transferred from iPhone to computer hard drive via WiFi connection > tracks split with Isotope > FLAC DIME 2017 3 flac  
153. 08/23/17 Carrier dome - Syracuse, NY A Taped and photographed by saygeddylee Gear: AT831s > Tascam DR-08 Mastered by }{eywood Lineage: DR-08 (recording to .wav @ 24/96) > USB > Adobe Audition 1.5 (EQ, clap reduction, normalization, splits & fades) > Xrecode II (flac 8) > TLH > WAV > r8brain (downsample to 16Bit/44Khz) > TLH > FLAC (Level 8); new FFP; new MD5 Finally a dream come true. Seeing Paul after 22 Years of being a beatles fan. Unfortunately }{eywood had to bounce out of this one, but that turned out to be a blessing as we were seated on bleachers and there wasn't any legroom. I was fortunate enough to have some stretching room. The people around me were pretty quiet: the guy on the right seeming completely uninterested and most likely on a date; the woman on my left was quiet excep for joining me in crying during Maybe I'm Amazed. The setlist was a complete surprise as it was different from the previous setlist 2 days before, Pefrormance wise the band was at the to of their game, and Abe Laboriel Jr. on drums was particularly fun to watch as he is always into it and having the time of his life every show. As for the man himself, his constant pausing betwen songs to soak up the cheers which must have been boring after 10 minutes in 1963, seemed to shop the show dead in its tracks every two minutes. His voice is a bit rough, with a wide wobble to it, but he did his best, and hey he played for 3 straight hours! Blown away! Pretty good for a 75 yr old guy. Checked off the bucket list. 3 flac  
154. 09/17/17 Madison Square Garden - New York, NY AA Recorded by bcironmaiden Recorded w/ SP-CMC-8 Sound Professionals Deluxe Audio Technica Cardioid Stereo Microphones > SP-SPSB-1 Sound Professionals Mini Battery Module >Sony M-10 @ 96khz/24bit > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
155. 09/19/17 Barclays Center - Brooklyn, NY AA Source: AT943s > SP-SPSB-10 > Sony M10 (24/48) Transfer: wav file > Sound Studio (16/44.1) > xACT > FLAC (level 8) Recording location: Section 107, row 7 Recorded by: Tapehead2 3 flac  
156. 10/01/17 Little Caesars Arena - Detroit, MI A Lineage: CA-14 (cardioid) > Zoom H4n (24bit/48kHz) > HD > SoundForge 10.0 Pro > CD Wave > FLAC Frontend (level 5) 3 flac  
157. 12/05/17 AAMI Park - Melbourne, Australia a- Recorded by eckythump from floor centre section in front of soundboard Source: Nokia Lumia 930 (called Lumia Icon in North America) w/built-in HAAC mics > Audio Recorder Pro app > 16bit/48 KHz PCM/WAV Encoding: Audacity > Trader's Little Helper > FLAC (Level 8) 3 flac  
158. 12/11/17 Qudos Bank Arena - Sydney, Australia A+   3 flac  
159. 12/12/17 Qudos Bank Arena - Sydney, Australia A+   3 flac  
160. 10/31/18 Tokyo Dome - Tokyo, Japan 9 Lineage Bootleg(EVSD-1064/1065/1066) Silver CD > EAC > FLAC (Level 5) g 3 Flac  
161. 11/01/18 Tokyo Dome - Tokyo, Japan AA   3 flac  
162. 11/05/18 Kokugikan, Ryogoku - Tokyo, Japan AA Lineage Bootleg(EVSD-1095/1099) Silver CD > EAC > FLAC (Level 5) 5 flac  
163. 11/08/18 Nagoya Dome - Nagoya, Japan A+ Bootleg(EVSD-1089/1090/1091) Silver CD > EAC > FLAC (Level 5) 3 flac  
164. 12/06/18 Wiener Stadthalle - Vienna, Austria AA Equipment: SP-CMC-8 -> SP-SPSB-11-> Edirol R-09HR -> WAV [96kHZ/24 bit-> dithered to 44kHz/16 bit] Lineage: WAV -> Adobe Audition (Compressing-Amplifying-Track Splitting-Stereo Panning Correction) -> FLAC 2 flac  
165. 12/12/18 Liverpool Echo Arena - Liverpool, UK A Original IEM Recording (Commercial Release - No Label) 3 flac  
166. 03/20/19 Estadio Nacional - Santiago, Chile AA Lineage: Tascam DR-40 In-built Mics > 48/16 wav > Audition > EQ > Clicks removal > WAV Tascam DR-05 In-built Mics > 48/16 wav > Audition > EQ > Clicks removal > WAV Audacity > Tracking > 44.1/16 > TLH > FLAC Level 8 2 flac  
167. 03/30/19 Unknown - Curitiba, Brazil A   2 flac  
168. 06/08/19 Lambeau Field - Green Bay, WI A Source: DPA 4060 => Tascam DR-2d Conversion: WAV => Soundforge Audio Cleaning Lab => FLAC (16-bit) 2 flac  
169. 06/11/19 Taxlayers Center - Moline, IL A Taper: Ryan Teske Location: Section 214, halfway up facing side stack. Source: CA-14 Cards w Ugly 2 BB + Edirol R-09 (@48kHz) > Cep v.2.0 > (@44.1kHz) > Cd Wave Conversion: Charles Dewey Cole, IV Equipment: SanDisk 4GB SDHC Card > (USB) @ 44.1kHz > Cd Wave 2 flac  
170. 06/14/19 Globe Life Park - Arlington, TX A Source: AT853 Cards> AT943 bodies- > Church Audio Ugly Box /Roland R 05>24bit 48htz > HDD>Goldwave to split the file> Audacity to resample to 16 Bit /44.1> traders little helper flac level Taper: Whotapes Section: Floor Sec B Row 11 2 flac  
171. 05/06/22 Oakland Arena - Oakland, CA A "The C Rig" Lineage: Tascam DR-2D Internal Mics @ 24bit 44.1k Mastered: Declick in Izotope Rx8 Spatial work to center Minor EQ Minor Limiter Recorded and mastered by Hoserama 2 flac  
172. 05/08/22 Oakland Arena - Oakland, CA A "Revenge of the C Rig" Lineage: Tascam DR-2D Internal Mics @ 24bit 44.1k Mastered: Declick in Izotope Rx8 Spatial work to center Minor EQ Minor Limiter Recorded and mastered by Hoserama 2 flac  
173. 05/13/22 SoFi Stadium - Los Angeles, CA A Source: Church Audio CA-11 cards => UGLY pre-amp => Tascam DR-2D (24-bit) Transfer: DR-2D => WAV => Magix Audio Cleaning Lab => WAV => FLAC (level 8) Location: 10th row mezzanine, roughly equal to 20th row floor 2 flac  
174. 05/21/22 Trust Field - Winston-Salem, NC A Captured from Deacon Hill (GA field, DFC) iPhone 11 (internal mics) > Voice Recorder (TapMedia) v4.3 > wav file > Audacity (FLAC 6) > DIME > you 2 flac  
175. 05/28/22 Camping World Stadium - Orlando, FL a- Lineage: iPhone 13 Pro - Recorder App 24/96 Wav Stereo>Flac 24/96>Audacity Labeling and Fades>24/96 Flac 2 flac  
176. 06/08/22 Fenway Park - Boston, MA A Shure MV088>iphone5>audacity Location: Turf A3 row 13 2 flac  
177. 06/16/22 MetLife Stadium - East Rutherford, NJ A Source: master audience recording Taper: larryrulz Location: section 137 Lineage: CA-11 (cardioid) > Sony A10 (48/24) > Audacity (EQ, amplify, tracking) > TLH > FLAC 6 > foobar2000 (FLAC tags) Sound: mp3 samples attached in the Comments Larry does an excellent job you should seek his recordings out 2 flac  
178. 10/18/23 Adelaide Entertainment Centre - Adelaide, Australia A Source: Zoom H4 internal mics > sandisk pro SD extreme card > 24 bit/48kHz PCM WAV >> Adobe Audition 2023 (to split tracks) >> Media Monkey FLAC level 8 24 bit 2 flac  
179. 10/27/23 Allianz Stadium - Sydney, Australia A IEM (from Original Masters) 4 flac  
180. 10/28/23 Allianz Stadium - Sydney, Australia A IEM (from Original Masters) 4 flac  
181. 11/04/23 Heritage Bank Stadium - Gold Coast, Australia A Recorded by eckythump from floor section A5. Included photos also taken by me. Source: Nokia Lumia 930 w/built-in HAAC mics > Audio Recorder Pro app > 16bit/48 KHz PCM/WAV -> iZotope RX10 Advanced -> Ozone 10 -> Audacity 3.4.1 (split tracks and FLAC Level 8) -> Foobar 2.0 (Files tagged) -> Traders Little Helper 2.8.4 3 flac  
182. 12/23/23 Estádio Couto Pereira - Curitiba, Brazil a-   2 flac  
183. 10/01/24 Estadio Centenario - Montevideo, Uruguay a- Source: MM-MCSM-4 > MM-MBM with bass roll off @ 107 Hz > Edirol R-07HR @ 24 bits /44 KHZ > SD Reader > Izotope Ozone > FLAC Taper: Rony Kohn 3 flac  
184. 10/05/24 EstadioRiver Plate - Buenos Aires, Argentina A   3 flac  
185. 10/06/24 EstadioRiver Plate - Buenos Aires, Argentina A   3 flac  
186. 10/11/24 Estadio Monumental - Santiago, Chile A- Lineage: Iphone 15 Pro --> Cinema P3 app recording (HEVC 60fps with lossless Audio 16bits / 48 KHz) --> 2 MOV files (Joined with Final Cut Pro x) --> exporting WAV audio --> Audio remaster by NEOPLASMAH --> Audacity (Split Tracks) --> TLH (FLAC) 3 Flac  
187. 12/10/24 WiZink Center - Madrid, Spain A   2 Flac  
188. 12/19/24 O2 Arena - London, UK 8.5   3 Flac  
189. 10/11/25 Coors Field - Denver, CO 8.5 lineage: Sony ECM-717 (mic) / Sony PCM-M10 (recorder) > 24/48 (some light limiter on some hand clapping using Audacity) > CD wav (track splitting) > FLAC (using Traders Little Helper) Level 8 m 2 Flac  
190. 10/29/25 Smoothie King Center - New Orleans, LA 9.5   2 Flac  
191. 11/02/25 State Farm Arena - Atlanta, GA 9.5   2 Flac  
192. 11/03/25 State Farm Arena - Atlanta, GA 9.5   2 Flac  
193. 11/03/25 State Farm Arena - Atlanta, GA 9.5 Soundcheck 1 Flac  
194. 11/08/25 Nationwide Arena - Columbus, OH 9 SP-CMC-8 Cardioids (4.7k mod) > SP-SPSB-11 (@16Hz) > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave 3 Flac  
195. 11/21/25 TD Coliseum - Hamilton, ON 9 Master recording from the center - middle of the main floor. Sure MV88 Mic - iPod Touch/Motiv-Audio app (24/48) - ProTools (mastered/EQ/Widen) - SoundForge (Splits, fades, FLAC). 2 Flac  
196. 11/25/25 United Center - Chicago, IL 9 Source: Sound Professionals CMC-08s (AT943s)->SP-SB-20->Sony PCM A10 (16-bit@44.1 kHz)-> Audacity->CDWave->TLH Taper: ironchef 2 Flac  

Paul McCartney & Wings  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 Compilation (Unsurpassed Masters, Vol. 1) - Compilation, Unknown AA Silver > CD-R (Backup) > EAC v. 0.99 Prebeta 4 (Secure, Offset Correct) > FLAC (8) > You ! Artwork, checksums (ffp, MD5, ST5), EAC extraction log, and info file included. 2 flac  
2. 09/13/75 Hippodrome - Birmingham, England a-   2 flac  
3. 11/13/75 Myers Music Bowl - Melbourne, Australia 8.5 Source: Original Silver - EAC with FLAC compression level 8 activated Soundboard 1 Flac  
4. 05/08/76 Olympia Stadium - Detroit, MI a-   2 flac  
5. 06/23/76 The Forum - Los Angeles, CA A+ Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 61 16/44 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 2 flac  

Paul Simon http://www.paulsimon.com
  Date Venue - City, State Sound Rating Notes Media  
1. 04/28/72 Cleveland Arena - Cleveland, OH a- 1972 George McGovern fund raiser Recording: AKG D1000E Mic > Philips Cassette Recorder Location: 8th row on the main floor, left of center Transfer: Master Cassettes > Nakamichi DR-01 > Sound Devices USBPre2 > Adobe Audition (24/96) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 1 flac  
2. 05/07/78 The Holy Land - Caesaria, Israel 8.5 Soundboard bootleg --> EAC secure mode --> FLAC Note: I renumbered the tracks so they are in order. Created new FFP. This is one of the best of the older Paul Simon shows, I collected, either here or EZT or STG (Thanks to the original seeder). The sound is very good, probably a soundboard or a very good audience recording. The setlist sums up Simons career up til 78, but of course with emphasis on his latest solo record (Still Crazy). There are a few surprises as well, as the Jessy Dixon Singes take over. Paul Simon is backed by an amazing band, I'm guessing Richard Tee on keys, and definately Steve Gadd on drums (what a roll). I'm not sure of the others. With him is also Toots Thiemanns and as mentioned the Jessy Dixon Singers. Very nice recording...hope you'll like it. 2 Flac  
3. 07/05/78 Fredric R. Mann Auditorium - Tel Aviv, Israel A Soundboard bootleg --> EAC secure mode --> FLAC 2 flac  
4. 09/23/79 Madison Square Garden - New York, NY B+ FLAC master, 2 August 2020, by elegymart: Analog audience recording (mono) {recorded by Gene Poole}: unknown mics/recorder > 1977-79 Ampex 371 Plus Series (Type I Normal) 90-minute analog audio master cassettes {from the Gene Poole collection} > two 1979-81 US/European TDK SA C-90 analog audio cassettes > Sony TC-WE435 (azimuth adjustment) > Roland R05 (24/96) > Cool Edit Pro 2.0 (audio cleanup, convert to 16/44) > SHNtool (fixed SBEs) > CD Wave (track splits) > TLH (WAV > FLAC8). Created this text file. 1 flac  
5. 09/28/91 Pacific Amphitheatre - Costa Mesa, CA A Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 91 1644 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2021 Transfer: Mike Millard Master Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > convert to 16/44 > Audacity > TLH > FLAC 2 flac  
6. 03/04/92 Kaufman Astoria Studios - Queens, NY 9 Source: SBD Lineage: SBD> ?? > CDR > EAC > FLAC > TLH > You Transfered by: Neiltones/Purple Chick 2 Flac  
7. 07/22/25 Louise M. Davies Symphony Hall - San Francisco, CA 9 Recorded by Daspyknows 12th row a few seats off Dead Center Schoeps MK4 NBox Platinum Zoom F-3 32Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac 2 Flac  

Paul Simon & Sting  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/09/14 Giant Center - Hershey, PA A Schoeps MK41V>KCY>PFA>Marantz PMD661MKII (Oade CM Mod) Center Floor>Soundforge 11>CDWAV>Traders Little Helper 2 flac  

Pavlov's Dog  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/17/05 Brauereigelaende - Giessen, Germany AA Audience MD Recording Sony MZR-700 > Vivanco Battery Box > Sony ECM mic (unknown model) > GoldWave > TLH > flac 8 1 flac  
2. 06/10/06 Lichtenvoorde - Unknown, Germany B++ Rec. Info: Aiwa CM-TS55 mic -> Sony MD-Recorder (@ WAV 16/44) -> SDcard -> HD -> Transfer -> my HD -> Audacity (edit/remaster) -> WAV 16/44 -> TLH8 -> FLAC -> YOUR EARS AND MIND... Recorded by dear Lylian. Sorry, this doesn't sound too impressive. While the vocals are clear, the overall sound is quite boomy and muddy. Maybe this was recorded from the soundboard booth or at least a bit distant from the stage. I've "done" the same "mistake" on outdoor festivals (Burg Herzberg) as the bass rolls across the field and the audience is kind of a puffer if you don't have a higher position. Anyway, here it is, raw and with just a few minor volume adjustments and a cut pasted in track #10. Sorry, no pics, no setlist. 2 flac  
3. 07/15/07 Spirit of 66 - Verviers, Belgium a- Rec. Info: Aiwa CM-TS55 mic -> Sony MD-Recorder (@ WAV 16/44) -> SDcard -> HD -> Transfer -> my HD -> Audacity (edit/remaster) -> WAV 16/44 -> TLH8 -> FLAC -> YOUR EARS AND MIND... Recorded by dear Lylian close to the stage edge. On first sight this looked very fine, but it needed a lot of surgery. First: The music is exceptionally fine, but then the trouble starts: Maybe the recorder was set to AGC (Automatic gain control - aaaargh!). As the music sounds really great the interludes/introductions were much overpowered. Tried to fix that to a certain rate. Hope it now sounds better. There were also several cuts fixed, I hope you can't hear anything of those. Included were a MILLION TONS of pictures (app. 600+ MB), so I chose only a few ones. But the setlist and ticket is in there. All thanks straight to the lovely country of France and our dear taper. 2 flac  
4. 07/20/07 Burg Herzberg Festival - Breitbach, Germany A Audience MD Recording Sony MZ-R700 > Vivanco Battery Box > Sony mic (uknown model) 2 flac  
5. 11/10/09 Unknown - Verviers, Belgie a- Rec. Info: Aiwa CM-TS55 mic -> Sony MD-Recorder (@ WAV 16/44) -> SDcard -> HD -> Transfer -> my HD -> Audacity (edit/remaster) -> WAV 16/44 -> TLH8 -> FLAC -> YOUR EARS AND MIND... Recorded by dear Lylian close to the stage edge. On first sight this looked very fine, but it needed a lot of surgery. First: The music is exceptionally fine, but then the trouble starts: Maybe the recorder was set to AGC (Automatic gain control - aaaargh!). As the music sounds really great the interludes/introductions were much overpowered. Tried to fix that to a certain rate. Hope it now sounds better. There were also several cuts fixed, I hope you can't hear anything of those. Included were a MILLION TONS of pictures (app. 600+ MB), so I chose only a few ones. But the setlist and ticket is in there. All thanks straight to the lovely country of France and our dear taper. 2 flac  
6. 10/30/10 unknown - Dortmund, Germany A Must have 2 flac  
7. 11/14/13 Gent - Unknown, UK A recording equipment: Core Sound Binaurals >Battery Box >Edirol R-05 processing: r8Brain (96kHZ/24bit > 44,1 kHz/16bit) >Cool Edit Pro (some edits) >CD Wave Editor 1.98 (track splitting) >TLH 2.4.1 (flac - level 8 / torrent creation) 2 flac  
8. 11/14/18 Vooruit Concertzaal - Ghent, Belgium A Rec. Info: Aiwa CM-TS55 mic -> Zoom H2 (@ WAV 16/44) -> SDcard -> HD -> Transfer -> my HD -> Audacity (edit/remaster) -> WAV 16/44 -> TLH8 -> FLAC -> YOUR EARS AND MIND... Recorded by dear Lylian close to the stage edge. Very fine recording only marred by some close by loud clappers. I've reduced those in favour of more volume for the fantastic music. I hope I didn't "overdrive" too much, but this took some hours for fixing. A bunch of great pics are added, so please send all "Merci" straight to Lille, France! And my personal "danke schön" to Lylian for capturing this emotionally spoiling show in music history. Spacey's notes: Oh well, music of my youth. And "Pampered Menial" in its entirety. And as everybody in the audience was still waiting for "Julia" yours little loony Spacey let the water run from the eyes during this heartwrenching "Standing here with you". I think that song cracks even the toughest nut within just a glimpse of a moment. 2 flac  
9. 04/26/23 Sudhaus - Tubingen, Germany A aud rec by R.S using the internals of his Tascam DR-07MK II standing in front of mixing desk raw file: hanwaker mastering 2023-04 volume corrections, lowering applause, removing a few near-hand clappers 2 flac  
10. 05/09/23 Musiktheater - Dortmund, Germany A Hair of the Dog Tour Taper: Spacebandit Lineage 1: In-ear OKM2R mics > Zoom H2n > WAV (24-bit,, 48kHz) > FLAC Location:. Left side of the stage, sitting on a barstool/bartable. Appox. 4 meters from stage edge. Lineage 2: Internal Mics > Zoom H2n > WAV (24-bit, 48kHz) > FLAC Location: On Stage, on small tripod, left side placed on speaker stack 2 flac  
11. 09/18/24 Frankfurt am Main - Frankfurt, Germany 8 Audience HD Recording Zoom H2 > Sony ECM 717 (44.1/16) 2 Flac  
12. 05/29/25 Musiktheater Rex - Bensheim, Germany 8 Source: Audience Zoom H4n Recording Recorded by: Jofisch Lineage: OKM 2 mics > Adapter A3 (-20db) > Zoom H4n (16/44) > Audacity > Flac 8 2 Flac  
13. 11/07/25 Jubez - Karlsruhe, Germany 9 Source: Audience Tascam Recording recorded by: Jofisch Lineage: Tascam DR-40X (Int.Mics) (16/44,1) > Audacity > Flac 16 2 Flac  
14. 11/17/25 Kulturzentrum "Das Rind" - Rüsselsheim am Main, Germany 9 Audience HD Recording Zoom H2 > Sony ECM 717 (44.1/16) 2 Flac  

Pearl Jam http://www.tenclub.net/
  Date Venue - City, State Sound Rating Notes Media  
1. 07/02/98 Riverport Amphitheatre - Maryland Heights, MO 8.5 3-source matrix: [SBD (mono) -> ALD -> SBM-1 -> D8 -> DAT(M) -> FLAC -> .wav] + [Schoeps CCM4s -> Aerco -> SBM-1 -> D100 (20th row center) -> DAT(1) -> FLAC -> .wav] + [AKG460b + ck8 (shotgun) -> EAA-PSP3 -> DTR-80P -> D7 (33rd row center) -> DAT(1) -> FLAC -> .wav -> dEQ] => FLAC DAT>FLAC transfers: DA20mkII -> Audiophile 2496 -> Soundforge -> FLAC frontend -> .flac Transfers by: cps 01/15/05 Mix by: BLG 07/23/05 Artwork: Allen Robertson 2 Flac  
2. 03/24/18 Lollapalooza Brazil - Sao Paulo, Brazil 8 Source: 89 Rádio Rock Broadcast. Taper: Bruno Silva. Generation: Broadcast via fm turner -> .wav -> Adobe Audition 3.0 -> dEdit & dEq -> CD-R (M). Transfer: Discs -> Nero 8 (Secure Mode) -> FLAC Frontend 8 -> TLH. 2 Flac  
3. 05/13/24 Golden 1 Center - Sacramento, CA A+ Lineage: 6x Wireless Receivers > Multitrack Recorder (24/44.1) Recorded by hoserama (with some patches from outman77) Mixed by hoserama Mix version 20240517 2 flac  
4. 09/08/24 Wells Fargo Center - Philadelphia, PA A source : schoeps mk41v > kcy 250/5i > baby nbox > a10 > 24/48 wav adobe audition > ozone 8 > xact 2.55 > flac 16/44.1 taper : Keith Litzenberger 2 flac  

Pete Haycock  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/19/88 Fabrik theater - Munich, Germany A Lineage: unknown taper‘s analog equipment>my unknown but low generation Maxell XL II cassette tape (in 1988 trade/swap)>fresh September 25, 2017 transfer from Sony D6C walkman (Azimuth adjusted, pitch checked etc.) to Olympus LS P2 PCM recorder at 44.1kH > wav > Audacity (for slight editing and auto-boosting levels) > wav > FLAC (level 8) > Dimeadozen > all Climaxanatix! Docdondy, September 27, 2017. 1 flac  

Peter Frampton http://www.frampton.com
  Date Venue - City, State Sound Rating Notes Media  
1. 12/09/76 The Forum - Inglewood, CA A Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 111 Recording Gear: AKG 451E microphones (CK-1 cardioid capsules) > Nakamichi 550 cassette recorder Transfer: Mike Millard Master Cassette > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 2 flac  
2. 11/08/22 Royal Albert Hall - London, England A+ The Farewell Tour Source: akgc61's > > nbob actives > babynbox > sony pcm-a10 > wav 24/96 (recorded from rear of stalls, a little left of centre) Lineage: wav 24/96 > iZotope RX 10 Advanced > wave 16/44.1 > CD Wave > flac 16 2 flac  
3. 11/16/22 Mitsubishi Electric Halle - Dusseldorf, Germany A LINEAGE: Instamic Pro Plus > USB to Hard Disc > WAV to FLAC conversion with Traders Little Helper - ffp with Traders Little Helper - Torrent file cleaned and enhanced with Adobe Audition 3.0 2 flac  
4. 08/15/23 The Masonic - San Francisco, CA a- DPA 4061s-Battery Box-Sony PCM-M10 Transfer M10-usb-Audacity-cd waveditor-FLAC Taped From the Balcony Dead Center Never Say Never Tour 2 flac  
5. 04/11/24 GSR's Grand Theater - Reno, NV A Lineage: Audio Technica AT831 Cardioid microphones > Sony PCM M10 24/48 recording by Wes Meyette and tracking using CD Wave Editor 1 flac  

Peter Green / Splinter Group  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/05/98 Majestic Ventura Theater - Ventura, CA AA Source: FOB: Nyquist Omnis > Sony TCD-D7 Transfer: DAT > Tascam DA-30 > coax > HHb CDR 800 PRO onto Mitsui Gold CDR discs > AIFF Mastering: Sound Forge Pro 10.0a (converted AIFF files to .WAV, smoothed level adjustments in the first 2 tracks, minor edits, & normalize) > CDWav (re-tracked) > Trader's Little Helper (level 5) > FLAC >Tags Via xACT 2.47 Recorded, transferred. and Tagged by: OldNeumanntapr Mastered by: dorrcoq 2 flac  
2. 09/30/00 Majestic Ventura Theater - Ventura, CA A+ Source: Neumann AK-40's (X/Y) > LC3 > KM-100's > Beyer MV-100 > SBM-1 > Sony TCD-D7 Transfer: DAT > HHb CDR 800 CD master > AIFF > Sound Forge Pro 10.0a (converted files to .WAV, copied right track over the left in places to repair dropouts) > Trader's Little Helper (level 5) > FLAC Location: FOB, first tier, center Recorded and mastered by: OldNeumanntapr Edited, FLAC'd, & seeded by: dorrcoq 2 flac  

Phil Collins http://www.philcollins.co.uk
  Date Venue - City, State Sound Rating Notes Media  
1. 04/10/94 Prins Van Oranje Hal - Utrecht, Netherlands A- I was at this concert but really don't know how I got this recording. But you can't blame me for that. On April the 10th it is 26 years ago. The concert was held in one of the "Jaarbeurs Hallen" in Utrecht. Not the best place for a concert to say the least. It is a big tin can, with no acoustic-features at all. I mean standing from where I was, a saw (I think) 3 trumpet players on the left of the stage but never heard them (until I got this recording) And there were too many people in that hall. You really couldn't move because people were standing against you all around you. Yes... sardines in a big tin can. After that my wife only want to go to concerts if she can sit (and have a little more space). And I can't blame her for that But it was great seeing / hearing Phil Collins live. For me that was the first time. I only saw him again in 2007 in the Amsterdam Arena in... you guessed it; Amsterdam. On transferring the CD's to my HD I noticed the bass-sound was way too prominent, so I reduced that a little bit to make the concert more "listenable". Not knowing how I got these recordings I really cannot say anything about the equipment that was used. The taper must have had a better position then we had, because in his recording you can hear the trumpets.... Enjoy 2 flac  

Physical Graffiti  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/01/24 Piano - Dortmund, Germany A Minimax-master-series #1693 Master - Audience recording recording position: Equipment: Zoom H4N with Sound professional microphones SP-CMC-8 sound-quality: exc- 2 flac  

Pigs On The Wall  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/15/18 Redneck Country Club - Stafford, TX A "Thanks for the Lime" Sony HDR-PJ260 Handicam MP4 > ShotCut > FLAC 100% 2 flac  

Pink Floyd Experience  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/26/11 Comerica Theater - Phoenix, AZ A+ Recorded & Transfered By: Robert Mullen (lvrwm) Equipment/Lineage: Audience/SP-CMC-25 mics (Croakies)>SP-SPSB-2(Battery Boost Box)>Sony PCM-M10>CD Wave Editor(tracking)>Traders Little Helper flac level 8. Recorder Settings: PCM-M10 at 44.1 kHz/16 bit, low mic sensitivity, manual record, limiter on, mic power off, low cut filter off, speed control off. Comments: This was the first time at this venue, and the acoustics are very good. We were located on the floor, 14th row about 15' stage left of center. This group of musicians has their own interpretation of the "Floyd" sound, and I thought it was very entertaining. (IMHO). The recording came out well, and the crowd around me was pretty well behaved for this saturday night in Phoenix. Enjoy this show from this talented group based out of San Diego, California. 2 flac  

Pink Floyd Night  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/20/19 National Concert Hall - Dublin, Ireland A A "Kurt Schwein" Production #6 ;-) Lineage: Zoom H1 [@ '45' Recording volume] => Goldwave v6.23 where I did this stuff... Faded In and Out intro and outro applause, tracked it and, given there was a discernable break on the night PLUS that 'The Wall' has/had 4 Sides, I split the whole thing into 3 discs. I increased the volume by 3.5dB ... and then, TLH - Wav to FLAC Level 8. 3 flac  

Pink Talking Fish http://pinktalkingfish.com
  Date Venue - City, State Sound Rating Notes Media  
1. 04/05/19 Sweetwater Music Hall - Mill Valley, CA AA Source: SBD > Tascam DR-5 (line out) > Sony-M10 Transfer: Adobe Audition > Korg Audiogate > Trader’s Little Helper Lineage: 24-bit/96 kHz > 16-bit/44.1 kHz Editing: Adobe Audition - merge files, fades added, tracking; Korg Audiogate - dither (Korg AQUA); Trader’s Little Helper - Fix SBES, Convert to FLAC 8 2 flac  
2. 09/20/19 The Warehouse at FTC - Fairfield, CT AA Soundboard + AKG C414 XLS's + Schoeps MK41v's>KCY250/5i>VST62iu>Sound Devices MixPre-10 II(@32 Bit/48khz) wav>Sound Forge Pro 11 (Mix,Fades,iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC) Recorded/Processed By Keith Litzenberger 2 flac  
3. 12/05/19 Beachland Ballroom - Cleveland, OH A Soundboard + Neumann KM150's>Sound Devices MixPre-6 SD Card>Nuendo 4 (align tracks,mix)>Sound Forge Pro 13 (Fades,resample,POW-r depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (Track Tagging) Sound Engineer : Mike Shinko Recorded By Mike Shinko 2 flac  
4. 12/14/19 Summit Music Hall - Denver, CO AA Soundboard + Neumann KM150's>Sound Devices MixPre-6 SD Card>Nuendo 4 (align tracks,mix)>Sound Forge Pro 13 (Fades,resample,POW-r depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC) Sound Engineer : Mike Shinko Recorded By Mike Shinko 2 flac  
5. 12/27/19 Sherman Theater - Stroudsburg, PA AA Neumann KM150's>Sound Devices 788t (@24 BIT/48khz) FOH Sound Engineer : Mike Shinko 788t>Sound Forge Pro 13 (Fades,resample,POW-r depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC)>Foobar2000 (Track Tagging) 2 flac  
6. 10/15/21 Ardmore Music Hall - Ardmore, PA A+ Soundboard + AKG 414 XLS's (Omni, Onstage, spaced 4ft) >Sound Devices MixPre-10 II (Recorded @ 32 BIT Float/48Khz) Nuendo 4 (Mix)>Sound Forge Pro 13 (Fades,POW-r Bit depth conversion to 16 BIT, Sample rate conversion to 44.khz)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging) FOH Sound: Davis Thurston Recorded by Keith Litzenberger 2 flac  
7. 10/17/21 Infinity Hall - Norfolk, CT A+ Soundboard + AKG 414 XLS's (Omni, Onstage, spaced 8ft) >Sound Devices MixPre-10 II (Recorded @ 32 BIT Float/48Khz) Nuendo 4 (Mix)>Sound Forge Pro 13 (Fades,POW-r Bit depth conversion to 16 BIT/Sample Rate Conversion to 44.1khz)>CDWAV(Tracking)>Trader's Little Helper(FLAC)Foobar2000 (Track Tagging) FOH Sound: Davis Thurston Recorded by Keith Litzenberger 2 flac  
8. 02/18/22 Infinity Hall - Hartford, CT A+ Soundboard + Neumann U89's (Omni, Spaced 20 feet) + AKG C414 XLS' (Hypercardioid, pointed at audience, spaced 20 feet)>Sound Devices MixPre-10 II (Recorded at 32 Bit Float/48Khz) wav>Nuendo 4(Mix)>Sound Forge Pro 15 (fades, sample rate conversion to 44.1khz/iZotope MBIT+ Bit depth conversion to 16 Bit)>CDWAV(Track Splits)>Trader's Little Helper (FLAC)>Foobar2000 (Track Tagging) Recorded/Processed By Keith Litzenberger 2 flac  

Poco http://www.poconut.org/
  Date Venue - City, State Sound Rating Notes Media  
1. 07/05/69 Eagles Auditorium - Seattle, WA A- Reel-to-Reel FM from AUD, two sets How do you like that? Someone taped a show from the audience, THEN they broadcast it over the radio! From the same sources that brought you Joe Cocker and Fleetwood Mac from the Eagles (I did not know that, did you?), here's another audience tape that was broadcast locally during the early part of 1972 as part of a series of shows taped there. I say same sources as whoever transcribed this show carelessly faded each song in and out, just like the other two groups. A small amount of echo was added as well. Either way, it won't detract much from the listening experience as this is a great audience recording from the time period. 1 flac  
2. 09/30/71 Columbia Studios - Los Angeles, CA A+   1 flac  
3. 08/26/72 Central Park - New York, NY a- FLAC master, 20 July 2019, by elegymart: Analog radio broadcast (stereo): WCBS (New York City) 101.1 FM local broadcast >> Source 1: master reel (probably) > unknown (low) analog generations > analog audio cassette > Zoom H4n 16/44 > WAVs (via Kingrue) >> Source 2: unknown (low) analog generations > unknown CDR generations > unbranded Taiyo Yuden base 80-minute CDR {via trade, c. 1999-2005} > EAC (WAV extraction, secure mode) >> = >> Cool Edit Pro 2.0 (audio clean-up) > SHNtool (fixed SBEs) > CD Wave (track splits) > TLH (WAV > FLAC8). Created this text file. 1 flac  
4. 05/05/73 Fairleigh Dickinson University @ Florham Campus - Madison, NJ a- Source : FM Broadcast > Cassette Master (courtesy of MauroVerona) Transfer : Zoom H4n (16/44) > Sound Forge (tracking, volume) > Wave > TLH (sbe aligned) > Flac 8 1 flac  
5. 06/01/74 Paramount Theater - Seattle, WA a- Source: Audience Lineage: master cassette>Nakamichi 670 azimuth-adjusted playback>Wavelab 24/96>Sox 16/44>flac Taping Gear: Sony ECM-22P>Sony TC-55 Taped and transferred by JEMS 1 flac  
6. 07/30/75 Wollman Rink, Central Park - New York, NY A Source: Audience Transfer: Dbpoweramp accurate rip > Advanced Renamer > stamp ID3 tag editor > THL checksums, torrent 2 flac  
7. 08/22/75 Unknown - New York, NY A   2 flac  
8. 07/07/76 Providence Civic Center - Providence, RI AA Master audience recording taped by Dan Lampinski 1 flac  
9. 07/25/76 Civic Center - Lakeland, FL a- Source: audience Transfer: Dbpoweramp rip accurate / tag edits > Advanced Renamer > TLH checksums 0 flac  
10. 06/22/79 PAC - Milwaukee, WI A Source: from trade cdrs Transfer: EAC or DBPoweramp Rip / Accurate extraction > Stamp ID3 Tag Editor > TLH checksums & torrent. needs volume adjustment recorded very low 1 flac  
11. 08/09/79 Pinecrest Music Fair - Shelton, CT A Lineage: AUD --> unknown --> CD --> dBpoweramp --> flac5 1 flac  
12. 08/22/79 Performance Arts Center - Milwaukee, WI A Source: from trade cdrs Transfer: EAC or DBPoweramp Rip / Accurate extraction > Stamp ID3 Tag Editor > TLH checksums & torrent. 1 flac  
13. 09/23/79 Madison Square Garden - New York, NY a- FLAC master, 2 August 2020, by elegymart: Analog audience recording (mono) {recorded by Gene Poole}: unknown mics/recorder > 1977-79 Ampex 371 Plus Series (Type I Normal) 90-minute analog audio master cassettes {from the Gene Poole collection} > two 1979-81 US/European TDK SA C-90 analog audio cassettes > Sony TC-WE435 (azimuth adjustment) > Roland R05 (24/96) > Cool Edit Pro 2.0 (audio cleanup, convert to 16/44) > SHNtool (fixed SBEs) > CD Wave (track splits) > TLH (WAV > FLAC8). Created this text file. 1 flac  
14. 01/30/83 Park West - Chicago, IL A+ A Covid-19 quarantine release! :) Hot Off The Heads Production! :) Mics: Mics: AKG 460B with the CK1 capsules Recorder: 1981 TCD-5M Sony Cassette Pro Portable Location: ~ 20 feet from stage right center Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment Chord Company Interconnect Cable (Naim Co.) Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz Sound Forge just to track. NO OTHER BULLSHIT! FLACs decoded to wave> R8Brain> FLAC with the pad option to remove SBEs. ID3 tags added just because... 192/24 waves were 4692MB. 44/16 waves are 718MB. 2 flac  
15. 08/16/86 Chestnut Cabaret - Philadelphia, PA A+ Source- Soundboard Lineage- Master cassette tape > Nakamichi CR-7A > Korg MR1000 (DSD) > Audiogate (PCM 24/48) Additional Processing- WAV > Audacity (cleanup, tracking and downsample to 16/44) > TLH FLAC8 Files tagged using foobar2000 (January 2022) Thanks to larry sellers, nicky b, bill r and the Philly crew for helping to get this stuff out. Please enjoy and remember to always support the artists. 2 flac  
16. 09/29/92 Bottom Line - New York, NY A cdr>trade 1 flac  
17. 09/19/93 Janus Landing - St. Petersburg, FL 8 source: analog sbd recording gen: 1st taper: John Tsalikes (RIP) cassette provided by: John Tsalikes transfer: cassette -> Tascam 202 MK VII -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2025-02 (24-48) 1 Flac  
18. 07/20/03 Pocofest / Humphrey's By The Bay - San Diego, CA A+ cdr>trade 3 flac  
19. 09/06/03 XM Studios - Washington, DC A+ cdr>trade 1 flac  
20. 10/29/04 Scottish Rite Auditorium - Collingswood, NJ A Source: Audience Core Sound cards>Sharp MT770>Sound Forge 7.0>wav>Fla Transfer: Dbpoweramp accurate rip > Advanced Renamer > THL checksums, torrent 2 flac  
21. 12/11/04 Stabler Arena - Lehigh University - Bethlehem, PA A-   1 Flac  
22. 05/05/05 Amager Bio - Copenhagen, Denmark A+ Source: 2xsony ecm-155->sony mz-r91 md Transfer: md master->joemeek C2->technics sh8065->phillips cdr-9000->cdr->eac->flac A Honecker Recording 2 flac  
23. 02/22/08 Boulder Theateer - Boulder, CO a-   1 flac  
24. 05/14/10 Thrasher Opera House - Green Lake, WI A+   2 flac  
25. 04/23/11 Wild Hog Bike Rally - Helena, AR A Lineage: TradeCDR--> EAC(secure)--> Flac(Level8)--> HungerCity! 1 flac  
26. 05/18/12 Thrasher Opera House - Green Lake, WI A CA-14 (Cardioid) > CA-9100 > Sony M10 (line-in 24/44) > USB > Cool Edit Pro (slight EQ, fades, gain boost) > iZotope RX Advanced (dither) > CDWAV > FLAC 2 flac  
27. 05/13/13 San Bernadino Palasport Chiari, Italy - Chiari, Italy a- (MRDR Master Volume 190) Recording: Sony ECM717 > Sony MZ-R700 MD Transfer: MD Master .wav File > iZotope RX 8 / ozone 9 (mastered) > xACT 2.50 > FLAC 2 flac  
28. 02/23/18 Tarrytown Music Hall - Tarrytown, NY A Lineage: Zoom H2 (internal mics) > WAV (16/44.1) > Audacity (tracking) > TLH > FLAC 6 > foobar2000 (FLAC tags) 2 flac  
29. 02/12/19 Royal Theater - Blue Cruise - Royal Carribean, Ocean a- source : schoeps mk6(c) > nbob actives > babynbox > r-09hr > 24/44.1 wav adobe audition > ozone 8 > xact 2.45 > flac 16/44.1 taper : edtyre 1 flac  
30. 03/31/19 Tarrytown Music Hall - Tarrytown, NY A+ Source: master audience recording Taper: larryrulz Location: first row balcony Lineage: CA-14 (cardioid) > Sony M10 (24/44) > Audacity (amplify, tracking) > TLH > FLAC 6 > foobar2000 (FLAC tags) Sound: mp3 samples attached in the Comments 2 flac  

Poppa Chubby  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/22/17 Butlins - Skegnass, UK AA Source: Master Audience Recording, Zoom Q3 (wav), EAC, Flac, Dime. 1 flac  
2. 02/01/17 Le"New" Plan - Ris_Orangis, France A Location: Left Center Above Mixing Desk Mics: Sony ECM-MS 907 Recorder: Roland R-05 SDHC Card: 32GB Integral Ultima Class 3 Wav file transferred to PC via USB. Conversion to FLAC with Goldwave 6.28 Tracks splits Goldwave 6.28 1 flac  
3. 09/20/18 Cafe Lenas - Saratoga Springs, NY AA Lineage Master Sony Pcm M10 16 Bit With 2 Sennheiser Mk2es Mics In A Hat> > USB> Cool edit Pro 16-441 Recorded & Transferd Beerengineer This Was Popa First Gig At Caffe Lenas Crowd Was About 40 People Caffe Lenas Is The Longest Continously Folk Club In The USA This Was My First Time There Since Renovation 2 Years Ago Much Better Sound RUNTIME 2hrs 6.05 2 flac  
4. 12/13/18 The |Tralf - Buffalo, NY AA Gear: CA14s > CA9100 > Tascam DR-08 Tracked by }{eywood Lineage: DR-07 (recording to 24/48 .wav) > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode II (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
5. 01/05/19 Center for Arts in Natick - Natick, MA a- An Imperfect Gravy Recording (IPG-371) Lineage: Audio Reality > Tascam DR-07mkII @ 16/44.1 > PC > Audacity 2.0.3 (amplification, tracking, normalization) > TLH (FLAC 8) > Dime 2 flac  
6. 07/11/19 Fiorenzuola D'Arda - Unknown, Italy A Lineage : Zoom H4n Transfer: Zoom H4n > Audacity > wav > flac Recorded, transferred, mastered and uploaded by peppinagiro 2 flac  
7. 11/07/19 Fiorenzuola D'Arda - Unknown, Italy a- Lineage : Zoom H4n Transfer: Zoom H4n > Audacity > wav > flac Recorded, transferred, mastered and uploaded by peppinagiro 1 flac  
8. 11/21/19 Salle des fetes Grand Parc - Bordeaux, France A Recorded from the seats, facing right PA, using : 2 x DPA 4099 supercard mics - DAD6001 - Zoom H5 (48/24), phantom on. Downsampled 44/16 wav to PC, Audacity (a bit of eq, volume adjustments, tracks), FLAC and md5 with TLH. 2 flac  
9. 09/05/20 Big Indian - Irving, NY A Taper: bigdaddybflo Gear: CA11s > CA9100 > Tascam DR-07 Mastered by }Poignant Pros ({eywood) Lineage: DR-07 (recording to 24/48 .wav) > USB > WeTransfer > Adobe Audition (EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 1 flac  

Pousette-Dart Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/25/78 Bunky's - Madison, WI 8.5 Master Soundboard Cassettes Lineage: 1st set: [Sony CRO-90 cassette (Tascam) 122mkII - Dolby out] --> Tascam CD-RW2000 --> EAC --> CDWAV --> FLAC 2nd set: [Maxell UDXL-II cassette (Tascam) 122mkII - Dolby out] --> Tascam CD-RW2000 --> EAC --> CDWAV --> FLAC 1 Flac  
2. 07/08/79 Toad's Place - New Haven, CT A Source: WPLR FM Lineage: FM > long forgotten cassette w/Dolby B > TDK Type 1 (UD90?) > Nakamichi BX-300 w/Dolby B > Santa Cruz TurtleBeach > CoolEdit @ 44.1KHz > Wav > Flac 1.1.0 2 flac  
3. 04/27/19 Center for the Arts - Natick, MA AA An Imperfect Gravy Recording (IPG-383) Lineage: Schoeps > Tascam DR-07mkII @ 16/44.1 > PC > Audacity 2.0.3 (amplification, tracking, normalization) > TLH (FLAC 8) > Dime 2 flac  

Premiata Forneria Marconi  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/28/11 Hibiya Open Air Music Theater - Tokyo, Japan A Lineage:aiwa CM-TS55 mics >Roland EDIROL R-09 >SoundEngine Free(split) >BatchWOO(convert) > FLAC 1 flac  

The Pretenders  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/??/99 Unknown - Sheffield, England 8   2 Flac  

Primus http://www.primussucks.com
  Date Venue - City, State Sound Rating Notes Media  
1. 05/18/22 Palace Theater - Albany, NY A MBHO KA200N (din) > Naiant Tinybox > Sony PCM-A10 2 flac  

Prism  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/16/78 Royal Oak Theater - Detroit, MI A SUPERSTARS RADIO NETWORK - SPECIAL LIMITED EDITION DJ - 1978 ARIOLA (PRO50034) 1978 ARIOLA AMERICA (PRO50034) - BLUE DISC - THIS IS A PROMOTIONAL ALBUM 1 flac  
2. 04/25/82 Wings Stadium - Kalamazoo, MI a- King Biscuit Flower Hour FM Recording Encoded: FLAC 1 flac  
3. 08/01/04 Grand Beach Entertainment Centre - Grand Beach, MB A CD TRADE --> EAC --> FLAC (Level 6) 1 flac  
4. 08/13/16 Casino Regina - Regina, SK a- How: H2 Zoom recorder (1st row Balcony, right side)-> Cool Edit Pro ,Normalizing and Tracking -> Traders Little helper for SBE fixing and Flac encoding 1 flac  

Procol Harum  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/26/67 Bilzen Festival - Bilzen, Holland A- Lineage: CDr > NCH Rip > WAV > Flac 1 flac  
2. 03/15/69 Filmore West - San Francisco, CA 7.5 Tracks 1 to 9 : LIVE AT THE FILLMORE EAST (NEW YORK)USA MARCH 15, 1969 Tracks 10 to 14 : LIVE AT THE TROUBADOUR (LOS ANGELES)USA APRIL 1969 1 Flac  

Pulsar  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/27/78 Unknown - Angers, France 8.5 SOURCE: VG unknown gen mono audience tape given to me by D.M. in 1998. PLEASE NOTE: the sound quality is not great (still listeneable), but all tracks are longer than on the studio records, with improvisations. LINEAGE : unknown mic and basic mono recorder -> unknown gen Maxell UDXL II cassettes -> Nakamichi Dragon (with auto-azimuth) Dolby off -> Zoom H2 -> Goldwave v.5.08 for edits, fades, tracks, true mono to left channel, maximization at 90%. -> TLH 2.4.1 (build 160)-> FLAC level 8 align on sector boundaries, md5s Tags with mp3Tag (True mono gives small files) 2 Flac  
2. 06/03/78 Terrain des Sports - Pace, France 8.5 SOURCE: incomplete VG mono audience master recorded by my friend PLG from Brittany. LINEAGE: Philips N2002 mono cassette recorder with built-in mic & automatic recording. -> Tape Deck Denon DRM-710 -> Pioneer PDR-509 standing alone cd burner -> Nero 9 EAC -> TLH (Flac 8) -> Goldwave v.6.27 for tracks, edits,fades, pitch x 1.15, equalizer, level -> TLH 2.8.4 (build 185)-> FLAC level 8 align on sector boundaries, md5s Tags with Mp3tag. Recorded and digitized by PLG, prepared and shared on Dime by finkployd49 (January 2026). 1 Flac  

Pure Prairie League  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/30/74 Ebbets Field - Denver, CO A Source: FM broadcast or Pre-FM Transfer: Dbpoweramp rip accurate / tag edits > Advanced Renamer > TLH checksums 1 flac  
2. 02/23/76 My Father's Place - Old Roslyn, NY AA lineage: wlir broadcast (2/24/76)>reel master>10.5" reel @ 7.5 ips, dolby b, rec on sony tc-755 w/teac an-180 nr technics rs-1506>teac an-180>hd-p2 24/48>hd> cd wave>adobe audition 2.0 16/44.1>flac level 8 transferred & seeded by Rob Berger 8/16/09 2 flac  
3. 09/14/77 My Father's Place - Old Roslyn, NY A   1 flac  
4. 04/30/78 Calderone Concert Hall - Hempstead, NY A source: fm cassette master taped by Bob MacFarland (emoto on LL) lineage: wlir simulcast>bic beam box antenna>sansui 9090 receiver>pioneer ct4141a maxell xl-II90's, dolby b nak dragon>hd-p2 24/96>pc>cd wave>adobe audition 2.0 16/44.1>flac transferred & seeded by Rob Berger 1/9/10 2 flac  
5. 12/20/85 Westport Playhouse - St. Louis, MO A Source: SBD Lineage: Cassette Master> 1st gen. cassette> Pioneer 555RW> CDR> iTunes (with error correction)> aiff> Bias Peak LE 3.10> xACT 1.2> FLAC (level 6) Taped by: Chuck Madden Transfered by: josenoruego Re mastered by: josenoruego 1 flac  
6. 06/29/19 Riviera Theater - North Tonawanda, NY AA 16 bit version Taper: Poignant Pros (bigdaddybflo) Gear: CA11s > CA9100 > Tascam DR-07 Mastered by }{eywood Lineage: DR-07 (recording to 24/48 .wav) > USB > Adobe Audition 1.5 (EQ, peak limniting, splits & fades, conversion to 16/44.1, flac 8) The 16 bit version of this has been remastered for the talented listener. 2 flac  
7. 08/09/19 Anderson Center,Binghamton University - Vestal, NY A Source:Sony Stereo Mic>Edirol R-09 HR(24/44.KHZ)>Ediorl R-09 HR(Playback)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper.Taped By Boeditaper,On The Lawn,Dead Center,About 25 Feet Up. 1 flac  
8. 06/14/25 GSR Grand Theater - Reno, NV 9 AUD-MTX; FOB , Schoeps cmc6/mk4v + Sennheiser ME 64 > Tascam 680 (48 16) Lineage: SD > wav 48 16 > Magix vegas 21 mix down > TLH Taped by Chris Cafiero, Little Feat Archivist Mixed and mastered by Doctorzap 2025 1 Flac  
9. 07/13/25 Peg Egan Performing Arts Center - Egg Harbor, WI 8.5 Zoom H4n Pro (24/44) > USB > Cool Edit Pro (slight EQ, fades, gain boost) > iZotope RX Advanced (dither) > CDWAV > FLAC 2 Flac  

Purpendicular http://www.purpendicular.eu/
  Date Venue - City, State Sound Rating Notes Media  
1. 08/04/19 Biesdorfer Parkbuhnne - Berlin, Germany A Lineage: Zoom H1 -> Wav (48kHz/24Bit) -> Magix Audio Cleaning Lab (Volume Boost, EQ, Fade In/Out, Split in Tracks) -> 44,1kHz/16Bit -> flac 2 flac  

Queen https://www.queenonline.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 09/13/73 Golders Green Hippodrome - London, UK A+ Best Queen I have ever and I have been looking 1 flac  
2. 09/13/73 Golders Green Hippodrome - London, UK A Lineage: - SBD > ? > "As It Began - The BBC Archives" (The Godfatherecords - G.R. 225/226) > ? > FLAC Level 8 Notes: - This appears to have come directly from the "As It Began" silver. GS review: https://www.collectorsmusicreviews.com/queen/queen-as-it-began-the-bbc-archives-godfather-gr-225226/ (below) As It Began is a competent collection of previously release Queen BBC sessions in excellent quality. Between 1973 and 1977 Queen appeared on BBC radio seven separate times: three times each with Bob Harris and John Peel, and once on “In Concert.” Godfather present five of the seven beginning with the July 25, 1973 session for Bob Harris’ “Sounds Of The Seventies.” Four songs were recorded at this session, scheduled right after the release of their debut album. Both “Keep Yourself Alive” and “Liar” are instrumentally the same as the studio track but with different vocals, but “Son And Daughter” and “See What A Fool I’ve Been” were both recorded live in the studio. The former is very interesting since it runs close to twice the length of the studio version and includes the earliest recorded reference to Brian May’s “Brighton Rock” guitar solo. 1 flac  
3. 11/20/73 New Theatre - Oxford, UK B++ This is a merge of various copies of the audience tapes to nearly complete the show. Thanks to Kurgan for transferring his old tapes, some of which is used here. First of all, there are two different versions of the soundcheck. The complete copy is about 21 minutes long, but there is also a 15-minute version with many of the silent sections edited out - the latter of which is better quality than the complete tape. Instead of editing in a dozen spots of empty tape hiss, for completists I have decided to include both the uncut 21-minute version and a merge of two copies of the 15-minute version (one of which, from an old compilation bootleg called "The Ultimate Rarities Collection", is only 9 minutes long but is the best quality of the three). As for the concert, three different copies of the audience tape are present. All three are used to complete the section between Son And Daughter and Ogre Battle in the best possible quality, and one of the inferior copies completes the end of the show, as the best copy cuts out during Jailhouse Rock. The master audience tape is presumably missing three bits of the show, as they are missing on all three copies - a few seconds at the beginning of Procession and Keep Yourself Alive, and a small chunk of Hangman. Soundcheck: * "Supporting Mott The Hoople" silver > CDR (x) > WAV > FLAC level 8 ** "The Ultimate Rarities Collection" (FBCD) silver > WAV (GoldWave pitch/speed correction) > FLAC level 8 *** AUD > Unknown (low) generation tape TDK D90 > Sony CFD-50L > Sound blaster Live Line in > WAV > FLAC Level 8 Concert: # AUD > ? > CDR (x) > WAV (GoldWave pitch/speed correction) > FLAC level 8 ## "Supporting Mott The Hoople" silver > CDR (x) > WAV > FLAC level 8 ### AUD > Master tape > tape (x) > TDK D-90 > FLAC level 8 1 flac  
4. 11/27/73 Town Hall - Birmingham, UK B++ Lineage: Silvers > (unknown) > CDR > WAV > FLAC (level 8) Sound: fair/good Source: audience Comments: Unfortunately an incomplete recording. However, the most complete availble. This one comes from the release on 'First Procession', which lasts a bit longer than the 'common' version. Enjoy! Cheers, Tim (Epic Dreams) 1 flac  
5. 11/29/73 Colston Hall - Bristol, U.K. B++ Lineage : AUD > ? > CD(x) > WAV > FLAC > WAV > Cool Edit Pro (remastering, hiss reduction, speed reduction, re-tracking) > WAV > FLAC (TLH) 1 flac  
6. 03/31/74 Rainbow Theatre - London, England A This is a pre-LP copy in superb quality, rendering all previous versions to be obsolete. Some gaps between songs, as well as the beginnings of Procession and Liar, are filled in with one of the old LP sources. This soundboard recording (multi-track, to be precise, since it certainly has been properly mixed) contains numerous vocal overdubs. The most glaring example of this is 3 minutes into Liar, when Freddie sings "time after time", and the next line begins before the previous one has ended. Keeping the overdubs in mind, the fact that it's perfectly mixed, the between-song segments having been edited, and that it's 37 minutes long, I'd like to suggest the possibility that this may have once been considered to be a live album by the band and ultimately shelved. Simply put, overdubs aside, this recording showcases the band at their heaviest and rawest. This is one of those few truly essential Queen recordings recommended to any fan of rock music. The video contains Freddie asking the audience "What comes next?" (between "I want you" and "To be a woman") during the second chorus of Son And Daughter, and it is cut out on the audio source. This edit is yet another reason why I think this was intended to be an official release at one point. 1 flac  
7. 04/03/74 Langham 1, BBC Session - London, England A+ Lineage PRO > Analogue 1/4 reel MASTER > MiniDisc > WAV > CD(1) > EAC > WAV > Trader's Little Helper > FLAC level 8 1 flac  
8. 04/28/74 Exposition Hall - Portland, ME B++ LINEAGE AUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 24/96>TRADERS LITTLE HELPER FLAC (LEVEL 8) Recorded using a Sony TC-110A deck with built in microphone. 2 flac  
9. 10/16/74 Maida Vale Studio 4 - London, England A+ Lineage PRO > Analogue 1/4 real MASTER > MiniDisc > WAV > CD(1) > EAC > WAV > Trader's Little Helper > FLAC level 8 1 flac  
10. 11/01/74 Empire Theatre - Liverpool, UK B+ not that good 1 flac  
11. 11/05/74 City Hall - Sheffield, UK B++ Lineage : 2nd gen ? tape > WAV > 2 big FLAC files, 1 for each side > Cool Edit Pro (hiss reduction, speed correction, equalisation) > WAV > Trader's Little Helper > FLAC level 8 2 flac  
12. 11/24/74 Rainbow Theater - London, England 8.5 Source info: Original silver CD (SBD recording) --> EAC --> FLAC (liberated bootleg: In The Lap Of The Gods) 1 Flac  
13. 12/01/74 Theater 140 - Brussels, Belgium B+ would not bother its to the point 1 flac  
14. 12/06/74 Sartory Hall - Cologne, Germany B++ Lineage: CD-R > CDex > Wav > FlacFrontend Level 8 > Flac 2 flac  
15. 12/08/74 Congresgebouw - Den Haag, The Netherlands B++ UD > ? > cassette > Dutch convention silver > EAC > FLAC Level 8 (with Foobar2000) > WAV (GoldWave speed correction, gaps removed, retracked) > FLAC 2 flac  
16. 02/16/75 Avery Fisher Hall - New York, NY a- AUD > Master Cassette > 1st Gen Cassette > WAV (GoldWave speed correction) > FLAC level 8 1 flac  
17. 03/07/75 Uptown Theater - MIlwaukee, WI A- Lineage: Audience > Analog 2nd Gen Cassette > CDR > EAC > WAV > TLH > FLAC This is truly one of the better ones from this era you should have it 1 flac  
18. 03/29/75 Civic Auditorium - Santa Monica, CA B++ AUD > ? > "The Royal American Tour 1975" LP > preamp > standalone CD audio recorder > WAV (GoldWave fixes, iZotope RX EQ, de-crackle, speed correction, Adobe Audition merging) > FLAC (level 8) patches from AUD > ? > "The Royal American Tour 1975" LP > WAV 16/48 (iZotope RX EQ, de-crackle, speed correction, Adobe Audition merging) > FLAC level 8 1 flac  
19. 04/19/75 Nippon Budokan Hall - Tokyo, Japan B++ * Source 1 - "A Beautiful Album" silver > WAV (GoldWave speed correction on side A) > FLAC level 8 ** Source 2 - as below, but with the volume increased to 130% (in both channels on disc 1, but only in the right channel on disc 2) Source : AUD -> Master cassette (Columbia C120SP low noise cassette tape) Transferred : Tape -> ? -> MiniDisc (Victor MD-80QX5)(ATRAC comppression) -> Sony CMT-M333NT Micro System -> Yamaha Pocketrack W24 pocket recorder (recorded with '16bit/44.1kHz recording mode') -> Fujitsu FMV - BIBLO NF75W/V notebook computer -> WAV Lineage : WAV -> Track Splitting (SoundEngine Free) -> FLAC level 8 (Trader's Little Helper) ->Tagging (SuperTagEditor) Recorded and transferred (from tape to MiniDisc) by Quicksilver Transferred (from MiniDisc to PC), track splitted, encoded and tagged by Masahiko 2 flac  
20. 04/23/75 International Hall - Kobe, Japan B++   2 flac  
21. 04/28/75 Okayama-Ken Taiikukan - Okayama, Japan B++ Father to son was a decent recording only reason why I kept it 2 flac  
22. 04/29/75 YAMAHA Tsumagoi Hall - Shizuoka, Japan B++ AUD > Cassette Master > ? > CD > CD-R > FLAC > Har-Bal > WaveLab > FLAC Level 8 2 flac  
23. 04/30/75 Bunka-Taiikukan - Yokohama, Japan a- This is my attempt to clean up this Tarantura bootleg, crushed by compression as per usual. Each track has a different level of compression on it, so I had to normalize them all to match the least compressed one (kind of like how an orchestra tunes to the flattest clarinet) before I could begin working. Son And Daughter through Liar were not compressed nearly as badly as the rest of the show, so I tried to EQ the rest of the show to sound closer to it. I'm generally pleased with the results, but it definitely sounds better in speakers than in headphones. There seems to be some kind of phase cancellation that is fixed by converting it to mono, but so much clarity would be lost so I left it alone. Anyone who has a better grasp on that stuff than me is welcome to take a further stab at this. I also merged in part of one song from source 1 (which was unfortunately only ever shared on YouTube). * "In Hama" (Tarantura) silvers > WAV (GoldWave volume adjustments, EQ) > FLAC level 8 ** Master tape > ? > YouTube > mp4 (keepvid.com) > WAV (GoldWave EQ/volume adjustment, re-tracking) > FLAC level 8 2 flac  
24. 05/01/75 Nippon Budokan Hall - Tokyo, Japan B++ Lineage : KILLING ME SOFTLY (silvers) > WAV (EAC) > Flac Level 8 (Traders' Little Helper) 2 flac  
25. 05/01/75 Nippon Budokan Hall - Tokyo, Japan a- AUD > ? > "Young Nobles Of Rock" (Tarantura-TCDQ-1-1, 2) > ? > FLAC Level 8 > WAV > Har-Bal > WaveLab > WAV > FLAC Level 8 (Source 5 - Stark Remaster) AUD > ? > "In The Land Of The Rising Sun" (Tarantura-TCDQ-17-1, 2) > ? > Fixed SBE (TLH) > FLAC Level 8 (Source 7) Notes: - This is my own version of this show. The main source is Source 5 of 8 (7 audience sources, 1 video soundtrack), the famous "Young Nobles of Rock" source with the cuts and gaps filled with Source 7, "In the Land of the Rising Sun", making this show 100% complete. Source 5 is the Stark Remaster, Source 7 is the unedited bootleg. Source 5 is interesting, because while it sounds identical to the average Mr Peach tape, it's credited to "Song Brothers." Perhaps Mr. Peach was included in that moniker? I'm fairly certain he was behind this recording. One of the greatest shows Queen ever did. Incredible performance. rub3945 2 flac  
26. 11/26/75 Free Trade Hall - Manchester, UK B++ Lineage: - AUD > ? > "Sweet Rhapsody" (Gypsy Eye 047-048) > ? > FLAC Notes: - This bootleg from the late 90s uses a high generation tape. Still, a very warm atmosphere is evident. In The Lap Of The Gods...Revisited is missing from the audience recording, but it definitely was played at the concert. The song was a staple of Queen's early shows, before they could close with We Are The Champions by late 1977 (with only one exception, in Stockholm, 08 May 1977). There is a clear cut after Liar, making it hard to tell if the song was actually recorded or not. 2 flac  
27. 12/24/75 Hammersmith Odeon - London, England A Superstar Concert Series - Westwood One (2 CDs) Show #02-15 for broadcast the weekend of April 12/13, 2002. Lineage: Westwood One CD > Apple G4 > Bias Peak (removed commercials, etc.) > FLAC 1 flac  
28. 12/24/75 Hammersmith Odeon - London, England A Somewhere in between 2004-2005 Dutch Radio & Television station "KRO Legendarisch Live" (Legendary Live) did broadcast this famous concert 2 times. One time with "In The Lap Of The Gods" and one time with "See What A Fool I've been" instead of it. The Broadcast was recorded by myself... Lineage: FM Broadcast>Digital Antenna>Harman Kardon Tuner>Sony Minidisc recorder>PC Wav>CD>FLAC>You 2 flac  
29. 03/11/76 Civic Auditorium - Santa Monica, CA a- Recording Gear: Unknown portable cassette recorder with built in mono microphone JEMS 2019 Transfer: Barry G TDK Audua master cassettes > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 (24/96 capture to .wav > pitch adjustment > iZotope RX7 and Ozone 8 restoration and mastering > iZotope MBIT+ resample and dither to 16/44.1 > Peak Pro 6 (post production) > xACT 2.37 > FLAC 2 flac  
30. 03/29/76 Koseinenkin Hall - Osaka, Japan a- Queen "Osaka Rhapsody" 4 CD BOX, Tarantura Limited edition 150 copies, numbered. Deluxe paper sleeves with Obi. And 12 pages photo book. The sound quality is awesome!!! Recorded by Mr. Peach!!! 2 flac  
31. 04/01/76 Nippon Budokan Hall - Tokyo, Japan a- Empress Valley released their first Queen bootleg earlier this year, and it's a monster ! It's a box set containing nine discs of all four Tokyo shows on the A Night At The Opera tour, six of which are previously uncirculated pre-LP tapes that were first released only on vinyl in incomplete form over 40 years ago. Only 100 copies of the box set were pressed. Nearly half of the April 1 show was heard on the "Invite You To A Night At The Budokan" LP, and a poor sounding second audience source circulated for years. EV use the original uncut source. Father To Son and See What A Fool I've Been aren't listed on back cover, but the recording is complete. The first four minutes of Liar are seamlessly spliced in from a third audience source. This is the most interesting show of the bunch, and even though it's transferred/mastered a bit too hot (particularly on disc 2), after all these years it's amazing to finally hear the entire concert in this quality. This is Queen coming off their creative peak and at the top of their game. Sound quality is pretty near excellent throughout. Thanks to Masahiko for dishing out the shekels for the silvers and sending me the FLAC files, to Empress Valley for what is hopefully their first of many releases of new Queen tapes, and to the original tapers, whoever you are ! "Geisha Boys, The Complete Tokyo Tapes" (Empress Valley) silvers > EAC > WAV > FLAC level 8 2 flac  
32. 04/02/76 Miyagi Sports Center - Sendai, Japan a- From The Silvers. Lineage : (silvers) > WAV (EAC) > Flac level 8 (Traders' Little Helper) 2 flac  
33. 09/18/76 Hyde Park - London, UK B+ Source: Silvers > EAC > WAV > jetAudio > FLAC 2 flac  
34. 09/18/76 Hyde Park - London, UK A Source: Soundboard Taper: Unknown Transfer: CD-R from trade > EAC > FLAC Level 8 > You 2 flac  
35. 03/03/77 The Forum - Inglewood, CA AA Mike Millard Original Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 19 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Fostex D5 DAT > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > MBIT+ resample to 16/44 > Audacity > TLH > FLAC Known Faults: -Tie Your Mother Down: start cut -Brighton Rock: splice -Now I'm Here: start slightly cut Intro to the Lost and Found Mike the MICrophone Series Welcome to JEMS’ Lost and Found Mike the MICrophone series presenting recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin done in and around LA circa 1975-77. For further details on how some tapes in this series came to be lost and found again, as well as JEMS' history with Mike Millard, please refer to the notes in Vol. One: http://www.dimeadozen.org/torrents-details.php?id=500680 Until this year, the Lost and Found series presented fresh transfers of previously unavailable first-generation copies made by Mike himself for friends like Stan Gutoski of JEMS, Jim R and Barry G. These sources were upgrades to circulating copies, and in most instances marked the only time verified first generation Millard sources had been directly digitized in the torrent era. That all changed with the discovery of many of Mike Millard’s original master tapes. Yes, you read that correctly, Mike Millard’s master cassettes, long rumored to be destroyed or lost, have been found. Not all of them, but many, and with them a much more complete picture has emerged of what Millard recorded between his first show in late 1973 and his last in early 1992. The reason the rediscovery of his master tapes is such a revelation is that we’ve been told for decades they were long gone. Internet myths suggest Millard destroyed his master tapes before taking his own life, an imprudent detail likely concocted based on assumptions that because his master tapes never surfaced and Mike’s mental state was troubled, he would do something rash WITH HIS LIFE’S WORK. There’s also a version of the story where Mike’s family dumps the tapes after he dies. The truth is, Mike’s masters remained in his bedroom for many years after his death in 1994. We know at least a few of Millard’s friends and acquaintances contacted his mother inquiring about the tapes after his death to no avail. But in the early 2000s, longtime Millard friend Rob S was the one she knew and trusted enough to preserve Mike’s work. Here is Rob’s account of how Millard’s master tapes were saved: After Mike left us, I visited his mom Lia occasionally, usually around the holidays. She’d talk about the grandkids and show me pictures. She had no one to help out around the house so I did some minor improvements like fixing a kitchen shelf that collapsed and another time a gate that hadn’t worked for years. After a few visits, I explained to Lia how the tapes were metal, up to 25 years old already and would eventually deteriorate. She agreed to let me take the tapes and make copies. We went into Mike’s bedroom and it was exactly like I remembered it when I was there years before. I loaded up every tape I could find and went to work copying them. Oldest first, some requiring “surgery.” Months later when I was done copying, I compared what I had copied to a list Mike had compiled of his masters and realized there were many shows missing. I returned the tapes and asked Lia if we could see if there were any more somewhere else in the house. We went into a back bedroom and found a bunch of boxes filled with more original master tapes. I loaded them up, thanked Lia and left. This was the last time I would see her. I copied the rest of the tapes and stored the masters in a cool dry place until late last year when Jim R. reached out. We had known each other through Mike. After speaking with Jim, and later BK who had tracked him down, I knew their partnership was the “right way” to get this music out to everyone who wanted it, and I’m sure Mike would have agreed. ### Initially, Rob copied a large batch of Millard’s master cassettes to DAT and returned them to the house. The second time around, he was given a large portion of the cassette collection, different from what he had copied to DAT. The first round of DAT transfers features some of Millard’s most famous recordings of Led Zeppelin, ELP, the Rolling Stones and Jethro Tull. The second traunch of actual cassette masters includes his captures of Yes, Genesis, Peter Gabriel, Rush and Pink Floyd. As exciting as it is to access Millard’s masters of the shows we know and love, there are many new recordings in both collections from artists like Elton John, Queen, Thin Lizzy, Eric Clapton, The Who, the Rolling Stones, Paul McCartney, Fleetwood Mac, Tom Petty, Guns N’ Roses, Linda Ronstadt, David Bowie, the Moody Blues, U2 and more. Even with an information gap in the mid ‘80s when Millard was surely taping but there is no tape or written evidence as to what he captured, we have now confirmed some 290 shows Millard did record. Of those, there are master cassettes for approximately 100 shows, DATs off masters of another 75 and first generation analog copies for 30-35. Together, that nearly quadruples the number of extant Millard recordings. Our original master tapes series began with Pink Floyd, which you can find here: http://www.dimeadozen.org/torrents-details.php?id=667745&hit=1 http://www.dimeadozen.org/torrents-details.php?id=667750&hit=1 Queen, The Forum, Inglewood, CA, March 3, 1977 We continue with the first of many new-to-the-world Millard recordings, this one capturing Queen on the U.S. tour in support of A Day at the Races. Queenlive.ca lists a partial extant recording of this show, but the version of it on YouTube is clearly a different performance (most likely the night before, March 2). It appears Millard’s recording never circulated beyond his friends if that, as no first generation copy is known. The Queen master tapes were among the first batch of cassettes Rob transferred to DAT himself in the early 2000s. While we don’t have the master cassettes, the analog transfer to DAT was done well. The azimuth alignment and phase are both solid. Incredibly, Mike himself only rated this recording Fair, and nothing could be further from the truth. His tape of this fine Queen performance has all the attributes of his best work: up close, full fidelity, clear instrument separation and little annoying audience interaction, though make no mistake the crowd is extremely excited to see Queen. It stands comfortably with the Mike titles we know and love. Samples provided. Millard’s dear friend Jim R was with Mike at the show and shot the original unpublished photos we are fortunate to include with this release. Here’s what he recalls: Mike and I attended the Queen concert on March 3, 1977. I pushed him in the wheelchair. Hard to believe in hindsight, but at the time, Queen was considered a Led Zeppelin copycat. So, being loyal LZ fans, we planned to "boycott" the show. But upon hearing the buzz about the upcoming concert and with some prodding from friends, we both decided to attend. At the last minute we scored 15th row center seats on the floor. Not in our desired sweet spot (5th row center) but they would do. Our seats were on the aisle and there was a crush of fans at the start of the show. This caused extra security in our aisle. We were in section B, the center section on the floor next to the stage, Section B contains 25 rows. About halfway back, two security members sit in chairs in the middle of the aisle. With Mike and I sitting 15 rows back on the aisle, this put the security practically next to our seats. Yikes!!! The show had decent sound and good lighting. Thin Lizzy opened and I took a handful of pictures of them. Freddie wore three outfits during the show, a white, a black and one with red and white stripes. The encore was sizzling with “Jailhouse Rock” and a bit of Elton John’s “Saturday Night’s Alright For Fighting.” ### MIKE AND STAN Meeting Jim, then Barry and ultimately connecting with Rob has added incredible new chapters to my personal Mike the MIC story that started in 1986 when I first saw a box of Millard tapes and heard stories about how he recorded. I’m lucky and grateful that all four of us share a deep appreciation for what Mike documented over the years and the on-going belief in his mission to share the music among friends, which is why we do this. As joyous as this initial Millard master release has been, it is bittersweet. The person who showed me that original box of Millard tapes and told me the stories was Stan Gutoski, the S in JEMS. He met Mike face to face on two occasions and the pair had a few phone calls, sharing notes on how they recorded shows, comparing gear and ultimately trading copies of their recordings. Game respecting game. During a 1992 meet up in SoCal, they even spoke about losing their fathers and hugged each other in camaraderie, something Stan never forgot. Sadly, on Friday, January 24, 2020, Walter Stan Gutoski, passed away. He was 74. Stan had gone into the hospital in December because of a spinal infection that severely limited his mobility. I spoke to him at the time, sharing various JEMS updates which always lifted his spirits, even as he sounded weak. He was released, but his condition didn’t improve after he left the hospital, and in mid January I got updates from his son that didn’t sound promising. Last week, his son told me Stan was back in the hospital battling pneumonia, and it was clear his health was rapidly deteriorating. I began to consider how soon I could fly up to see him. On Thursday night, I asked if there was an opportunity to call Stan in the hospital, and his son said perhaps he could put me on speaker phone for a minute if his dad was up to it. Sensing that might not happen, I followed up with a text: “Please tell Stan I love him dearly and that we found Mike Millard’s master tapes a few weeks ago.” His son replied, “Wow. The taper’s ‘Ark of the Covenant.’ That’s amazing. I’ll tell him.” Mid morning the next day, Friday, his son texted, “Good morning. My dad passed away a few minutes ago.” It was the stomach punch I knew was coming, but not this fast. Way too fast. I started crying. His son then texted: “My brother and I and my youngest son stayed with him until 6:30 am. He never went to sleep. He kept fighting it. He was impressed about the 280 shows [Millard recorded]. He kept making me repeat the number. He wanted to know what years and what cities/venues. I guess he can just ask him now in person. [They are] hanging with Jared watching Tom Petty and George Harrison play.” If ever there was a moment of happiness and sadness at the same time, reading that text was it. While I’m not religious, the thought of Mike Millard, Stan Gutoski and our late, great friend Jared Houser (the J in JEMS) all hanging together in heaven is something I am only too happy to believe. ### JEMS is thrilled to partner with Rob, Jim R and Barry to release Millard's historic recordings and to help set the record straight about the man himself. We can’t thank Rob enough for reconnecting with Jim and putting his trust in our Millard reissue campaign. He has kept these precious tapes under wraps for two decades, but once he learned of our methods and stewardship, he agreed to contribute the Millard DATs and cassettes to the program. Our production support team also deserves credit. Thanks to Goody for giving this his stamp of pitch approval and to mjk5510 for his essential work on all JEMS projects. We can’t do it without you. This one’s for you, Raf. Finally, cheers to the late, great Mike the MICrophone, Jared Houser and Stan Gutoski. May they rest in peace. Can’t wait to hear the heaven tapes someday. BK for JEMS 2 flac  
36. 03/13/77 Seattle Arena - Seattle, WA A JEMS Tandberg Master Transfer Radical Remaster 1644 Edition Contrast Clause: This is new transfer and remaster made from our master reel to reel recording. The original version is still on the tracker at http://www.dimeadozen.org/torrents-details.php?id=255414 Recording Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic JEMS 2023 Transfer: Master Reel > Otari MX-5050 w/full track mono head stack > > Sound Devices USBPre 2 capture (24/96) > iZotope RX8 (stereoize plus other tweaks) > Unfilter > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > xACT > FLAC 2 flac  
37. 10/28/77 Maida Vale Studio - London, UK A+ Lineage PRO > Analogue MASTER > WAV > CD(1) > EAC > WAV > Trader's Little Helper > FLAC level 8 1 flac  
38. 12/20/77 Long Beach Arena - Long Beach, CA A+ Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 64 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 2 flac  

Quicksilver Messenger Service  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/06/68 Unknown - Unknown, Unknown AA SB MASTER REEL > REEL > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC 2 flac  
2. 06/07/68 Fillmore East - New York, NY AA SB MASTER REEL > REEL > REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC 1 flac  
3. 12/31/69 Winterland - San Francisco, CA 9 Lineage: ? > CD-R received 4/02 > EAC > Wavs > FLAC Front End > FLACs This came to me on a CD-R as 'QMS - Winterland, December 31, 1969' with 10 tracks. Tracks 8 - 10 are actually by Moby Grape from December 31, 1966 1 Flac  
4. 01/24/70 Fillmore East - New York, NY A aud cassette master taped by Jim Cooper unknown mics > hitachi trq-222 nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > fission > adobe audition 16/44.1 > xACT flac transferred and seeded by Rob Berger 3/2016 2 flac  
5. 02/07/70 Family Dog - San Francisco, CA a-   1 mp3  
6. 02/23/70 Winterland Ballroom - San Francisco, CA 8.5 HARVEY KASLOW'S UHER REEL AUDIENCE MASTER > REEL > CDR > SONY SCREENBLAST EXTRACTION > COOL EDIT TO EVEN THE LEVELS > CD WAVE EDITOR > FLAC 1 Flac  
7. 06/13/70 Civic Auditorium - Oahu, HI A   1 flac  
8. 07/03/71 Fillmore West - San Francisco, CA A   2 flac  
9. 04/23/76 Worcester Polytechnic Institute - Worcester, MA A Audience Stereo FOB (probably Sony ECM-99A > Sony TC-152SD) Teac X-1000R > Tascam CD-RW900 1st Gen Reel > CDR > EAC Secure > Adobe Audition (edits, levels, normalize) > CD Wave (tracks) > FLAC Total Time - 89:58 Thanks to the taper! Transfer and encoding (Apr 2014) by Steve Hopkins 0  
10. 05/01/76 Keystone - Berkeley, CA A Source: Recorded by Allen Tarzwell Sony Microphone > Sony TC-50 > TDK Audua C90 (x 1) and Audua C60 (x 1/2) (Mono Handheld Auto-Level Portable Cassette Deck with External Microphone) Transfer: Nakamichi CR-7A (azimuth aligned to tape, no Dolby, Bias @ 120us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up dropouts, bumps, pops and remove the loudest claps then remove 12 samples from left channel to align phase) > AudioGate (convert to 16-44) > Cool Edit Pro (DC offset correction) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor 2 flac  

Quicksilver Messenger Service Compilation  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 Marin County Cowboys - San Francisco, CA AA   2 flac  

Rainbow  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/07/76 Shi Kokaido - Nagoya, Japan A SBD -> Silver Bootleg CD -> EAC -> WAV -> Flac Sound Quality : Excellent sound quality Taken from master tape. This is the different source from bootleg called "Someone's Calling My Name". 2 flac  
2. 10/04/77 Concertgebouw - The Hague, Holland A If you notice I don't have many Rainbow concerts because so many are unlistenable. These are not. 2 flac  
3. 10/20/77 Olympiahalle - Munich, Germany A from dvd Tears in the dust 2 flac  
4. 11/04/77 Empire Theatre - Liverpool, Lancashire a   2 flac  
5. 11/06/82 Isstadion - Stockholm, Sweden B++ vinyl rip by Mike DeLaila using record player: Technics SL-1210 MK2 w/ Ortofon Concorde PRO S system digital recording: Tascam DR-07 - 16 bit/44,1 kHz, wav converting to FLAC with Traders Little Helper (level 8) 2 flac  
6. 06/17/16 Freilichtbühne - Loreley, Germany A Zoom Q2HD > Internal Mics Rear 90 > 16/44 > CD Wave > dbpoweramp > Flac Level 8 2 flac  
7. 06/08/19 Sweden Rock Festival - Norje-Solvesborg, Sweden A Contrast clause: Version 1 - Recorded by jdeverill2 [http://www.dimeadozen.org/torrents-details.php?id=651440] Version 2 - Recorded by TheMetalist (me) [http://www.dimeadozen.org/torrents-details.php?id=651611] Version 3 (This version) - 'Ritchie Blackmore's Rainbow - Sweden Rock Festival 2019' (Commercial bootleg) Notes: This is a remaster of Version 2 which is my recording. I discovered this release on eBay by accident. As usual bootleggers don't hesitate to steal things from here to make profit. Something I originally recorded and shared for free. Now I return the favour and release their bootleg as free download for anyone to enjoy. They also included a limited bonus DVD with this release. Not sure where they found the videos but I can make a guess. Anyway, they edited the clips together to make a complete live video and added the sound from the commercial bootleg on it. I will up this DVD as well in a separate torrent. Lineage: 'Ritchie Blackmore's Rainbow - Sweden Rock Festival' [Black Box 028] 2xCD > dBpoweramp CD Ripper (Secure mode) > FLAC (Level 8) 2 flac  

Randy Bachman  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/22/19 Performing Arts Center - Milwaukee, WI A Source: Audience capture / rig unknown. Transfer: Dbpoweramp rip accurate >> Stamp ID3 Tag Editor > TLH checksums & torrent. 2 flac  

Randy Meisner  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/28/81 Rainbow Music Hall - Denver, CO AA Lineage: KDHT-FM broadcast > cassette master Transfer: Sony TC-WE475 > Zoom Hn4 (96/24) > Wavelab (tracking and tweaking) > Flac (level 8) > you ! 1 flac  
2. 05/09/83 Unknown - Dallas, TX AA   2 flac  

Rare Bird  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/16/70 Eisstadion - Duesseldorf, Germany a-   1 flac  
2. 03/13/73 Tanzdiele Matte - Bern, Switzerland B++ Additional editing work carried out in the process (w.Soundforge 9): - Speed correction (Tracks 01-07: -60cts; Tracks 08-11: -50cts) - phase offset adjustments for a more 'centered' mono sound - one-channel drop outs fixed. Many thanks to the original contributors of this recording: to Judge Free, William Tell & Lucifer Burns 1 flac  
3. 03/17/73 Tanziele Matte - Bern, Switzerland A- AGFA Fe Master cassette>Nakamichi 682 ZX Cassette Tape deck(normal eq/no noise reduction)>Sony CDR-W66 Standalone CD Burner w/"super bitmapping on">CDR CDR>Plexwriter Premium II CD-Transport>iMac 3.06 GHz Intel Core Duo with iTunes 9.2.1 into WAW>DVDR. DVDR>WAV>TLH>FLAC>DIME 1 flac  

Rare Earth  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/19/98 unknown - New York, NY A+   2 flac  
2. 05/17/02 unknown - Brookfield, IL A   2 flac  
3. 08/28/10 unknown - Clearwater, FL A   1 flac  
4. 07/16/11 Quake on the Lake - Waterford, MI A   2 flac  

Ray Manzarek  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/26/75 My Father's Place - Old Roslyn, NY A Lineage: Soundboard?>Original Silver>WavePad>Flac Level 8>Flac Frontend Originally upped on DIME by tombstone, a.k.a. KB69 in April 2006 Seeded on Trader's Den in August 2007 1 flac  

Ray Manzarek & Robby Krieger  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/10/10 The Egg - Albany, NY 9 Sony M1 Dat Master 16-48 2 Sennheiser Mk2e> Pan Sv3700 Cooi Edit Pro 16-441 2 Flac  
2. 07/04/12 Cooperative de mai - Clermont-Ferrand, France A+ Zoom H1 with Internal Mics > SD Card > PC > magic audio cleanic > Wave > Flac (level 8) 2 flac  

Red Ryder  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/83 Unknown - Cleveland, OH 9 King Biscuit Flower Hour MP3 Sourced 1 MP3  

Red Sand  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/24/23 Ośrodek Kultury Andaluzja - Piekary Śląskie, Poland A Lineage: internal mics (with windscreen) > Tascam DR-05X > Wav 24-bit/96 kHz > Audacity/iZotope RX (clean/amplify/EQ/split tracks/downsampled 16/44) > Foobar2000 (flac lev 8, tags) > TLH (checksum) Recording location: next to the mixing desk, on the center of the stage Taped by: pf_jack (JGCD_079) Mastered by: Iku 1 Flac  

Renaissance  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/14/73 De Lane Lea Studios - London, England AA Source : BBC Rock Hour > Cassette Master (Maxell UD C120 w/Dolby B on) Transfer : Sony TC-WE 475 (w/Dolby B off) > Tascam DR-40 Linear PCM Recorder 16/44.1 kHz) Editing : Soundforge (tracking) > Wave > TLH (SB's aligned) Flac level 8 Traders Den - Jan 27, 2019 Transferred, Tracked & Pitch Adjusted by kingrue upload 1787 2 flac  
2. 04/03/74 My Father's Place - Old Roslyn, NY A This show comes from an off-air recording of a WLIR-FM radio broadcast of the complete show including encore. The original radio broadcast was likely stereo, but this recording is mono. The band played 5 nights at MFP, Wed through to Sunday. They were on their second US tour, and pushing to develop an audience there. Hence there are several radio broadcast recordings from this period, such as the Ebbets Field, Denver show in August (that I also restored recently, and still available here): http://www.dimeadozen.org/torrents-details.php?id=727054 Both broadcasts show the band having onstage and mixing problems due to the complexity of their arrangements and prominent use of acoustic piano. On this evening, the piano can be heard cutting in and out, possibly due to a dodgy microphone connection which can be heard adding crackle on the original tape (I’ve repaired this here). It wasn’t only the piano; vocals, bass and guitar all get lost or jump out of the mix at various points in the show. The only stable element is the drums, and even they are occasionally a little dominant. But hey, it’s a live show and the band were on fire and in good spirits. Sources: My source for all things Renaissance, prologueau, has supplied me with two versions of this show, with the comment that he has not found any others in circulation over the years: • Traded cassette, of unknown lineage. This cassette was transferred to CDR at some point in the past, very possibly by myself (although I’ve no recollection of having done so). If I did, I’d have used my trusty old Teac 570D deck with manual azimuth adjust, and no dolby, into ProTools. • The ‘Turn of the Seasons’ double CD bootleg. Disc 2 has the tracks from this show. This is likely the most widely known source for this show. Both sources derive from the same master tape, and judging by clarity, seem of similar tape generation. The ‘TotS’ boot has been noise processed using a gating parameter and while acceptable it is not great. It also has a prominent eq peak around 1-2kHz, giving it a brash quality, without the treble extension of the cassette. Finally, ’TotS’ has a 2 minute patch of severe tape damage in ‘Ashes’, whereas the cassette does not. So prologueau’s traded cassette source was the one to work with, however it does have a brief cut in ‘Ashes’ which is not present on the boot CD, making the boot is at least useful for the patch. Restoration notes: • All processing done in iZotope RX8 advanced at 32 bit • As this is a mono source with the right channel containing slightly more top end, I copied it to the left to create a true mono working file. • Remove 60Hz hum plus harmonics. • Correct pitch by -0.7 semitones, stable across whole program. (Boot CD is -0.2 semitones). • Lift eq of top end in an even curve from 1kHz, rising to near +20dB @ 10kHz. Boost to bass below 100Hz, and attenuate lower mids. High pass filter to roll of sub-bass noise below 20Hz. • Eq-ing accentuated the hiss, which was fortunately not excessive (sign of a low gen tape). Applied a noise shaping curve to moderate top end hiss, adjusting parameters as necessary. I’ve left some residual hiss remaining. • Even out volumes, particularly in the first minute. • Remove clicks throughout. There were numerous crackles in ‘Let it Grow’ and ‘Kiev’ (likely from the piano mic onstage) which were tricky to repair. • Meticulous repair of micro-dropouts and odd issues throughout the recording. • A one second cut in Ashes patched from the bootleg source. • Also patched a little more audience applause at the conclusion of ‘Ashes’. • Additional fine tuning of pitch correction, plus wow & flutter repair (Goody) • Final mastering in Ozone: stereoize mono file and master to -0.6dB. • Fades, track and export to flac at 16/44 & 24/44. 1 flac  
3. 05/17/74 Academy Of Music - New York, NY AA lineage: wnew simulcast>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/48> cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger minor retracking with cd wave editor by dave tamarkin ( cd2 - Mother Russia, Prologue, dj outro previously not split ) 2 flac  
4. 07/22/74 Unknown - Seneca, NY A- Source: from a trade in the 90's (tape or CDR, I'm unsure) Comments: This is a really uneven audience recording. On the negative side, the taper has some really loud fans close by (but they tend to be quiet during the music); there is a creaking sound throughout which is only audible during very quiet passages (could be in the tape machine), but it doesn't really detract; and during tracks 4 & 5 there is a regular whooshing sound (I presume another problem with the tape machine). On the positive side, the music of tracks 1-3 and 6-8 sounds very good - great volume, well balanced (apart from the first 3 minutes of track 6 - another tape recorder problem, I suspect) and with little audible hiss. I really enjoy tracks 1-3 and 6-8, but I find the other two (4 & 5) difficult to listen to. One curious point someone may be able to clear up: the concert was traded to me as "Seneca, NY", but at the start of track 2 I think Jon Camp says how pleased they are to be in Canada! Any ideas? 1 flac  
5. 08/26/74 State Fair - Unknown, MN A Source: CDR from my generous friend Andrew (of Hogweeds fame). Comments: The sound is hissy, but otherwise very good. The sound guy seems to favour the piano and it's great to hear the late, great John Tout's wonderful playing so clearly. Volume and balance early in "Can You Understand" are problems (as usual). "Ashes Are Burning" contains no improvisation and fades out. This is probably not the whole concert (Highland's boot "Turn of the Seasons" includes 'Ocean Gypsy' from this concert which is not included here). Applause and introductions are mostly edited out. 'Running Hard' is particularly interesting - unusual piano and several voices in harmonies. 1 flac  
6. 04/13/75 The Forum - Leverkusen, Germany A- Comments: Opened for Caravan. An unusual audience recording - the audience is quiet and respectful, but the sound of the bass is very loud and sounds distorted through low quality speakers (e.g. my iPod earphones - it sounded as though they were about to explode), but reasonable quality speakers will cope. After about 7 minutes of "Mother Russia" all the music stops (although you can just hear a couple of bars from the acoustic piano) as there appears to be some kind of power supply problem. Jon Camp announces afterwards (at the start of track 5) that it was "an Act of God" and they finish their set. One other glitch - a very brief silence (approx 1 second) during Jon Camp's bass solo in "Ashes Are Burning" (I think there's more than 1 second missing. This could be the tape flip at the end of side 1 of a 90 minute tape - simply my suggestion.) Please note: The recording has low volume and does suffer from tape hiss, but I think is still very enjoyable. The bass is what makes this an a- Annie is always exceptional 1 flac  
7. 06/07/75 Calderone Concert Hall - Hempstead, NY a- From CDR trade 10-15 years ago. Trader's Little Helper created FLAC files and checksum. 1 flac  
8. 05/22/76 Capitol Theater - Passaic, NJ A- Lineage: CD-R copy > EAC (WAV) > FLAC Sound: Very Good to Excellent 2 flac  
9. 02/25/77 Orpheum Theatre - Boston, MA A Audience Stereo Sony ECM-99A > Sony TC-153SD FOB, microphone hand-held Tascam 130 > Tascam CD-RW900 Master Cassette > CDR > EAC Secure > Adobe Audition (edits, levels, normalize) > CD Wave (tracks) > FLAC Total Time - 78:30 Recorded by Charlie Macasay Transfer and encoding (Apr 2014) by Steve Hopkins All appreciation and thanks to Charlie for sharing this fine recording with us! 1 flac  
10. 04/04/78 Woolsley Hall Yale University - New Haven, CT 8.5 April 4, 1978 (possibly April 6 according to etree) trade CD > CD extractor (wav) > flac (sb's aligned) > torrentially yours. the sound files of this recording are clipped a bit in the loud parts but it still sounds listenable. there may be another song or two in this show but this is all I got. 2 Flac  
11. 04/18/78 Franklin & Marshall College - Lancaster, PA a- Has warts FM > Cassette > Audacity > WAV > Traders Little Helper > FLAC 1 flac  
12. 05/06/78 Music Hall - Boston, MA A   1 flac  
13. 06/18/78 Capitol Theatre - Passaic, NJ AA Lineage: Radio broadcast > CD (via Renaissance vine - early 2000´s) > EAC > SoundForge 10.0 Pro > FLAC Frontend (level 6) 2 flac  
14. 04/24/79 Adelphi University - Garden City, NY a- Source: Lineage: traded tape (mid 90's), transferred to CDR using Sound Forge and EAC. Flacs created using Trader's Little Helper. Comments: This concert was obviously to support the release of the "Azure d'Or" album, which was due for release about 2 weeks later. It features four songs from that album, (Jekyll and Hyde, forever changing, secret mission and the flood at Lyons) 3 from "A Song For All Seasons", (the day of the dreamer, northern lights, and title song) and the remainder are classics from earlier albums. It's an audience recording, but all the instruments appear to be well balanced in the mix. There is one sound recording glitch - the right channel drops out intermittently during the final minute of "The Flood at Lyons" and the first minute and a half of "Ashes Are Burning", but despite this I find it very listenable. I hope you enjoy it. remaster lineage: flac > wav (adjusts) > flac 8 (sb's aligned) remaster notes: balanced levels in some tracks as needed, applied DC offset, removed a loud noise after Mother Russia and Ashes (not part of the show), added a short section of applause to smooth out tape flip after Vultures, balanced levels especially in part of Flood at Lyon, and a couple of other tracks that had some level fluctuations. it's still clearly a "fan recording" made with a relatively primitive recorder, but this should be a bit of an improvement. remastering by glasnostrd19 march 2022 2 flac  
15. 05/16/79 unknown - Liverpool, UK a- Aud? > Cassette > Pioneer CT-W403R > Audacity > WAV > Traders Little Helper > FLAC 1 flac  
16. 06/21/79 Greek Theater - Los Angeles, CA a- Aud? > Cassette > Audacity > WAV > Trader's Little Helper > FLAC 1 flac  
17. 07/12/79 Milwaukee Auditorium - Milwaukee, WI a- FM? > Cassette > Audacity > WAV > Traders Little Helper > FLAC you can hear the stylus low level pops 1 flac  
18. 12/03/79 unknown - Liverpool, UK a- Aud? > Cassette > Pioneer CT-W403R > Audacity > WAV > Traders Little Helper > FLAC 1 flac  
19. 11/26/81 Ripley's Music Hall - Philadelphia, PA A This show comes from an off-air recording of a WLIR-FM radio broadcast of the complete show including encore. The original radio broadcast was likely stereo, but this recording is mono. The band played 5 nights at MFP, Wed through to Sunday. They were on their second US tour, and pushing to develop an audience there. Hence there are several radio broadcast recordings from this period, such as the Ebbets Field, Denver show in August (that I also restored recently, and still available here): http://www.dimeadozen.org/torrents-details.php?id=727054 Both broadcasts show the band having onstage and mixing problems due to the complexity of their arrangements and prominent use of acoustic piano. On this evening, the piano can be heard cutting in and out, possibly due to a dodgy microphone connection which can be heard adding crackle on the original tape (I’ve repaired this here). It wasn’t only the piano; vocals, bass and guitar all get lost or jump out of the mix at various points in the show. The only stable element is the drums, and even they are occasionally a little dominant. But hey, it’s a live show and the band were on fire and in good spirits. Sources: My source for all things Renaissance, prologueau, has supplied me with two versions of this show, with the comment that he has not found any others in circulation over the years: • Traded cassette, of unknown lineage. This cassette was transferred to CDR at some point in the past, very possibly by myself (although I’ve no recollection of having done so). If I did, I’d have used my trusty old Teac 570D deck with manual azimuth adjust, and no dolby, into ProTools. • The ‘Turn of the Seasons’ double CD bootleg. Disc 2 has the tracks from this show. This is likely the most widely known source for this show. Both sources derive from the same master tape, and judging by clarity, seem of similar tape generation. The ‘TotS’ boot has been noise processed using a gating parameter and while acceptable it is not great. It also has a prominent eq peak around 1-2kHz, giving it a brash quality, without the treble extension of the cassette. Finally, ’TotS’ has a 2 minute patch of severe tape damage in ‘Ashes’, whereas the cassette does not. So prologueau’s traded cassette source was the one to work with, however it does have a brief cut in ‘Ashes’ which is not present on the boot CD, making the boot is at least useful for the patch. Restoration notes: • All processing done in iZotope RX8 advanced at 32 bit • As this is a mono source with the right channel containing slightly more top end, I copied it to the left to create a true mono working file. • Remove 60Hz hum plus harmonics. • Correct pitch by -0.7 semitones, stable across whole program. (Boot CD is -0.2 semitones). • Lift eq of top end in an even curve from 1kHz, rising to near +20dB @ 10kHz. Boost to bass below 100Hz, and attenuate lower mids. High pass filter to roll of sub-bass noise below 20Hz. • Eq-ing accentuated the hiss, which was fortunately not excessive (sign of a low gen tape). Applied a noise shaping curve to moderate top end hiss, adjusting parameters as necessary. I’ve left some residual hiss remaining. • Even out volumes, particularly in the first minute. • Remove clicks throughout. There were numerous crackles in ‘Let it Grow’ and ‘Kiev’ (likely from the piano mic onstage) which were tricky to repair. • Meticulous repair of micro-dropouts and odd issues throughout the recording. • A one second cut in Ashes patched from the bootleg source. • Also patched a little more audience applause at the conclusion of ‘Ashes’. • Additional fine tuning of pitch correction, plus wow & flutter repair (Goody) • Final mastering in Ozone: stereoize mono file and master to -0.6dB. • Fades, track and export to flac at 16/44 & 24/44. 2 flac  
20. 02/27/82 University Convocation Hall - Toronto, ON a- LINEAGE: Unknown probably basic stereo recorder and mics -> unknown transfer -> my 1st gen TDK SA type II cassettes -> Nakamichi CR1-E (with manually adjusted azimuth) Dolby on -> Zoom H2 -> Goldwave v.5.08 for edits, fades, tracks, equalization (60Hz +5dB, 150Hz +5.4dB, 6000Hz +3dB, 15000Hz +3dB), hiss removal on quiet spoken parts channel balance, maximization at full dynamic range. -> TLH 2.4.1 (build 160)-> FLAC level 8 align on sector boundaries, md5s 2 flac  
21. 03/06/82 The Palladium - New York, NY A FM Broadcast Tracks 1-8 from CDR trade in late 90s. Track 9 from tape trade about the same time (because the recording of "Mother Russia" on the CDR was cut short). 1 flac  
22. 04/25/83 Red Creek Inn - Rochester, NY A Recorded by Gregrypeckry probably with the old Sony TCS-310 and an external stereo microphone (I can't remember what type it was) Master Cassettes -> CD-R -> WAV -> FLAC 2 flac  
23. 04/26/83 Paradise Rock Club - Boston, MA AA lineage: Realistic twinhead stereo microphone > Sony: WMD-6 (dolby off) > Maxell XLII master cassettes (rarely played) > played on tascam 112 into soundforge 4.5 (wav) > flac (sb's aligned) > torrentially yours. 2 flac  
24. 12/10/84 Valley Forge Music Center - Devon, PA 8 Tape seems to drag instruments seem to be in the background somewhat Toys for Tots Christmas Concert Initially uploaded to dime in December 2010; fell off the tracker December 2011 For this upload I removed some gaps and one prolonged noise (digital?), and smoothed transitions between some tracks - flac download > TLH > Wave > EAC > CDr > EAC > Wave > CD Wave Editor and Audacity > Edits > TLH > FLAC 2 Flac  
25. 10/30/14 The Center For Arts In Natick - Natick, MA A+ Digital Audience Stereo Master Sound Pro SP-CMC-8 (AT943) Cards > SP-SPSB-10 > Sony PCM-M10 > 16/44.1 WAV > Adobe Audition (edits, levels, normalize) > CD Wave (tracks) > FLAC No noise reduction or EQ; Each fileset is seamless Total Time - 111:28 Recorded and Mastered (Feb 2015) by Steve Hopkins 2 flac  
26. 10/29/17 Hart Theater - Albany, NY AA Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2> iPhone 6 > Twisted Wav (app) > WiFi transfer/File Browser app > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 2 flac  
27. 05/18/18 Infinity Hall - Hartford, CT AA Lineage: CA11 (Omni) > SP-SPSB-8 > Tascam iXJ2> iPhone 6S > Twisted Wav (app) > AirDrop > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 2 flac  
28. 09/17/18 Yamano Hall - Tokyo, Japan AA DPA4061 > Battery Box > SONY PCM M10(wav@24/96) SONY PCM M10 > USB > PC > iZotope RX6/Adobe Audition3/Sound Engine Free(de-click, repair, hard limiting, split) > wav(24/96) > Xrecode3 (wav to flac & sample type converting) > flac(16/44.1) 2 flac  
29. 06/02/22 Espaco Unimed - Espaco Unimed, Brazil a- Lineage: Church Audio 14 Mic Stereo - Church Audio 9200 Pre Amp - Zoom H4N Recorder in Wave Stereo 44.100 Hz/16 Bit - Edited and Converted Flac Level 8, 44.000 Hz/16 Bit with Sound Forge 11 - Metadata Edition with Winamp 2 flac  
30. 07/22/22 Freilichtbühne Loreley - St. Goarshausen, Germany A Audience HD Recording by KS d.i.y. Zoom H1 > Sony ECM 719 [44.1/16] Anne"s voice is not as great as it once was but excellent sound 1 flac  
31. 10/20/24 City Winery - Boston, MA 9 SP-CMC-8c===SP-SPSB-11 to Sony A-10===Internal Memory Card @ 48/24(Downsampled to 44.1/16) 2 Flac  

REO Speedwagon http://www.speedwagon.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 05/23/76 Tarrant County Convention Center - Fort Worth, TX A Mics: (2) Sony ECM 19B > Recorder: Sony TC-152 > Original tape Sony CRO 90 > Playback: Tascam 130 > ADS Tech Instant Music RDX-150 input SPDIF output USB to computer 16 bit 44.1 Khz > Audacity > WAV > CD Wave Editor 16 bit 44.1 Khz > FLAC 1 flac  
2. 08/13/77 Aquarius Theater - Hollywood, CA a- Source: Soundboard Lineage: TV broadcast > "Black Box" > Kenwood KX-630 > Maxell UD cass > Teac A-550RX > TASCAM CDRW-700 > FLAC Quality: 8 Comments: Notes: Don Kirshner's Rock Concert 1 flac  
3. 05/11/78 The Checkerdome - St. Louis, MO A Lineage: Master 'off air' FM Reel [Maxell UD35-180 10 1/2" reel (Revox) 7 1/2ips 1/4 track] --> Tascam CD-RW2000 --> EAC --> CDWAV --> FLAC 8 1 flac  
4. 12/17/78 International Ampitheater - Chicago, IL A- LINEAGE: Unknown lineage > FLAC files sent by "bobobo" > me > TLH > WAV (to test for lossiness) > Audacity (to view waveform, embed metadata/track titles & info, and then to re-encode) > FLAC 8 > TLH (to check for SBE's and create and verify ffp & md5 files) > you 2 flac  
5. 10/07/79 McNicols Arena - Denver, CO a- Source: Soundboard Lineage: FM > ? > cass(1)(Fuji FXII 90) > Sony TC-WE475 > Sony DTC-ZE700 > E-MU E-DSP Soundcard > Wavelab (16/44.1) > FLAC Quality: 8 (7.5+) 2 flac  
6. 10/29/79 War Memorial - Rochester, NY 8.5 Linage: FM broadcast > ? > 1 gen Fuji FXII 90 Transfer: Sony TC-WE475 > Sony DTC-ZE700 > E-MU E-DSP Soundcard > 16/48 wav > Wavelab (tracking and tweaking) > Flac (level 8) > you whotrader-161-reo-1979-10-29 2 Flac  
7. 12/28/79 International Ampitheater - Chicago, IL A- REO Speedwagon - Back In Chicago Again FM (Liberated bootleg) International Amphitheatre, Chicago, IL, USA December 28th 1979 Lineage - original bootleg silver > WAV (EAC in secure mode) > FLAC (TLH @level 8) > Dime 1 flac  
8. 05/06/80 Lansing Civic Center - Lansing, MI A   2 flac  
9. 07/27/80 Alpine Valley Music Theatre - East Troy, WI a- FM 85 minutes 1st Genereation This transferred by eve1976 CASSETTE TAPE (MAXWELL) --> TECHNICS RS-T20 --> AUDACITY --> CDWAVE (split) --> FLAC This is a concert from "A DECADE OF ROCK AND ROLL 1970 TO 1980 TOUR" and includes 3 songs from the upcoming album "Hi-Infidelity" released late 1980. 2 flac  
10. 04/25/81 McNichols Arena - Denver, CO a- FM cass.master-WPYX 106.5 Albany NY-playback:JVC td-w801(cassette)>HHB cd-r830(cd)>Nero wave editor>FLAC(16/44.1)recorded by d.s.f. Sound Quality Is VG 2 flac  
11. 07/15/81 Boston Garden - Boston, MA B++ Teac tape deck--converted through audacity - flac thru traders little helper 2 flac  
12. 08/22/81 Boston Garden - Boston, MA a- LINEAGE: 104.1 WBCN FM broadcast > Teac tape deck > TDK SA-C90 cassette > Audacity (to convert to WAV) > TLH (to convert to FLAC) > uploaded to Dime > my download > Media Creator 2010 Pro (EQ work, cleaning filters, Excite +22) > TLH (fixed SBE's & created ffp & md5 files) > you 2 flac  
13. 09/29/81 Budokan Hall - Tokyo, Japan a- "Keep On Loving You" Original Silver Disc Liberated Bootleg (Fire Power / FP-025) 2 flac  
14. 10/08/82 The Forum - Inglewood, CA A Westwood One 82-23 Aired 11-14-1982 Vinyl Transfer (All Commericals Edited Out) Ion ITTUSB Turntable > Audacity > Magic Audio Cleaning Lab > Flac (TLH Level 8) 2 flac  
15. 11/14/82 Unknown - Inglewood, CA AA Ion ITTUSB Turntable > Audacity > Magic Audio Cleaning Lab > Flac (TLH Level 8) 2 flac  
16. 02/08/83 Rockford Metro Center - Rockford, IL A Superstar Concert Series Westwood One For Airing The Weekend Of 1983-07-15 Vinyl Transfer (All Commericals Edited Out) Ion ITTUSB Turntable > Audacity > Magic Audio Cleaning Lab > Flac (TLH Level 8) 2 flac  
17. 05/03/83 King Biscuit Flower Hour - Milwaukee, WI A Supergroups Starring REO Speedwagon & The Pretenders Aired 08/20/83 Vinyl Transfer (All Commericals Edited Out) Ion ITTUSB Turntable > Audacity > Magic Audio Cleaning Lab > Flac (TLH Level 8) 1 flac  
18. 05/03/83 King Biscuit Flower Hour - Milwaukee, WI A For Broadcast The Week Of June 14-20, 1999 Pre-FM Recording Flac Level 8 Cue Sheet & CD Scans Included Digitized From An Original Radio Broadcast CD Original Lineage: Silver Broadcast CD > dbPower Amp Secure Rip > Flac Level 5 JustDave Additional Lineage: Trader's Little Helper > Wave 16bit/44,1khz > Goldwave v6.83 (editing) > Wave 16bit/44,1khz > Trader's Little Helper (align sector boundaries) > Flac Level 8 Hosted By Ed Sciaky KING BISCUIT FLOWER HOUR SHOW #99 1 Flac  
19. 12/31/84 Market Square Arena - Indianapolis, IN A Source: I got this as a silver CDR, but it's evident the original source is an FM broadcast. The sound quality is consistently excellent. CD-r > FLAC (AudioConverter Studio) > Checksum+ (checking) > you. 1 flac  
20. 04/27/85 Kemper Arena - Kansas City, MO A Source: Soundboard Lineage: ? > AIFF files > AIFF To FLAC Convertor > TLH > FLAC Quality: 9 Comments: Notes: Likely incomplete, possibly missing Flying Turkey Trot 2 flac  
21. 07/15/87 Zoo Amphitheatre - Oklahoma City, OK A   2 flac  
22. 07/18/87 Kiel Auditorium - St. Louis, MO A Source: Soundboard Lineage: LP > ? > FLAC Quality: 10 (9.5+) 2 flac  
23. 12/28/88 Blaisdell Arena - Honolulu, HI A+ Source: Soundboard Lineage: Quality: 10 Comments: Notes: Gary Ritchrath's last show as a member of REO Speedwagon 1 flac  
24. 11/23/90 Club Eastbrook - Grand Rapids, MI A Source: Soundboard Lineage: WGIR-FM > Yamaha 500 reciever > Nakamichi BX-100 cassette deck (dolby off) > cass(m)(Maxell UDXLII) > Nakamichi 300 playback > SoundForge > FLAC Quality: 8 (8.5) Comments: 2 flac  
25. 05/21/10 Rialto Theayer - Joliet, IL 8.5 sound professionals cmc8(w/low sensitivty modification>sp sbs 11@16>line-in>r9>2gb memory card>audition>cd wave>tlh flac>you hard limiting (+5db) was performed to a max -0.5 on the whole file. the tracks were then cut using cd wave. 2 Flac  
26. 10/20/15 Capitol Theatre - Port Chester, NY 9.5 Digital Soundboard FLAC >WAV >Audacity (Duplicate Single Monaural One-Track File Into Two Channels, Insert .25 Milliseconds Of Blank Space At Start Of Duplicated Right Channel To Approximate A Stereo Effect, Downsample To 16bit/44.1kHz, Index Tracks, Fades) Fix SBEs >FLAC (Level 8) + Tags, + Front Cover Artwork By OldNeumanntapr 2 Flac  
27. 07/21/19 Surf Ballroom - Clear Lake, IA A recorder: Ed Broll location: general admission - recorded standing 6 feet from center stage; indoor ballroom lineage: SP-CMC-9 (Audio Technica 898) > Roland R-07 (24bit/48kHz Wav) > CoolEditPro/GoldWave/CDWave > FLAC duration: 94mins 2 flac  
28. 08/01/19 Wisconsin State Fair Grandstand - West Allis, WI a- Recording: CA 14 Cardioids -> UBB -> Sony PCM-M10 - 48KHz, 32bit Transfer: USB to computer Editing: Cool Edit Pro, split tracks, reduce to 44.1KHz, 16bit Traders Little Helper: fix SBE's, compress to FLAC Taper: RWAR 2 flac  
29. 07/04/21 Ozark Ampitheater - Camdenton, MO A recorded near the soundboard (34th row); outdoor amphitheater recorder: Ed Broll lineage: SP-CMC-9 (Audio Technica 898) > Roland R-07 (24bit/48kHz Wav) > CoolEditPro/GoldWave/CDWave > FLAC duration: 101mins These 2 songs: Time For Me To Fly Roll With the Changes were broadcast live by CNN as part of their "Fourth in America" program on 7/4/2021 d02t13 - fireworks sounds follow the last song; listener may want to omit this track when listening or making audio CDRs 2 flac  
30. 06/14/22 Starlight Theater - Kansas City, MO B++ recorded from 14th row, center-left (Box 3); open air amphitheater recorder: Ed Broll lineage: SP-CMC-25 (supercardioid microphone pair) > Roland R-07 (24bit/48kHz Wav) > CoolEditPro/GoldWave/CDWave > FLAC duration: 79mins Has right channel distortion 2 flac  
31. 09/29/23 Nugget Event Center - Sparks, NV a- Lineage: Audio Technica AT831 Cardioid microphones > Sony PCM M10 24/96 recording by Wes Meyette and tracking using CD Wave Editor 1 flac  

Return to Forever  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/09/75 Bluemoon Room - Elgin, IL 8.5 WXFT-FM "unconcert" broadcasts 2026 Speed corrected source mix (Ross/ledwhofloyd Jan 2026) This has been remastered 1 Flac  

Richard & Linda Thompson  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/18/82 The Bottom Line - New York, NY 8 Early and Late shows "Woodworm on the Bottom Line" 3-CD bootleg (fan project?) Lineage of that source listed as: SBD cassette master > DAT > CDR > EAC(secure) > SHN (later converted to FLAC) 2014 additional lineage: - FLAC files decoded to WAV using Traders Little Helper (TLH) - tracks joined using Audacity, and then re-split using CD Wave Editor - patch in early show version of "Just the Motion" taken from late show version using Audacity and CD Wave Editor - sector boundary errors fixed using TLH - WAV files converted to FLAC (level 8), checksums generated using TLH 2 Flac  

Richard Thompson  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/29/82 Folk City - New York, NY AA soundboard cassette to DAT to disc. I changed the track boundaries in a couple of spots to fix songs that either had been split into pieces or combined but otherwise didn’t tamper with them This is a 4 disc set Early show on 09-29-1982 and the early and late shows on 09-30-1982 4 flac  
2. 03/12/85 9:30 Club - Washington, DC A Has some dropoffs but overall really good 2 flac  
3. 10/28/88 Park West - Chicago, IL A Man its got two polkas so thats a winner sounds great 2 flac  
4. 07/09/91 The Ritz - New York, NY A Master Soundboard > 2nd Generation > CDR > Flac 2 flac  
5. 07/17/91 Warfield Theatre - San Francisco, CA AA   2 flac  
6. 06/19/93 Bridgetown Folk Festival - Bridgetown, NJ 8 Source: MAC (Maxell XL II 90) > Tascam 202mkVII > Audacity > 16/48 Recording by Rich Petrunis 2 Flac  
7. 08/29/05 Melkweg - Amsterdam, The Netherlands A Source: Cap-Mounted Giant Squid Binaurals > Archos Gmini120 (wav @ 44.1kHz/16 bit) Transfer: Archos Gmini120 > USB > CEP > FLAC (level 8) Location: FOB/DFC 2 flac  
8. 05/12/08 Teatro Manzoni - Milano, Italy A (MRDR Master Series Volume 79) Recording: Sony ECM717 > Sony MZ-R700 MD Transfer: MiniDisc Master > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  
9. 12/08/12 Montalvo Arts Center - Saratoga, CA   Tascam DR-100 Mark II aud master w/ internal mikes > cd-r > cd-r > eac > wave > trader's little helper > flac 2 flac  
10. 12/12/17 Freight & Salvage - Berkeley, CA AA DPA 4023s >Sound Devices 722 (24bit/44.1khz) Recorded & Processed By Jean Lerond Re-Tagged Via xACT 2.47 By OldNeumanntapr 2 flac  
11. 09/20/19 Royal Albert Hall - London, England 8.5 Aud: AT853 sub cardiod> Naiant pipsqueak>Sony M10>Soundforge>Flac excellent audience 3 Flac  
12. 09/30/19 Royal Albert Hall - London, England A+ Source: AT833b's > Roland R-07 > wav 24/96 Lineage: wav 24/96 > iZotope RX7 Advanced > iZotope Nuetron 2 > iZotope OzOne 5 Advanced > iZotope RX7 Advanced > CD Wave > Flac 16 Recorded from the Rausing Circle (more or less DFC) 2 flac  
13. 08/13/22 Cropredy near Banbury - Oxfordshire, UK A Recording Info : Zoom H1 (WAV stereo 16 bit/44.1 kHz) Lo Cut On, Auto Level Off Position: Field left. Stage right. Level with soound tower Transfer Info : Zoom H1 > USB > PC > Nero Wave Editor (split tracks) > dBpoweramp (convert to flac) > TLH (Fix SBEs) > dBpoweramp (add ID tags) 1 flac  
14. 08/30/22 Caffe Lena - Saratota Springs, NY A Lineage: SP-CMC-8 mics > SP-SBSP-1 battery box > Edirol R05 (24/48) > Adobe Audition CC2020 (level boost) > CD Wave Editor (track) > flac8 Recorded & Tracked: Smores 2 flac  
15. 05/06/25 Fabrik - Hamburg, Germany 8.5 taped + mastered by: RCM uploaded by: RCM filesize: 573 mb showtime: 1 hr 41 min 04 sec RC.601a_aud.ca14.m10.flac.16 CA-14 (card) > CA-9200 preamp > Sony PCM-10 > 24bit/96khz > downsampled to 16/44 Secure Digital SD-card>USB2.0 Interface>soundforge/audioedit>Wav-Splitter>flac.frontend lev.8>flac 2 Flac  

Richard Thompson & Danny Thompson  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/08/93 Stephen Talkhouse - Miami Beach, FL AA DAT SB MASTER > UNKNOWN TRANSFER INFO > RCVD AS FLAC 2 flac  

Richard Thompson Electric Trio  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/29/19 Fremont Theater - San Luis Obispo, CA AA Neumann AK 40s (ORTF) >LC3 >KM 100s >Beyer MV-100 >Tascam DR100mkII (24bit/48khz) Post Production By Flying -M- Har-Bal 3.0 & iZotope RX6 Advanced (Prep & 16/44.1) Tracking & Tagging By OldNeumanntapr Audacity (Track Splits) >FLAC (Level 8) 2 flac  

Richie Furay  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/15/98 Fox Theatre - Boulder, CO A+ cdr>trade 1 flac  
2. 11/16/18 Troubadour Nightclub - West Hollywood, CA A Recorded by -M- SP-CMC8 (Audio Technica at-943 microphone pair) > SP-SPSB-11 (battery box) > Sony PCM M-10 @ 24-48 iZotope RX6 advanced & Har-Bal 3.0 > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) For historical reference only and not intended for resale or any commercial use Enjoy… -M- (December 2018) FLYING M PRODUCTIONS 2 flac  

Rick Derringer  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/??/80 Adelphi University, Garden City, Long Island - New York, NY 8 FM Broadcast>Master Cassette>First Gen. Cassette>Nomad JB3>Edited w/ Nero Wave Editor 1 Flac  

Riders on the Storm  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/13/06 Tempodrom - Berlin, Germany A recorded by Vortex242 OKMIIr > A3 > Sony D100 > MDAT > CD > EAC > Adobe Audition CS6 > CDwave > TLH > flac 2 flac  
2. 01/04/07 Paradisio - Amsterdam, NE A Lineage: Edirol R-09 + Core Sound Binaural microphones Card reader > Harddisk editing with Soundforge 4.5 + plugins and using the Sonic Maximizer Process > SEKD Red Roaster Editing: some nearby clapping has been faded, BBE Maximizer 2 flac  

Rik Emmett  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/03/90 Ontario Place Forum - Toronto, ON a- Recorded by BowlingRon Tape transfer and mastered by Navigator Sony WM-DC3 with stock stereo microphone > Sony Metal-SR 90 cassette > Yamaha K720 > Edirol R-09 (44.1/16) > Adobe Audition 3 > CD Wave Editor (track splitting) > HAT (align sector boundaries, FLAC) 2 flac  
2. 08/25/02 Winona Peach Festival - Winona, ON A Core Sounds Binurals w/battery pack (filter on) > Mic In > Sony MZ-R90 MiniDisc > Audobe Audition > WAV > Trader's Little Helper > FLAC 1 flac  

Ringo Starr  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/24/95 Tokyo Bay NK Hall - Urayasu Chiba, Japan AA Lineage: DAT > DAT clone (32/16) Transfer: Sony D7 > Microtrack II (48/24 - analog) > Wavelab (tracking and tweaking) > Flac (level 8) > you ! 2 flac  

Ringo Starr & His All Starr Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/02/89 Pacific Amphitheater - Costa Mesa, CA A Mike Millard First-Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 202 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2023 Transfer: Mike Millard First-Generation Cassettes > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX9 Advanced and Ozone 9 > MBIT+ resample to 16/44.1 > Audacity > xACT 2.50 > FLAC 2 flac  
2. 07/14/95 Bud Light Amphitheatre - Harveys Lake, PA A A luvsufo Analog Master Transferred and Presented By Krw_co LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) A little too much crowd talking 2 flac  
3. 08/25/98 State Central Concert Hall - Moscow, Russia A+   2 flac  
4. 07/07/10 Radio City Music Hall - New York, NY 8.5 Lineage Bootleg Silver CD > Xrecode3 > FLAC (Level 5) 3. Quality SBD EX 2 Flac  
5. 09/29/23 Murat Theatre - Indianapolis, IN A Source: Sound Professionals CMC-08s (AT943s)->SP-SB20->Roland R05-> Audacity->CDWave->TLH Taper: ironchef 2 flac  

Ritz Power Jam  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/05/93 The Ritz - New York, NY AA Transferred: Tascam DA-30 >S/PDIF >HHb CDR 800 PRO CD Masters >FLAC (Level 8) Via xACT 2.37 By OldNeumanntapr FLAC Tags Via xACT 2.48 2 flac  

Robben Ford  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/24/92 Fort DM Hotel - Des Moines, IA A+ Lineage: MasterCass-Maxell MX90/Denon DRS-610/Focusrite Scarlett 2i2/Audition/24-96flac Recorder: Sony tcd5m w/custom stereo pzm on wall. 1 flac  
2. 06/30/02 Big Band Jazz Festival - Sandviken, Sweden A   2 flac  
3. 07/19/03 Syracuse Blues Fest, Clinton Square - Syracuse, NY A+ Source: Soundboard>Sony SBM-1 A/D Converter>Sony D-8 DAT DAT Transfer: Panosonic SV-3700>SP/DIF>HHB CD-R 850 April 2004 CD Transfer: CD Optical Drive>Traders Little Helper FLAC Encoding Location: Inside Soundboard Enclosure Taper: Terry Sullivan 2 flac  
4. 02/22/04 Horseshoe Tavern - Toronto, ON A+ Recoding Information: Equipment: CSB mics (flat) > Zefiro InBox > Sharp MD-MT831-A (HI-MD via spdif) Location: in front of stage Transfer: Sharp MD-R1 > TASCAM CDRW-700 (via spdif) 1st REMASTER by Grant Miller: AUD (Hi-MD) > FLAC > CoolEditPro (FFT Bass Cut) > FLAC > DIME Comments: plaz gave me the raw recording so I could do a bass cut. I didn't feel any other attenuation was necessary. add.edits (plaz): Comments: I re-introduce my edits using Grant Miller's bass-reduced and properly tracked version as a starting point - removed clicks and pops - repaired 1 drop out (track 8 185ms missing at 9:55) - gain corrected: track 1 to half way thru track 2, +1.90 dB - balanced: L-channel -0.20 dB; tracks 8 thru 10m R-channel +0.60 dB - clipped close applause - phase correction: -0.60ms (both PA stacks were to the left of the stage) - gain normalzied and retracked 1 flac  
5. 04/03/10 Granada Theater - Dallas, TX A   2 flac  
6. 10/09/22 Unipol Arena - Bologna, Italy A Opening for Eric Clapton Taper: Andrea82 Source: Audio Technica AT943 cardioid mics > SP-SPSB-10 battery box > Tascam DR-2d [24/48] Editing: tracking, fade in/out > MS mastering and resampling-dithering > WAV [16/44.1] > xACT > FLAC 1 flac  

Robbie Krieger  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/04/92 Club M - Canoga Park, CA 8.5 Soundboard Analog Master From The Krw_co Collection Transferred and Presented By Krw_co LINEAGE SOUNDBOARD ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 Flac  
2. 05/27/12 Oriental Theatre - Denver, CO 8.5 source: [ROC/DIN]Avantone CK-1h's > Dmod UA-5 > R-09 lineage: R-09 > PC > Wavelab > CD Wav > TLH > .flac taped, transferred, mastered and uploaded by Corey/KIND Recordings 2 Flac  
3. 04/30/16 Tally Ho Theater - Leesburg, VA a- Lostbrook 2.0 Volume 151 Source: CA-11(cards)>CA-9200>Sony M10(24/48) Location: 35' from stage, center Transfer: Sony M10>Micro SDHC>PC>Sound Forge 10>WAV 16/44.1> Trader's Little Helper>FLAC(level 8) Taper/Transfer/Notes: Lostbrook Covers: ethiessen1 2 flac  
4. 05/03/16 The Birchmere - Alexandria, VA a- Lostbrook 2.0 Volume 152 Source: CA-11(cards)>CA-9200>Sony M10(24/48) Location: 20' from stage, slightly right of center Transfer: Sony M10>Micro SDHC>PC>Sound Forge 10>WAV 16/44.1> Trader's Little Helper>FLAC(level 8) Taper/Transfer/Notes: Lostbrook Covers: ethiessen1 2 flac  
5. 05/06/16 The Flying Monkey - Plymouth, NH a- Recorded By.M.Evans CA-11 Cards>pcm-m10 2 flac  
6. 05/17/17 The Egyptian Room - Indianapolie, IN A Source: Sound Professionals CMC-08s (AT943s)->SP-SB10->Roland R05-> CoolEditPro->CD Wave->TLH Taper: ironchef 2 flac  
7. 06/19/19 Skyloft Crossgates - Albany, NY a- Lineage: Audioreality John Ramsey signature series mic > Battery box > Tascam Dr-05 (16/44) > Adobe Audition CC2017 (level boost) > CD Waveditor (track) > flac8 Recorded by: originalasia Tracked by: smores 2 flac  
8. 09/15/19 Rams Head - Anapolis, MD AA Lineage: CMC-2 mics > SPSB-11 > Edirol R-09 > WAV (48/24) > Sound Forge Pro (44.1/16) > TLH > FLAC 2 flac  
9. 02/28/20 Independence of the Seas - Ft. Lauderdale, FL AA Rock Legends Cruise VIII The fifth of at least a dozen shows from me on the cruise. There will be other shows from another taper at some point too. MIKEY 2.0 iPod Recording Microphone 16/44.1 Dead center, in the bowl seats directly across from the stage. 2 flac  
10. 03/01/20 Royal Theatre on the Independence of the Seas - Ft. Lauderdale, FL a- Rock Legends Cruise VIII A great show captured by fellow taper FlaBean2020. Posted by JohnnyC3 Zoom Q2 HD w/wind muffler; audio = PCM 24/96 FLAC 8 1 flac  
11. 05/13/22 Marquee Theater - Tempe, AZ A+ Sony M10 > Audacity > xAct > SBE > FLAC Transfer assisted by: TAKRL - .- -.- .-. .-.. Running time: 2:13:04 898.8 MB 16 Bit 44.1kHz even with the crowd its still an a+ 2 flac  
12. 04/27/24 Wolf Den at Mohegan Sun - Uncasville, CT 8 2496 FZMOI69 ZOOM F3 NEUMANN KM140 2 Flac  
13. 04/26/25 Whisky A Go Go - West |Hollywood, CA 8 Taper: The Jackal Tascam DR-05 (internal mics) WAV > Dell Inspiron 13 > Audacity (boost banter, mitigate some close clapping & shouts, fades & tracking) FLAC The |Jackal 2 Flac  

Robbie Krieger & John Densmore  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/28/97 Tramps - Make A Wish Benefit - New York, NY a- Benefit for the Make A Wish Foundation SBD recording A- / performance A+ FLAC from Lossless Legs -> BarnyZFrank for tagging and notes, no remastering of any kind -> you 2 flac  

Robby Krieger  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/08/15 Ridgefield Playhouse - Ridgefield, CT a- Recording Info: Beyerdynamic MC930 -> PS-2 -> R-09HR (24/96) Transfer Info: Audacity (Balance, HPF@110Hz, Normalize, Tracking) -> TLH (flac level 8) Location: DFC, 25' from stage (Row G, Seat 106), mics hand-held, sitdown show Recorded by seremetcc Notes: - A stealth recording. The drums were very prevalent in the mix (or from where I was sitting). - Local yahoos were noisy at times, especially during Spanish Caravan. - Robby gives background stories on a few songs. 2 flac  
2. 09/28/19 Whisky a Go-Go - West Hollywood, CA AA Recorded by -M- SP-CMC8 (Audio Technica at-943 microphone pair) > SP-SPSB-11 (battery box) > Sony PCM M-10 @ 24-48 iZotope RX6 advanced & Har-Bal 3.7 > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) 2 flac  
3. 07/26/25 Whisky A Go Go - West Hollywood, CA 8.5 Taper: The Jackal Tascam DR-05 (internal mics) WAV > Dell Inspiron 13 > Audacity (boost banter, mitigate some close clapping, fades & tracking) FLAC 2 Flac  
4. 10/30/25 Greek Theatre - Los Angeles, CA 9 Taper: The Jackal Tascam DR-05 (internal mics) WAV > Dell Inspiron 13 > Audacity (boost some quiet parts, mitigate some audience disturbances, fades & tracking) FLAC The Doors 60th Anniversary, Robby's Doors album series finale: Morrison Hotel 2 Flac  

Robby Krieger & Ray Manzarek  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/20/10 Suikerrock - Tienen, Belgium a- A zimmy21 recording !! Sound quality : Excellent / "Some" occasional wind on the recording / 3 samples in comments . Source : SP-CMC-10 mics > battery SP-SPSB- 1 (107 hz) > Edirol R-09HR (new!) > PC > EAC > wav > Trader’s Little Helper > flac (recorded in 24bit/48.0 kHz / converted to 16bit/44.1kHz) 1 flac  

Robby Krieger Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/25/91 Belly Up Tavern - Solana Beach, CA a- Source : DAT Master > 1st generation cassette (Maxell XL-II) (courtesy of Wes Meyette archive) Transfer : Sony TC-WE 475 > Tascam SD-20M Wave Recorder (16/44) Editing : Soundforge (tracking) > Wave > Traders Little Helper (SBE aligned) Flac level 8 2 flac  
2. 07/14/91 Anderson's Fifth Estate - Phoenix, AZ a- Source : DAT master > 1st generation cassette (Maxell XL-II) (courtesy of Wes Meyette archive) Transfer : Sony TC-WE 475 > Tascam SD-20M Wave Recorder (16/44) Editing : Soundforge (tracking) > Wave > Traders Little Helper (SBE aligned) Flac level 8 2 flac  
3. 07/15/91 Arizona Charlies - Las Vegas, NV A Late Show Source : DAT master > 1st generation cassette (Maxell XL-II) (courtesy of Wes Meyette archive) Transfer : Nakamichi Dragon > Sony PCM-M10 > Wave > CD Wave Editor (tracking) > TLH (SBE aligned) Flac 8 Traders Den - September 1, 2019 Transferred & Tracked by Wes Meyette 1 flac  
4. 03/15/92 Anderson's Fifth Estate - Scottsdale, AZ A Source : DAT Master > 1st generation cassette (courtesy of Wes Meyette archive) Transfer : Sony TC-WE 475 > Tascam DR-40 Linear PCM Recorder 16/44.1 kHz) Editing : Soundforge (volume adjustment) > Wave > Traders Little Helper (SBE aligned) Flac level 8 Traders Den - April 9, 2019 2 flac  
5. 07/31/92 On The Plaza - Los Angeles, CA a- Source : Sony WM-D3 recorder > Cassette Master (TDK SA-X90) (courtesy of Wes Meyette archive) Transfer : Sony TC-WE 475 > Tascam SD-20M Wave Recorder (16/44) Editing : Soundforge (tracking) > Wave > Traders Little Helper (SBE aligned) Flac level 8 1 flac  
6. 08/23/92 Club M - Reseda, CA A LINEAGE SOUNDBOARD ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 flac  
7. 09/18/93 Adam's Avenue Park - San Diego, CA a- Source : Sony WM-D3 > 1st generation cassette (Maxell XL-IIs 100) (courtesy of Wes Meyette archive) Transfer : Sony TC-WE 475 > Tascam SD-20M Wave Recorder (16/44) Editing : Soundforge (tracking) > Wave > Traders Little Helper (SBE aligned) Flac level 8 2 flac  
8. 06/20/00 Humpty's Cafe - Tahoe City, CA a- Source : Sony ECM MS-907 mic > Sony MZ R-55 Minidisc (in mono) Transfer : Sony MZ R700 Minidisc > Tascam SD-20M (rack mount) wave recorder (16/44) Editing : Sound Forge (volume & tracking) > Wave > TLH (sbe aligned) Flac 8 Traders Den - April 24, 2021 2 flac  
9. 08/04/13 Valley Cultural Center @ Woodland Park - Woodland Hills, CA B++ DSM6 -> PAC6LC3B -> R-09HR -> Soundforge -> FLAC 2 flac  
10. 09/01/13 The Plaza Live - Orlando, FL a- Source: Schoeps MK5 Omni - Naiant Tinybox Transfo Out - Sony M10 (24-48) Transfer: Micro SD card > wav file > Adobe Audition > Normalize-Downsample > CD Wave Cut > TLH > FLAC level 8 & Align on SB Recording Location: Front Row Left Recorded by: Datfly 2 flac  
11. 06/18/14 Mojoe's - Joliet, IL a- Source: Sound Professionals CMC-08s->SP-SB11(no bass roll-off)->Edirol R09HR-> CoolEditPro->CD Wave->TLH Taper: ironchef 2 flac  
12. 09/24/16 Suffolk Theater - Riverhead, NY a- Lineage Audience R-09 Master on a Sans Disc SD Card at 16/44.1 to Audio Cleaning Lab for ID's to Wav 16/44.1 to TLH Flac Level 8 2 flac  
13. 09/24/16 Suffolk Theater - Riverhead, NY a- Lineage Audience R-09 Master on a Sans Disc SD Card at 16/44.1 to Audio Cleaning Lab for ID's to Wav 16/44.1 to TLH Flac Level 8 2 flac  
14. 01/14/17 Whisky A Go-Go - West Hollywood, CA A SP-CMC8 (Audio Technica at-943 microphone pair) > SP-SPSB-11 (battery box) > Sony pcm M-10 @ 24-48 iZotope RX4 advanced, Adobe Audition 3.0 & Har-Bal 3.0 > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) song information embedded with Stamp ID3 tag editor 2 flac  
15. 01/21/17 The Marquee Theatre - Tempe, AZ B++ Church Audio CAFS > SP-SPSB-8 battery pack > Zoom H2 (44.1/16) > Adobe Audition > Normalized > TLH flac level 8 2 flac  
16. 09/30/18 The Big E - West Springfield, MA A Zoom H1 > Wav (44.1/16) > Cool Edit Pro (minor edits) > Wav > Trader's Little Helper > FLAC 8 (no SBE) 2 flac  
17. 11/17/21 Ridgefield Playhouse - Ridgefield, CT A Gear Roland 5 w/ SP-CMC-8 + SP-SPSB-11 + SanDisk 32GB Memory Card: 24/96 Recording. Transfer: Audacity 16/44 (reduced some loud clapping, editted out a large yell show introduction), CDwave for tracking, TLH. Hezekiahx2 2 flac  
18. 03/29/25 Whisky A Go Go - West Hollywood, CA 8 Church Audio CAFS > SP-SPSB-8 battery pack > Zoom H2 (48khz/24-bit) > Adobe Audition (Split into tracks, Normalized & EQed, convert to 44.1/16) > TLH flac level 8 Recorded from directly in front of the stage 2 Flac  

Robert Fripp  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/10/79 WPIX Radio - New York, NY A Lineage: BASF Performance Series C90 tape > Tascam 302 > Sony PCM M-10 at 96/24 Wave files > Audacity for volume adjustment and single splice > CD Wave Editor V. 1.98 for tracking > 96/24 and converted to FLAC using Trader's Little Helper V2.8.3.182. Tape and conversion and editing by Michael Cariola. Fripp plays recordings he has produced or was involved with in one way or another and speaks inbetween tracks. 1 flac  

Robert Jon & The Wreck  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/23/21 100 Club - London, UK A+ Source 1: Schoeps MK4's > Nbob Actives > NBox Platinum > Sony PCM-M10 @ 24/48 Source 2: SBD (USB stick) @ 16/48 Transfer: M10/UBB>Audacity (fade in, volume boost source 1:+5.0/5.0, source 2:-3.0/-3.0dB, Fade out>dither to 16/44.1)>CD Wave>FLAC Location: DIN on stand at 8', DFC Recorded, transferred, edited and FLAC'd by Humbug. 1 flac  
2. 11/04/21 Funky Biscuit - Boca-Raton, FL A+ Source: Soundboard master feed > thumb drive + Omni mics (in front of the bass amp) > Zoom H6 + Cardioid mics (in front of the guitar amp) > Matrix mixdown > .WAV @ 24 bit/48 kHz Editing: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded & mixed down by: Michael Wolf ("datfly") Edited by: Dennis Orr 2 flac  
3. ??/??/22 Compilation - Unknown, Unknown A+ Wreckage Vol. 2 is a collection of exclusive in-studio and live concert performances recorded from 2020 – 2022. The new album is a representation of a truly remarkable career spanning collection of tracks including brand-new song debuts, fresh versions of fan favourites “On The Run” and “Cannonball,” hot-off-the-press live recordings of The Wreck’s critically acclaimed, searing 2022 singles, “She’s a Fighter” and “Waiting For Your Man” and an incredible rendition of The Band’s “The Weight.” The new original songs on the album include “Old Hotel Room” and “Dark Roses” which recorded at the legendary Sunset Sound in Los Angeles, CA. Wreckage Vol. 2 captures all the energy and excitement that Robert Jon & The Wreck generate every time they perform to their growing fanbase. The release of Wreckage Vol. 2 follows the RJTW’s critically acclaimed studio album Shine A Light On Me Brother. The album featured the singles “Shine A Light On Me Brother” and “Everyday” that received airplay on UK rock radio including Planet Rock, BBC Radio 2, The Max, Total Rock, MMH Radio, ERB Radio, and Radio Caroline. The album features Robert Jon Burrison (lead vocals, guitar), Andrew Espantman (drums, b. vocals), Steve Maggiora (keyboards, b. vocals), Henry James (lead guitar, b. vocals), and Warren Murrel (bass, b. vocals). 1 flac  

Robert Palmer  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/29/80 Painter's Mill Music Festival - Owing's Mill, MD AA Lineage: original transcription vinyl>WAV>CD>EAC>FLAC(8) A la Russa transfer 2 flac  

Robert Plant http://www.robertplant.com
  Date Venue - City, State Sound Rating Notes Media  
1. 07/07/90 Spectrum - Philadelphia, PA a-   1 flac  
2. 08/09/90 Sports Arena - San Diego, CA AA Mike Millard Master Cassettes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 35 1644 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi RX-505 (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > MBIT+ resample to 16/44 > xACT 2.39 > FLAC 2 flac  
3. 08/10/90 Irvine Meadows - Irvine, CA A Source: Nakamichi mics > Sony WM-D6 (TDK-MA Metal) (recorded by "Tape Man Joe" vol. 20) Transfer: Kenwood KX-4070 cassette deck > TDK-DA3826 standalone cd burner (44.1 kHz) (transfer by george14k) Editing: Soundforge (tracking) > Wav > TLH (sector boundary aligned) Flac level 8 2 flac  
4. 09/19/90 Seattle Center Coliseum - Seattle, WA a-   2 flac  
5. 10/28/90 Sunken Gardens Theatre - San Antonio, TX 8.5 Source: audience Lineage: master cassettes>wav(96/24)>wav(44.1/16)>flac Transfer: master cassettes>Revox B-215>Rotel RN-560 Outboard Dolby/MPX NR System (Dolby/MPX NR off)>Audiophile 192>Adobe Audition 3.0 Taping Gear: Sony Recording Walkman>Stereo clip on mic Taped By: sean_the_bootlegger Transferred By: weedwacker 2 Flac  
6. 11/01/90 Universal Amphitheater - Universal City, CA A   2 flac  
7. 11/14/90 Rushmore Theater - Rapid City, SD A Source: DVD-R Trade Lineage: DVD-R>EAC>FLAC Bootleg Title: Rapid Fire Soundboard recording. 2 flac  
8. 06/03/93 Olympichalle - Munich, Germany A- Source: Audience Generation: 2nd Tape: Sony UX-Pro (type II) Tape transfered and edited by mats666 (2021-01-24) From the collection of Micke O. A huge thanks to him!!!! Lineage: Sony UX-Pro > Nakamichi Deck2 (Azimuth Corrected) > Zoom h2n (wav 24/48) > sandisk > usb > Pc > Audacity (edits) > dBpoweramp music cenverter wav 16/44 > TLH (fixing SBE`s) > CD wave editor (cue sheet) > dBpoweramp music converter > FLAC (level 8) 2 flac  
9. 07/02/93 Montreux Jazz Fest - Montreux, Switzerland A from Silver-CD 'No Looking Back' (Kiss The Stone / KTS 199) Lineage: Silver-CD > EAC (log-file included) > WAV > FLAC (via TLH (Level 7 and tested)) > TTD/Zomb (first seeded 2015-12-02) 1 flac  
10. 07/03/93 Pistoia Blues Festival, Piazza Duomo - Pistoia, Italy A Lineage: Silver Bootleg Cd > EAC > WAV > FLAC (Level 8) Original CD- Called "Promise Land" on Insect Records Cat.No INT 19 2 flac  
11. 10/10/93 Shoreline Amphitheatre - Mountain View, CA A Schoeps MK4 w/ RBox 16 Bit 48K. Do not recall DAT used to master this show. Recorded from section 102 rows K,L, M or N dead center Transferred by Nick C using Sony D7>Edirol R-44 via coax digital Processed using Soundforge 10b, resample, to 16bit 44.1K and split tracks TLH to convert to Flac Treasure 2 flac  
12. 10/19/93 Mesa Amphitheatre - Mesa, AZ A Source : Sony PC-62 stereo mic > Sony WM-D3 Cassette Master Transfer : Sony TC-WE 475 > Tascam SD-20M (rack mount) wave recorder (16/44) Editing : Sound Forge (tracking & volume) > Wave > TLH (sbe aligned) Flac 8 2 flac  
13. 11/09/93 Mecca Arena - Milwaukee, WI A DAT Clone from Master > PC CD Wave to Cut > TLH to Flac Level 8 & Align on SB Unknown Mic & Recorder Info 2 flac  
14. 11/17/93 Shea's Buffalo Center - Buffalo, NY a- LINEAGE:UNKNOWN EQUIPMENT/MAXELLXL2/NAK DR-3/M10(48/24)/ CDWAVE(TRACKIN/FLACIN8) 2 flac  
15. 12/10/93 E-Werk - Köln, Germany A CDR > EAC secure mode > Flac > you 2 flac  
16. 12/12/93 Bockenheimer Wart - Frankfurt, Germany A Source: Audience Generation: 1st Tape: Maxell XL II (type II) Tape transfered and edited by mats666 (2021-01-10) From the collection of Micke O. A huge thanks to him!!!! Lineage: Maxell XL II> Nakamichi Deck2 (Azimuth Corrected) > Zoom h2n (wav 24/48) > sandisk > usb > Pc > Audacity (edits) > dBpoweramp music cenverter wav 16/44 > TLH (fixing SBE`s) > CD wave editor (cue sheet) > dBpoweramp music converter > FLAC (level 8) 1 flac  

Robin Trower https://www.robintrower.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 08/06/73 Ebbets Field - Denver, CO A FM broadcast 1 flac  
2. 08/13/73 Seattle West Studio - Seattle, Wa a- LINEAGE KOL SEATTLE FM BROADCAST JEMS 10.5" MASTER REEL IN MONO @ 3 AND 3/4 ips>TEAC A-7300 REEL TO REEL> (W/MANUAL AZIMUTH ADJUSTMENT)CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 flac  
3. 04/29/74 Stanley Warner Theatre - Pittsburgh, PA A FM > Unknown > FLAC 1 flac  
4. 05/??/74 The Old Waldorf - San Francisco, CA a-   1 flac  
5. 02/09/75 Caley Cinema - Edinburgh, Scotland 8.5 Vocals need to be raised but a fine performance 1 Flac  
6. 03/21/76 International Ampitheater - Chicago, IL 8.5 LINEAGE WXRT FM BROADCAST REEL TO REEL MASTER @ 3 3/4 IPS>TEAC A-7300 REEL TO REEL> W/MANUAL AZIMUTH ADJUSTMENT>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)> MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(16/44.1KHZ) TRADERS LITTLE HELPER FLAC LEVEL 8 1 Flac  
7. 03/26/80 Kiel Auditorium - St. Louis, MO a- Source: "The Source" NBC Radio Network Pre-FM Double LP Transcription Set Lineage: Vinyl > Unknown Needledrop > WAV > FLAC 1 flac  
8. 03/05/86 Parker's Ballroom - Seattle, WA a- Lineage: master cassettes>2cdr(0)>eac>wav>flac Taping Gear: unknown stereo mics and cassette deck Taped and Transferred By: D.F. 1 flac  
9. 07/27/87 Starlight Theater - Kansas City, KS A Lineage: MasterCass-Maxell MX90/Denon DRS-610/Focusrite Scarlett 2i2/Audition/24-96flac Recorder: Sony tcd5m w/custom stereo pzm in hat. 1 flac  
10. 11/12/94 The Boardwalk - Orangeville, CA A- Audience Rec. S.Q.Vg+ Analog(M)Cd-R>WAV>TLH FLAC8 Recorded by uploaded by sunvenusmoon 1 flac  
11. 07/29/06 The Catalyst - Santa Cruz, CA A Source: Neumann KM140s > Sound Devices MP-2 > Sony SBM1 > Sony TCD-D7 48k DAT Transfer: DAT Master > Sony TCD-D7 > Tascam US144 mkII > PC > 16/48 wav > CDWAVE > flac16/48 A Wilson66 Master, From the DAT collection of Bill Shaw !!! This is a 48kHz fileset !!! Not For CD Burning !!! 2 flac  
12. 02/13/08 The Catalyst - Santa Cruz, CA A Audience Recording Dat(M)>Cd-r WAV>TLH FLAC8 Gear:AT853rx>PS-2>Hosa MIT-176>Sony TCD-D8 Recorded by Uploaded by:sunvenusmoon 1 flac  
13. 10/30/14 Keswick Theater - Glenside, PA A+ source : schoeps mk-4v > actives > nbox + > sony pcm-m10 > 24/96 wav adobe audition > ozone 5 > sample manager > xACT 2.33 > flac 16 taper : edtyre 1 flac  

Rockpile  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/22/80 Orpheum Theatre - Boston, MA A LINEAGE ACQUIRED AUDIENCE ANALOG MASTER>>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) Gear: Sony 153 SD w/Nak CP-1's 1 flac  
2. 11/26/80 The Ritz - New York, NY AA LINEAGE PRE FM LP MASTERS NEWMARK TURNTABLE TO CDR NO IDS TO PLEXTOOLS PRO/WAV 16/44.1 TO AUDIO CLEANING LAB FOR TRACK MARKS AND EDITS/WAV 16/44.1 TO TLH FLAC LEVEL 8 King Biscuit Flower Hour ALL ADS HAVE BEEN EDITED OUT ALL LP FLIPS HAVE BEEN EDITED TOGETHER 1 flac  

Rod Stewart http://www.rodstewart.com
  Date Venue - City, State Sound Rating Notes Media  
1. 03/05/75 The Forum - Los Angeles, CA A Mike Millard first generation cassette via JEMS The Lost and Found Mike the MICrophone Tapes Vol. 13 Recording Gear: AKG 451E microphones (CK-1 cardioid capsules) > Nakamichi 550 cassette recorder JEMS 2019 TRANSFER: first-generation cassettes made by Mike Millard for Jim R > Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > iZotope RX MBIT+ resample 16/44.1 > iZotope RX and Ozone mastering > Peak Pro 6 (volume smoothing / edit / index) > xACT 2.39 > FLAC 2 flac  
2. 12/18/76 Newcastle City Hall - Newcastle, UK A King Biscuit Flower Hour Broadcast 2 wav  
3. 12/06/78 King's Hall - Manchester, England A lineage: KBFH FM b'cast -> analog tape -> ? -> Trade CDR(n) -> WAV (using EAC in Secure Mode with proper read offset) -> FLAC (using Traders Little Helper) 1 flac  
4. 12/06/78 King's Hall - Manchester, England A Featuring Carmine Appice on drums lineage: KBFH FM b'cast -> analog tape -> ? -> Trade CDR(n) -> WAV (using EAC in Secure Mode with proper read offset) -> FLAC (using Traders Little Helper) 1 flac  
5. 06/19/79 Sports Arena - San Diego, CA A Mike Millard First-Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 185 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2022 Transfer: Mike Millard First-Generation Cassettes > Nakamichi RX-505 (azimuth adjustment) > Sound Devices USBPre 2 > Audacity 2.0 capture 2496 > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > xACT > FLAC 2 flac  
6. 06/28/79 The Forum - Inglewood, CA A Mike Millard First-Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 145 Recording Gear: AKG 451E microphones (CK-1 cardioid capsules) > Nakamichi 550 cassette recorder JEMS 2022 Transfer: Mike Millard First-Generation Cassettes > Nakamichi RX-505 (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > convert to 16/44 > Audacity > TLH > FLAC -Missing the first two songs of the show, "The Stripper/Hot Legs" and "Born Loose" 2 flac  
7. 03/24/82 Long Beach Arena - Long Beach, CA A Mike Millard First Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 82 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard First Generation Cassettes > Nakamichi RX-505 (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 2 flac  
8. 05/28/83 The 4th Schuettorf Open Air Festival - Schüttorf-Münster, Germany A Master - Audience recording from my old Maxell XL II Tapes 2 flac  
9. 08/11/88 Great Western Forum - Inglewood, CA a- D3 Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC 2 flac  
10. 08/14/88 Shoreline Ampitheater - Mountain View, CA A LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(16/44.1KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
11. 09/18/88 Jones Beach - Wantagh, NY a- This transfer was done by luciferburns. Tracking and edits were done by myself. Transfer lineage: 2nd gen. cassette > SONY TC-WE635 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC 2 flac  
12. 09/26/88 Madison Square Garden - New York, NY a- This transfer was done by luciferburns. Tracking and edits were done by myself. Transfer lineage: cassette > SONY TC-WE635 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC 2 flac  
13. 09/30/88 The Spectrum - Philadelphia, PA A Source: FM or Soundboard (maybe from VHS source) Format: 2 CDs Lineage: 2 CDs obtained in trade 15 years ago -> EAC -> FLAC level 8 -> DIME 2 flac  
14. 11/25/88 Montreal Forum - Montreal, QC A+ This transfer was done by luciferburns. Tracking and edits were done by myself. Transfer lineage: cassette > SONY TC-WE635 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC 2 flac  
15. 11/29/88 Hartford Civic Center - Hartford, CT a- Analog Master From The MoodySMB collection Tape supplied by Doinker Transferred and Presented By Krw_co LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(16/44.1KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
16. 12/02/88 Civic Arena - Pittsburgh, PA a- This transfer was done by luciferburns. Tracking and edits were done by myself. Transfer lineage: cassette > SONY TC-WE635 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC The crowd was very boisterous but still a great recording 2 flac  
17. 04/09/89 Estadio Corregidora - Queretaro, Mexico A Source: FM Broadcast Format: 2 CDs Lineage: 2 CDs -> EAC -> DIME 2 flac  
18. 06/01/89 Mann Music Center - Philadelphia, PA a- This transfer was done by luciferburns. Tracking and edits were done by myself. Transfer lineage: cassette > SONY TC-WE635 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC 2 flac  
19. 06/08/89 Skydome - Toronto, ON a- Source: Audience (Good recording from the era) Format: 2 CDs Lineage: 2 CDs obtained in trade 15 years ago -> EAC -> DIME 2 flac  
20. 06/09/89 Hersheypark Stadium - Hershey, PA a- This transfer was done by luciferburns. Tracking and edits were done by myself. Transfer lineage: 1st gen cassette > JVC TD-W307 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC 2 flac  
21. 07/31/89 Hollywood Bowl - Los Angeles, CA A Mike Millard First-Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 211 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2023 Transfer: Mike Millard First-Generation Cassettes > Nakamichi RX-505 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX9 Advanced and Ozone 9 > MBIT+ resample to 16/44.1 > Audacity > xACT 2.50 > FLAC 2 flac  
22. 08/05/89 Wang Center - Boston, MA a- This transfer was done by luciferburns. Tracking and edits were done by myself. Transfer lineage: cassette > SONY TC-WE635 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC 2 flac  
23. 05/04/99 General Motors Place - Vancouver, BC a- Source: Marcsounds Binaural Mics > Marcsounds battery box > Aiwa HD-S200 DAT Transfer: DAT master > Tascam DA-30 > Edirol R-44 > .WAV @ 16 bit/48 kHz Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) FLAC Recorded & transferred by: Chris Bold Mastered by: Dennis Orr 2 flac  
24. 08/02/01 Molson Center - Montreal, QC A Recorded by stevemtl: Sennheiser MKE2002 > Denon DTR80P (DAT: 16 bit, 48 khz) Transferred by stevemtl: DAT > Sony R500 > Roland R44 (16/48) > SD chip > HD Mastered by stevemtl: HD > Soundforge (L2 dither > 24/48: edit, L2 applause level adjust, fades; anti-alias filter and downsample > 24/44.1; L2 dither > 16/44.1) > CDwave (track cut) > TLH (flac level 8, ffp, md5) > TLH (torrent marker) Circulated by stevemtl: torrent marker uploaded to DIME on 2020-10-25 2 flac  
25. 06/14/22 Hollywood Bowl - Hollywood, CA A- SP-CMC-4U -> A10 -> Soundforge -> FLAC 2 flac  
26. 02/13/23 Hard Rock Live - Hollywood, FL A Sonic Studios DSM-6SL PA-6LC2 > Sony PCM-A10 Recorded from dead center in the first balcony from the 2nd row row Source Master recording > WavePad Sound Editor for fades > CD Wave > THL FLAC >THL for checksums 2 flac  
27. 07/15/25 Broadview Stage - Saratoga Performing Arts, NY 9 Lineage: SP-CMC-8 mics > SP-SPSB-1-PC @ 16Hz > Edirol R05 (24/48) > Adobe Audition CC2025 (level boost) > CD Wave Editor (track) > flac8 Recorded & Tracked: Smores 2 Flac  

Roger Daltrey  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/04/85 Constitution Hall - Washington, DC B++ Lineage: Unknow Generation tape -> WAV -> FLAC 1 flac  
2. 12/05/85 Tower Theater - Philadelphia, PA A+    
3. 12/08/85 Orpheum Theater - Boston, MA A   1 flac  
4. 12/09/85 Madison Square Garden - New York, NY B++ Recording: Unknown taping equipment and generation Transfer: JVC HR-XVC11 > Sony DTC-ZE700 > E-MU E-DSP Soundcard > 16/48 wav > Wavelab (tracking and tweaking) > you ! No equalization, just lowered pitch. whotrader-0017-daltry-1985-12-09 1 flac  
5. 12/12/85 Albany PalaceTheatre - Albany, NY A Recorded on Sony Walkman, handheld powered stereo microphone, front row-left of center. Maxell HiBias Cassette > Audigy Sound Editor > WAV > FLAC 2 flac  
6. ??/??/85 King Biscuit Flower Hour + - Unknown, Unknown A lineage: 104.1 WBCN Boston FM broadcast > Yamaha RX-500U reciever with wire antenna > unknown average quality cassette recorder (dolby off) > Maxell XLII-S cassettes (tracks 12 and 13 from 1st gen. copy of reel master recorded from same broadcast with same reciever) > played on tascam 112 into soundforge (wav) > flac (sb's aligned) > torrentially yours. 2 flac  
7. 10/12/09 Showbox SoDo - Seattle, WA 8.5 Lineage: Nak 700 mics>Olympus LS-10(96/24)>Wavelab(44.1/16)>Flac Taped and transferred by JEMS 2 Flac  
8. 03/15/18 Fox Theater - Oakland, CA a- Equipment DPA 4061s-battery box-Sony PCM-M10 Transfer M10-usb-audacity-CD wav editor-FLAC Taped from the Balcony 2 flac  
9. 02/27/20 Independence of the Seas - Ft. Lauderdale, Fl AA Rock Legends Cruise VIII The first of a few shows from fellow taper yeolderocker and mastered by JohnnyC3. Roland R-07 (Internal Mics) 16/44.1 Section 2 center stage. Not the floor but the first row of the next section of seats facing center stage FLAC 8 Time: 1:36:42 2 flac  
10. 07/06/22 Clyde Auditorium - Glasgow, Scotland A Location - Row Q in stalls Recorded using ZOOM H2 - Memory Card - PC - Adobe - Audacity - TLH Once on my PC I put the raw file through Adobe Audition to sort out the sound. I then tracked using Audacity before converting to FLAC using TLH. 2 flac  
11. 07/09/22 Apollo - Manchester, UK A Tascam DR-05X / Sony ECM-CS10 mic WAV recording, levels increased in Pyro Audio Creator LE, trackmarked in CD Wave Editor, converted to FLAC in FLAC Front End 2 flac  
12. 06/10/24 Keswick theater - Glendale, PA A+ Source: DPA4061 > CA-UGLY > Sony PCM-A10 (24/48) Transfer: wav file > Sound Studio (16/44.1) > xACT > FLAC (level 8) Recording location: Front row Recorded by: Tapehead2 2 flac  
13. 06/20/24 Leader Bank Pavillion - Boston, MA A SP-CMC-8c===SP-SPSB-4 to Sony A-10===Internal Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  

Roger Hodgson  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/01/98 Teatro Monumental - Santiago, Chile A CD - jetAudio - Wav pcm - TLH - Flac 8 2 flac  
2. 07/02/05 Bospop Festival - Weert, Netherlands 8.5 Sony MZ-NH1 - Cardioid Mics - Wave files - Flac 2 Flac  
3. 06/06/06 Salle Wilfrid-Pelletie - Montreal, QC 8.5 soundboard 1 MP3  
4. 07/03/08 Piazza Della Riforma - Lugano, Switzerland 9 Soundboard > ReelToReel > DAT > 1st copy > eac > wave > flac frontend (Level 8, align on sector boundaries) > flac exception Disc 2 Tracks 7 & 8 are recorded with modus MPEG 2 , 480000 Hz , 256 KBit/s > resampled by mistake in 44.1000 Hz and saved as wave. The original files are lost in space. I promise, your ear will hear no difference ;-) Size : 404 MB (incl. Artwork) Excellent Sound Quality 2 Flac  
5. 07/12/11 Teatre Auditori Camp de Mart - Tarragona, Spain a-   2 flac  
6. 08/28/11 Fiesta City - Verviers, Belgium AA Source: Church Audio CA-14's (cardioids) > Church Audio CA-9200 > Sony PCM-M10 @ 24 bit/48 kHz Mastering: .WAV > Sound Forge Pro 11.0 Build 299 [iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.30 (tagging) Location: Row J, LC Recorded by: "DGB" Mastered by: Dennis Orr 2 flac  
7. 07/18/12 Piazza Napoleone - Lucca, Italy A Please see the original info file for all the details about the recording. A few words about this remastered recording......First, the original lineage: Lineage (FM > HD > web) ITT HiFi4060 Tuner > Audacity 2.0 via C-Media CMI8738/C3DX soundcard > 44100hz/16bit flac's (level 8) > webtorrenting Then, the additional lineage: TLH > Guitar Tracks Pro 3.0 > SB X-FI Platinum > Sony Sound Forge 8.0 > Magix Audio Cleaning Lab > TLH > FLAC This broadcast was originally recorded and torrented by survivor69. The transfer from FM to Flac was excellent and all thanks should go to this fellow for doing that. The remaster: About 19 minutes of DJ banter ( yes, some music too, because the DJ talks over it), intros and other talking was removed from the original recording. 2 or 3 very brief sections of DJ banter remain. 25 seconds of clean, uninterupted applause was taken from 2 other sources, overdubbed and carefully added to the original with cross fading ( slow in/slow out ). Using Sony Sound Forge 8.0, I blended the channels slighty and raised the volume a little.I noticed some brief dropouts on the original, some were lost in editing but I made no effort to fix the others. I resisted changing the pitch of the recording, even though I think Roger's voice sounds a bit "off ", it must have been the water in Lucca, but my knob twirling, while creating very interesting versions of this concert, yielded no fulfilling results, other than making Roger sound even more feminine and "mousy". Maybe next time I should turn the knobs the other way.... This ( hopefully ) creates a more comfortable recording to listen to, rather than have the intrusion of the DJ ( a woman who clearly enjoys the sound of her own voice, even more than Roger ! ). The clean applause was taken from concerts on the NAB / NAV lists, but as far as I know, only the artist performances themselves are banned. Besides this controversy, I freely choose to be the only one harmed by the secret of knowing which shows they are. I can only say this; one of the recordings is from my own master ( CA-11 cards > DR-2d ), the clapping is mostly the sound made by my own hands, the same hands which are giving you 19 minutes of your life every time you hear the remaster....... Later, after completing a Pink Floyd SBD/AUD Quad Surround Sound "matrix" from 1977, I will share a seperate recording containing the 19 minutes extant, a glorious example of overindulgence which I will dedicate to RAI DJ's & executives, liars and bullshit artists worldwide !! Please enjoy Rogers performance ! 2 flac  
8. 08/04/12 Red Robinson Show Theatre Boulevard Casino - Coquitlam, BC 9 ** 16 BIT ** Source: Core Sound Binaural microphones > Sony TCD-D100 DAT recorder Transfer: Master DAT > Sony PCM-R300 > Tascam CD-RW700 > CDR > EDC > .WAV > Sound Forge Pro 10.0a (minor edits & normalize) > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC Location: Located in the right centre orchestra, row F. slightly to the right hand side of stage. Recorded By: "DGB" Mastered By: Dennis Orr 2 Flac  
9. 10/20/13 Zeiterion Performing Arts Center - New Bedford, MA 9 SP-CMC-8c > SP-SPSB-11 > Sony M10 @ 48/24 Probably a 9.5 2 Flac  
10. 11/06/14 Motor City Casino Soundboard - Detroit, MI A Recorded by: ravinganrooling Equipment: CA14 cards-CA9100-Sony M10 Processing: 24/48 wave-HarBal/Izotope-16/44 wave-CD Wave-TLH-Flac Level 6 2 flac  
11. 04/28/16 The Palladium - London, UK AA Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 2 flac  
12. 12/02/16 Celebrity Theatre - Phoenix, AZ A Sony M10 > Audacity > xAct > SBE > FLAC Transfer assisted by: TAKRL - .- -.- .-. .-.. Running time: 2:04:47 682.2 MB 16 Bit 44.1kHz Conduit to the information super highway: extrapail “By music enthusiasts for music enthusiasts”. - .... .. ... / -- . .- -. ... / -.-- --- ..- .-.-.- Mastered in Tierra Del Fuego 2 flac  
13. 10/19/17 Northern Lights Theatre - Milwaukee, WI A Taper: DK-WI Recording: DPA 4021 > Sonosax SX-M2 > Sony PCM-M10 (24/48) Transfer: Sony PCM-M10 > USB > Audacity (Dither/Resample, Amplify) > CDWav > FLAC 2 flac  
14. 11/18/18 Molson Canadian Theater - Coquitlaqm, BC AA Source: Church Audio CA-14's (cardioids) > Church Audio CA-9200 > Sony PCM-M10 @ 24 bit/48 kHz Mastering: .WAV > Sound Forge Pro 11.0 Build 299 [iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.30 (tagging) Location: Row J, LC Recorded by: "DGB" Mastered by: Dennis Orr 2 flac  
15. 07/22/19 Theater Antique - Lyon, France AA SOURCE ------ IEM : Recepteur Stereo > Tascam DR-2D GENERATION ---------- .WAV[16bit/44.kHz] > .FLAC [16bit/44.1kHz] TRANSFER -------- Adobe Audition > CD Wave Editor > Trader's Little Helper 2.7.0 2 flac  
16. 02/14/20 Fox Theater - Mashantucket, CT AA Source info: Sennheiser ME-104's> Roland R-07 (16/44.1) >USB> PC> GoldWave v6.23> CDWaveEditor v1.96 (track split)> TLH> Flac (6) Taper: Ringfedder 2 flac  
17. 02/23/20 River City Casino - St. Louis, MO AA MS-TFB-2-11849>Church Audio Ugly Box /Sony PCM A10. >24bit 48htz > HDD>Goldwave to split the file> Ozone 8 to master and dither to 16 Bit /44.1> traders little helper flac level 8 2 flac  
18. 02/24/20 River City Casino - St. Louis, MO A Source: CA 14 Cards > Church Audio Ugly Box /Sony PCM A10. >24bit 48htz > HDD>Goldwave to split the file> Ozone 8 to master and dither to 16 Bit /44.1> traders little helper flac level 8 Taper: Whotapes Section: 103 Row: C 2 flac  
19. 02/28/20 Rock Legends Cruise VIII - Fort Lauderdale, FL A Rock Legends Cruise VIII MIKEY 2.0 iPod Recording Microphone 16/44.1 Dead center in the 4th row. FLAC 8 2 flac  

Roger McGuinn  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/25/22 Smothers Theater - Malibu, CA A+ Recorded by -M- SP-CMC8 (Audio Technica at-943 microphone pair) > SP-SPSB-11 (battery box) > Sony PCM M-10 @ 24-48 iZotope RX8 advanced & Har-Bal 3.7 > CD Wave > Korg Aqua (16-44) > TLH (flac 8) Jewel box artwork by ethiessen1, many thanks for the beautiful covers on this and so many other shows. For historical reference only and not intended for resale or any commercial use Support the artists and the venues that host live music Buy the official releases and go to a concert Enjoy… -M- (July 2022) 2 flac  

Ronnie Montrose  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/22/85 The Catalyst - Santa Cruz, CA A This is the 24/48 file set. A 16/44.1 file set is being posted separately. END CONTRAST CLAUSE Digital matrix mix from 4 channel SBD + microphones over stage cassette master - excellent sound quality. From excellent sound quality 4 channel cassette master: (2 x soundboard plus 3 microphones live mixed into the other 2 channels) > Yamaha PM44D > Maxell UDXLII cassettes (Dolby C encoded). The microphones used for this show were two x Crown PZM mics hung on the low ceiling over the stage plus plus a single Shure SM57 hung on the balcony railing. Transfer [grner1 2020-11-03]: Yamaha PM44D (Dolby C decoded) > 2 x Macintosh G4s with Digidesign Audiomedia III sound cards > Pro Tools (time alignment, minor “nip and tuck” edits, normalization tracking and matrix mix - no equalization or DNR) > AIFF files (24/48 and 16/44.1 file sets) > xACT (Level 8 Flac files, tagged with sector boundaries verified). 2 flac  
2. 12/31/89 The Cabaret - San Jose, CA A   1 flac  
3. 07/17/90 Cabooze - Minneapolis, MN a- Lineage: ? > cassette trade circa 1998 Transfer: Sony TC-WE475 > Zoom H4n (96/24) > Wavelab (tracking and tweaking) > Flac (level 8) > you ! whotrader-0926-rm-90-05-xx-44 2 flac  
4. 06/25/99 Park West - Chicago, IL A- This transfer was done by luciferburns. Tracking and edits were done by myself. Transfer lineage: cassette > SONY TC-WE635 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC 2 flac  
5. 07/18/01 The Back Beat - Santa Clara, CA A   1 flac  
6. 01/27/12 Uptown Theater - Napa, CA A Recorded by Daspyknows Recorded Front of sbd in the center (I was requested not to disclose exact seat locations) Schoeps MK4 w/NBox Tascam DR100 24 Bit 48K Processed using Soundforge 10b, resample, to 16bit 44.1K TLH to convert to Flac Master 2012.02 Treasure Chest 2 flac  

Rory Gallagher  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/18/76 Shrine Auditorium - Los Angeles, CA a- K.B.F.H. WBCN FM Broadcast Aired February 13th 1977 Hezekiahx2 Master Reel @ 7 1/2 ips Transferred and Presented By Krw_co LINEAGE WBCN FM BROADCAST TO REEL TO REEL MASTER AT 7.5 IPS > TEAC A-7300 REEL TO REEL> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC LEVEL 8 1 flac  
2. 01/18/77 Hammersmith Odeon - London, England A Source: FM "Low Gen" trade cassettes> CDR> (wav) 2008 DAE with EAC (secure mode)> (flac) Flac Frontend level 8 (align on secture boundaries) Quality: ex- "FM" 2 flac  
3. 01/21/77 Brighton Dome - Brighton, UK 8   1 Flac  
4. 01/29/77 Hammersmith Odeon - London, UK 8.5 Recorded from Broadcast of Sight and Sound in Concert 29th January 1977 Lineage: Rotel RT620 Tuner>Yamaha TC800D Cassette Deck>Sony HF Cassette>MagixACL>FLAC 1 Flac  
5. 02/07/77 De Montford Hall - Leicester, UK a-   2 flac  
6. 02/15/77 De Montfort Hall - Leicester, UK 8.5 Taper & Taping Gear: ??unknown?? Lineage: "FM" "Unknown Gen" analog cassette tapes> Trade CD-R> (wav) 2012 DAE with EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries) Transfer ("Pitched & Remastered"): Paul "Keynote" Boyce (Vermont, U.S.A.). Thank you! Trade Digital CDR: Phrob (Maine, U.S.A.). Thank you! Quality: ex- 2 Flac  
7. 02/17/77 City Hall - Sheffield, UK 9   1 Flac  
8. 07/22/77 Montreux Jazz Festival - Montreux, Switzerland 8.5 Source: Soundboard Lineage: CD Silvers>EAC>FLAC Taped by: unknown Transfered by: unknown Bootleg Title: Chequered Shirt Wizzard (Blues Tune BT 001) File Size: 454 MB (FLAC) Chequered Shirt Wizard is a compilation this is not that 2 Flac  
9. 10/25/77 Nagoya-shi Kokaido - Aichi, Japan 8.5   2 Flac  
10. 10/27/77 Yubin-Chokin Hall - Hiroshima, Japan 8.5   2 Flac  
11. 10/31/77 Festival Hall - Osaka, Japan a- Tape, & Taping Equipment: ??unknown?? Transfer, & Trade: probably Phrob (Maine, U.S.A.). Thank You!! Quality: vg/vg+ (AUD), The Last two tracks of disc #1 have source disc problems, sorry. The first four tracks of disc #2 have a volume level that is too high, except the last two tracks. Having a level that is too high creates clipping in this recording. Source: AUD "Low Gen" Trade CDR's> (wav) EAC (secure mode)> SoundForge (track splits)> (flac) Flac Frontend level 8 (align on secture boundaries) Artwork: included, by Ebby (Japan). Thank You!! Length: 17 tracks = 110:49 minutes 2 flac  
12. 11/03/77 Shinjuku Kouseinenkin - Tokyo, Japan a-   2 flac  
13. 11/04/77 Nakano SunPlaza Hall - Tokyo, Japan 8 Taper: satomi Transfer, & Trade: Muew (Japan) in 2008. Thank You!!! Source: from Liberated Bootleg "Just A Rockin' Time", Star Music label Quality: vg+ "AUD" Lineage: Trade CDR> 2008 DAE (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries) Length: 17 tracks = 107:25 minutes Artwork: included. 2 Flac  
14. 11/05/77 Nakano Sun Plaza Hall - Tokyo, Japan a-   1 flac  

Rory Gallagher Compilation  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/77 Various - Various, UK 8 silver cds Rory Performed Edged In Blue 2x on this tour. 2 Flac  

Roy Buchanan  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/14/74 Amazing Grace - Evanston, IL A Soundboard Recording Lineage: SBD> ???> CDR> EAC> TLH> .flac (level 6) Extracted and encoded by Tim D. 1 flac  
2. 09/17/75 The Agora - Cleveland, OH A Lineage: FM > ? > CDR > EAC > TLH > FLAC 1 flac  
3. 06/??/77 Live In Japan - Compilation, Japan A Linage: SBD > ? > Trade CDR (in 2001) > EAC > Flac(8) 7 flac  
4. 05/06/78 My Father's Place - Old Roslyn, NY A Source: Pre-FM for WLIR 92.7 FM Radio Broadcast > ? > CDR > EAC > WAV > FLAC 2 flac  
5. 05/06/78 My Father's Place - Old Roslyn, NY A Source: Pre-FM for WLIR 92.7 FM Radio Broadcast > ? > CDR > EAC > WAV > FLAC serious cut on Can I change My Mind 2 flac  
6. 05/15/78 Agora - Cleveland, OH a- FM Radio Broadcast > unknown > FLAC 1 flac  
7. 04/28/79 Armadillo World HQ - Austin, TX 8.5   2 Flac  
8. 09/15/79 Park West - Chicago, IL A Recorder: Technics RS-686DS ANALOG Tape: TDK AD-C-90 normal bias Dolby On Mics: Teac ME-80's (same as CM-300) Played back on identical machine (Dolby off) > Chord Co. Cables Pre-amp: Naim 52 CDR Recorder (Stand Alone): Tascam CDR-2000 CDR: Taiyo Yuden Gold 74-ZY Master CDR > PC Drive: UltraPlex40max SCSI > EAC > FLAC > To You Guys, enjoy, RB 1 flac  
9. 04/17/80 Toad's Place - New Haven, CT A FM Broadcast & Mix Engineering: Kevin Garrity - three links for songs from this show are posted on YouTube as of 2020. I like the sound of this off-air recording better! Recorded by: K2 - tape 0199. From the taper: I recorded this on my home stereo as it went down live. This show was on a Thursday night, possibly late, and I would have had to work the next morning. I am guessing I recorded the first side, flipped the tape, and went to bed. So this recording ends when side B of the tape ran out. There is occasional tape damage - not much - but I played the snot out of this cassette for years before considering the archival value. In general I will still rate this as excellent. Recording: WPLR-FM Broadcast > Pioneer SX-680 receiver > Toshiba PC-X12 Stereo Cassette Deck (dolby off) > Scotch Dynarange C-90 Transfer by APR: Scotch Dynarange C-90 (master tape) > Tascam 122 MK2 Cassette Deck (dolby off) > Otari Concept 1 Mixing Board > "Mackie SDR 24/96" Digital Recorder (pass through for A > D conversion @ 16/96) > Light Pipe Fiber > RME Hammerfall HDSP 9632 PCI Soundcard > Hard Drive Mastering By: Bootstrap 2 flac  
10. 08/03/82 Wax Museum - Washington, DC A- Total Time: 91:17 File Size: 578 MB recorded with a sony d5m and 2teac-pe120mics transferred using a nak bx300 to tascam da3000 this was 24bit, converted to 16bit. ---------------------------------------------------------------------------------- ismokeweed notes: "i do remember sneaking into the wax. not sure why i got there late. i usually would try and get a cheap ticket at the door. i tried a door and it opened and i got in with the d5 and 2 mics. on my tape i wrote recorded in the 4th row using ian's teac pe120mics with the batteries put in backwards. these mics were like nak300s and took a round 9v batt. i would think the mics would not work if the batts were put in backwards. i hear dave sless's voice doing the announcement at the end of the show. he was the house soundman at many dc music venues and might have a nice sbd collection." ----------------------------------------------------------------------- This sounded better than the other versions of this show I have, so I made some modifications to improve it. 24bit converted to 16bit and retracked. Many of the tracks started and/or ended abruptly. These missing pieces were repaired with segments from bpthree's version of this show. Also placed the tracks in the proper order. 1 flac  
11. 01/11/87 My Father's Place - Old Roslyn, NY A Taper : Joe D'Amico ''AKA'' Joebeacon Editng : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony D-5 Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Master files > Adobe Audition > Ozone > Traders Little Helper I lost this in drive crash. This is the 2nd time. I was allowed to set up mic stand for a bunch of shows at My Father's Place. This was recorded about 20 feet from stage dead center. 2 flac  

Roy Harper  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/31/74 Hyde Park - London, UK a- I used a Decca Legato mono cassette recorder with an external dynamic microphone and an Agfa C120 cassette. Dave used a Praktica 35mm SLR camera with a 200mm lens and Ilford HP4 black and white film. We developed and printed the pictures in Dave’s mum’s bathroom, which we converted to a temporary darkroom. The tape was transferred from a Nakamichi DR-1 cassette deck with adjustable head azimuth, though an AS372N analogue to digital USB converter to a Windows 10 Professional PC. The recording software was 64 bit Goldwave and the transfer was made at 24bit 96kHz resolution. 1 flac  
2. 06/24/78 Knebworth Festival - Knebworth, England B++ Recording Information ::: unknown (narrow) stereo recording equipment -> master tape -> unknown analog-only tape generations -> unknown generation Maxell UD XLII-90 cassette, Dolby B on. Playback 2015-11-24 ::: unknown generation Maxell UD XLII-90 cassette on Nakamichi 680ZX cassette deck, Dolby B on, azimuth adjusted for individual tape, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 (LPCM 44.10kHz/16bit WAV files) -> computer -> Audacity [normalisation to remove DC offset, channel/phase alignment, fades, manual one-at-a-time glitch, bump, pop, click, dropout & dullspot repairs, volume adjustments, -5.5% averaged pitch (speed) fix with single pass after frequency analysis & with pitchpipe verification, NO equalisation] -> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. First uploaded week of 2016-01-16. 1 flac  
3. 06/24/78 Knebworth Festival - Knebworth, England B++   2 flac  

Roy Harper & Jimmy Page  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/29/84 Battersea Park - London, England a- Silvers: "Hat Off To Jimmy Page" Fire Power label > EAC > flac > you This boot was located in a closeout bin on the sidewalk in Tokyo six years ago. Can't quite locate the artwork at this time, maybe someone else can come through with this. The lyrical interlude in "Game" is especially good. The studio jam contains some ideas for what would become The Firm, with some Paul Rogers (?) vocals. Includes embryonic versions of Fortune Hunter and Midnight Moonlight, and blues. 1 flac  

Ruby Starr & Grey Ghost  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/07/75 Long Beach Arnae - Long Beach, CA A Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassette > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 1 flac  

Rumors of Fleetwood Mac  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/27/22 Morris Performing arts Center - West Bend, IN a- Recorded from Mezzanine Row AA Tascam DR-05X (internal mics) > 24/96 WAV > Audacity (EQ/Compressor/Limiter/Amplify/Fades) > 16/44.1 WAV > Foobar2000 > FLAC (Level 8) > Trader's Little Helper (no SBE errors) 2 flac  
2. 03/21/24 Tempodrom - Berlin, Germany A A Hornoxe Recording Lineage: Zoom H1n -> Wav (48kHz/24Bit) -> Magix Audio Cleaning Lab (EQ, Fade In/Out, Split in Tracks) -> 44,1kHz/16Bit -> flac 2 flac  

Rundgren Entwistle Parsons Wilson  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/13/01 Sun Palace - Fukuoka, Japan AA Dat master>clone> cdr Unknown mics exc aud tape from Dolphinsmile Archives 2 flac  

Russ Ballard  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/23/26 The Stables - Wavedon, UK 9.5 Source: Audience master Taper: phundercover Lineage: Zoom H2 (built in mics) > USB > HD > Sound Studio (tracking, fades) > xACT (sector boundary alignment, encoding, tags) 1 Flac  

Ry Cooder & David Lindley  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/29/90 Roskilde Festival - Roskilde, Denmark A- audience 1 flac  

Scandal  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/05/18 Riviera Theater - North Tonawanda, NY a- 16 bit version Taper: Binko Gear: AT831s > Tascam DR-08 Mastered by }{eywood Lineage: DR-08 (recording to 24/48 .wav) > USB > Adobe Audition 1.5 (EQ, clap reduction, peak limiting, splits & fades) > Xrecode II (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  

Shooting Star  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/09/83 Bogart's - Cincinnati, OH A- King |Biscuit Flower Hour recording 1 Flac  

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